This documentary is featured on the two-disc Chaplin Collection DVD for "The Kid" (1921), released in 2004.
Self
Self
This documentary is featured on the two-disc Chaplin Collection DVD for "The Kid" (1921), released in 2004.
2003-03-02
5.7
"A Woman of Paris" (1923) was the first film Chaplin made for United Artists Film Corporation, which he founded with his friends Mary Pickford, Douglas Fairbanks and D. W. Griffith. Chaplin had long considered making a dramatic feature. For the first time, he decided to direct. Actress and filmmaker Liv Ullmann analyses the film. She talks about the acting, the originality of the characterizations, as well as the "feminine" viewpoint Chaplin adopted for the first time in his films.
As children in the loving Ekdahl family, Fanny and Alexander enjoy a happy life with their parents, who run a theater company. After their father dies unexpectedly, however, the siblings end up in a joyless home when their mother, Emilie, marries a stern bishop. The bleak situation gradually grows worse as the bishop becomes more controlling, but dedicated relatives make a valiant attempt to aid Emilie, Fanny and Alexander.
At some point, they dreamed of becoming a part of the national taekwondo team, but now, they have surrendered to reality. There were three friends, Hoon-i, Seong-ho, and Tae-yeong.
A man wrestles with his personal demons and obsession with a writer's life.
The life and career of Dominican comedy duo Raymond Pozo and Miguel Céspedes.
Forget martinis and Austin Powers. This documentary is an unflinching portrait of the realities of "swinging," and it's not exactly a shaggadelic picture; in fact, the swingers we meet in the film are older, often lonely people. Most of them are simply looking to break out of their conventional, well-ordered lives by adopting "the lifestyle." Birds and bees may not do it, but we learn that monkeys do -- as well as 3 million Americans.
Hava's brothers decide to divide their paternal property. According to traditional customs, the right to inheritance belongs to male descendants only whereas Hava has no right to inherit. The eldest brother is obligated to find a husband for his sister. Hava must be married and live at her husband's house.
A mentally disturbed man stalks a woman who had once aborted the child he had fathered.
Compilation tape with music by various underground musicians, interspersed with random video footage.
About three women in search of a home return to South Korea after an absence of more than thirty years. In the 1970s, they left everything behind in order to go to Germany as "guest workers." Although assimilated in their new country, they long for the old one. Now they are able to realize their dream of returning with their German husbands to Dogil Maeul, the German village that has been created for people like them. Situated in a picturesque bay, the village is indeed more German than Germany--there is even whole meal bread and Frankfurter sausages. This is the new-old home to which their sixty something husbands Armin, Willi and Ludwig have come in the hope of spending their remaining years. However, there is still something missing for the three women as they discover it is not so easy to pick up where they left off.
Ling-Kit HO is just like one of many other students in Tin Shui Wai. However, he is a lot more hard-working than all the others as he wants to get away from this besieged city. Apart from his study, he is indifferent to everything because he comes from a defunct family. Having to take care of his mentally-ill mother, Ling Kit is also forced to face his Dad – a heavy drunker and a heavy gambler. His younger brother Chun-Kit has left the family for years. At that time, Chun-Kit was heavily bullied by his classmates in school and he was always beaten by his drunken father. Being the elder brother, however, Ling-Kit did not protect Chun-Kit from being beaten so Chun-Kit left in great panic.
This sentimental wartime drama is missing its first reel, in which, we gather, an abandoned love child is left in an apple barrel and taken in by a kindly grocer. We join the action four years later when the much-loved girl is seen playing happily in the grocer's humble kitchen. But when the child's dying mother confesses her secret, what will become of Little Pippin?
A look at the greatest martial arts movie stars, featuring clips and trailers.
Insane Fight Club is back. This year the boys are taking their unique form of entertainment to England as they stage fight nights in Birmingham, Leeds, Liverpool and Newcastle.
"In the Gay Nineties New York had grown up into bustles and balloon Sleeves ... but The Bowery had grown younger, louder and more rowdy until it was known as the 'Livest Mile on the face of the globe' ... the cradle of men who were later to be famous.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A look at the life and work of Christina Lindberg, the most famous Swedish model of the 1970s and star of exploitation cinema.
When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.
This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.
A short documentary exploring the ongoing relevance and power of 'Salò o le 120 giornate di Sodoma'.
A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.
Found footage sequences from various obscure campy Austrian films assembled together with a very dark disturbing soundtrack.
Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.
A 55-minute film by director Xavier Giannoli that analyses 'À nos amours'. The film features former Cahiers du cinéma editorial director Jean-Michel Frodon, actors Jacques Fieschi and Sandrine Bonnaire, and other members of the cast
The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub.
A documentary about Pier Paolo Pasolini and his film 'Salò o le 120 giornate di Sodoma'.
Holly Grant has learned a long time ago not to rely on Santa Claus leaving Mr. Right in her Christmas stocking. But Holly is in for a surprise when a handsome man arrives on her doorstep with a twinkle in his eye and Yuletide tree in tow.
A documentary by writer and filmmaker Daniel Bird about the making of Sergei Parajanov's 'The Colour of Pomegranates'.
A short documentary by Levon Grigoryan about the making of Parajanov's «Sayat-Nova», or «The Colour of Pomegranates».
The original classic on video, which introduces Gabrielle Roth's revolutionary system of moving meditation. Teaches how five core rhythms can teach, catalyze, and heal our entire being.
Spider-Man and Daredevil team up to fight Kingpin.
Documentary film interviews leading Latinos on race, identity, and achievement.
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
This documentary is featured on the DVD for Captain Blood (1935), released in 2005.