I live in Miryang, the town of sunlight. I settled here 10 years ago because it was getting harder for me to live with all the farm work and this was a perfect place to take a rest with its clean air and water. Not only me. One of my neighbors came here to recover from bad health, too. However, my life nowadays became so sad and bitter. Transmission towers, called 765 something, are said to be built in the neighborhood, and it is making so much trouble. Last year, an old man who lived in another town not far from here, killed himself because of it. And I, trying to stop the construction people cutting down trees, was dragged around by young men far below my age, getting insulted with harsh words I'd never heard before. I still have the scars from being beaten by them back then. People say that 64 transmission towers are going to be seated in Miryang. It's been 8 years since I started the fight against it. 8 years!
I live in Miryang, the town of sunlight. I settled here 10 years ago because it was getting harder for me to live with all the farm work and this was a perfect place to take a rest with its clean air and water. Not only me. One of my neighbors came here to recover from bad health, too. However, my life nowadays became so sad and bitter. Transmission towers, called 765 something, are said to be built in the neighborhood, and it is making so much trouble. Last year, an old man who lived in another town not far from here, killed himself because of it. And I, trying to stop the construction people cutting down trees, was dragged around by young men far below my age, getting insulted with harsh words I'd never heard before. I still have the scars from being beaten by them back then. People say that 64 transmission towers are going to be seated in Miryang. It's been 8 years since I started the fight against it. 8 years!
2013-11-15
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Shin-ae moves to her recently late husband’s hometown. Despite her efforts to settle in this unfamiliar and too-normal place, she finds that she can’t fit in. After a sudden tragedy, Shin-ae turns to Christianity to relieve her pain, but when even this is not permitted, she wages a war against God.
Documentary about the making of Ang Lee's 'The Wedding Banquet.'
A film about teenagers with growing pains, who discover their own voice and talent through riding and grooming toy horses.
A view of the religious tensions between Muslims and Buddhist through the portrait of the Buddhist monk Ashin Wirathu, leader of anti-Muslim movement in Myanmar.
As the Egyptian society is hit with a wave of religious and national extremism, filmmaker Nadia Kamal and her grandmother Mary resort to storytelling as they recount to the grandson Nabeel the history spanning 100 years of changes. What's a better way than storytelling to preserve identity?
Balkan Erotic Epic explores the sexual aspects of Serbian folklore. Ancient myths that have trickled into everyday household remedies or explanations are juxtaposed with the joys of the female and male sexual forms from which all human life originates. Functioning as both sexual liberation and reinvented modern myth, Balkan Erotic Epic is a display of the need for a cultural change in viewpoint around sex.
Documentarian Jose Sanchez-Montes turns his attention towards the late Cuban musician Ignacio Villa, known throughout the world as Bola de Nieve (Snowball), with this 2003 biographical documentary entitled simply Bola de Nieve. A master pianist, Bola de Nieve was a mainstay through the middle portion of the 20th century, with his music almost omnipresent in South America cinema throughout those formative decades. With Bola de Nieve's famous statement "I'm a sad person, but my songs sound happy" in mind, Sanchez-Montes also looks at the influence of the musician's African heritage and homosexuality upon Bola de Nieve's unique musical style.
Who Wants to Live Forever, the Wisdom of Aging is a one hour documentary film about the myths, facts and contradictions in the never-ending battle for both longevity and healthy aging.
Through a mosaic of memories, this documentary celebrates music star Vladimír Mišík and highlights one of the great explorations left in his life.
A portrait of a hard rocking band known for their substance-fueled live performances on their evolutionary journey to become one of the greatest cult rock bands of our time.
In 1969, Christo and Jeanne-Claude wrapped 2.5 kilometers of coast and cliffs up to 26 metres along the coast of Little Bay, in Southeast Sydney, Australia.
Ed Ruscha made his very first art in his native Oklahoma, but soon became attracted to Los Angeles . Curator Margit Rowell has examined his extensive body of work and created a brilliant exhibition of his seldom seen drawings. Rowell visits Ruscha in his studio, looking at new paintings with the artist, discussing his progress over the decades and asking him to comment on the many milestones in his large retrospective exhibition at MoCA in Los Angeles.
Meier guides the viewer on a retrospective of his white buildings, from private houses of the 1960s to the Frankfurt and Atlanta Museums of the 1980s--all variations on his trademark spatial and planar treatment. His influences from Corbusier, Wright, Mies, and Baroque Germany are shown. Clients and colleagues offer opinions.
Filmed exclusively for Arrow Video in 2013, this documentary looks at the making of The Pit and the Pendulum and features producer and director Roger Corman, star Barbara Steele, Vincent Price's daughter Victoria Price and more.
Croatia’s achievement in coming 3rd at the 1998 World Cup in France was staggering. A nation barely established took on and beat the world’s powerhouse nations, coming within a whisker of lifting the trophy. But, this is much more than just a story about a talented football team, it is the tale of a nation emerging from the wreckage of the Balkan war and the disintegration of Yugoslavia to stand proudly as an independent country on football’s grandest stage.
The composer Frederic Rzewski ordered a film from Gerd Conradt for his piece “Selfportrait”. The film was supposed to be shown while he was playing his piece of music, he didn't want to be seen. The film shows Frederic Rzewski sitting down at the table in the Trattoria Carlone in the Trastevere district of Rome from a bird's eye view. He orders wine, salad and a portion of spaghetti. We watch as he eats, pays, gets up and walks out of the picture. All in one setting.
This film has no story - one could be born at any moment. His characters are the composition of the composition that, in the time they live in, is the composition of the time in which they live. The situations are exemplary, they come from the reality of dreams, a movement takes on several dimensions, gives the impression of simultaneity, the passage of time is not perceived.