Questions about film language.
Questions about film language.
2014-02-01
5
A man and a woman wake up in a hospital room. She's a nurse, he's a patient. Problem: a large metal object on his back. While the woman tries desperately to escape, the man experiences an inner struggle on the borderline of dream and reality. What has happened before?
A woman hires soldier-of-fortune Carson to smuggle her into Albania by way of Greece. Their trouble is just beginning when they get there.
"Religious Fighter" - In Romania, the idealistic Istanbul teacher, Aliye, communicate activities to a town in Anatolia supporting the idea of National Struggle in the region.
Shankar's brother remarries after the death of his first wife, and then Shankar wrongfully gets ousted from his own home by the new wife and her brother. Years later, he decides to expose their true intentions.
Hyun, a best-selling writer, has found himself in a slump for a long time. In the meantime, he accidentally meets Yu-jin, an aspiring young writer. Hyun gets confused when Yu-jin confesses his love to Hyun. A 19-year-old student and Hyun’s son, Sung-kyung, who is skeptical about his life, meets Jung-won, a young married woman living next door. Sung-kyung has a good feeling for this freewheeling woman. A pure-hearted man, Soon-mo, who is Hyun’s best friend and also the publisher, meets his friend’s ex-wife.
Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.
On a summer day Julia gets on a plane, on the way to her destination, not knowing what awaits her. Eduard is in a barbershop where the Barber is annoyed by a fly. The Barber tries to chase the fly away. At that moment, panic breaks loose on the plane...
Behind the scenes of the filming of the sequel to the ground breaking drama Queer As Folk.
LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.
Carriage Trade was an evolving work-in-progress, and this 61-minute version is the definitive form in which Sonbert realized it, preserved intact from the camera original. With Carriage Trade, Sonbert began to challenge the theories espoused by the great Soviet filmmakers of the 1920’s; he particularly disliked the “knee-jerk’ reaction produced by Eisenstein’s montage. In both lectures and writings about his own style of editing, Sonbert described Carriage Trade as “a jig-saw puzzle of postcards to produce varied displaced effects.” This approach, according to Sonbert, ultimately affords the viewer multi-faceted readings of the connections between individual shots. Preserved by the Academy Film Archive in partnership with Estate Project for Artists with AIDS in 1998.
Year 2006: Bebek, Alen, and Tifa come together to pay tribute to their old band, one and only - Bijelo Dugme (White Button). They performed in Toronto, Atlanta, Chicago, and New York City, in front of thousands.