Documentary that follows the lives of two pirates and their community on the Somali coastline; what are the incentives of the pirates, why did they become pirates, how did they grow up in a country with political chaos, war and extreme poverty? The narrative structure is built around two interweaving story-lines; one depicting the "present", the daily lives of the pirates and their community, and the second in the "past", revealing through epic animation, the unfolding of a recent hijacking.
Loulou is a wolf. Tom is a rabbit. As curious as it may seem, Loulou and Tom have been inseparable since they were little. Now in their teens, they live the easy life in the Land of the Rabbits. But Loulou, who thought he was an orphan, learns that his bohemian mother is alive. The two friends set out to find her in the principality of Wolfenberg, the Land of the Wolves. They arrive in the middle of the Meat-eaters' Festival, a yearly get together for the world's great carnivores. Will Loulou and Tom's friendship survive in the land where herbivores always end up as the main course? What incredible secret lies behind Loulou's birth?
In Fernando Nation, Mexican-born and Los Angeles-raised director Cruz Angeles traces the history of a community that was torn apart when Dodger Stadium was built in Chavez Ravine and then revitalized by one of the most captivating pitching phenoms baseball has ever seen. Nicknamed “El Toro” by his fans, Fernando Valenzuela ignited a fire that spread from LA to New York—and beyond. He vaulted himself onto the prime time stage and proved with his signature look to the heavens and killer screwball that the American dream was not reserved for those born on U.S. soil. In this layered look at the myth and the man, Cruz Angeles recalls the euphoria around Fernando’s arrival and probes a phenomenon that transcended baseball for many Mexican-Americans. Fernando Valenzuela himself opens up to share his perspective on this very special time. Even 20 years later, “Fernandomania” lives.
The small Turkish town of Gaziantep. 16-year-old Mustafa is one of many young boys who study the complex art of making baklava, the Turkish desert renowned across the world. Under the strict eye of the master Baklava makers, Mustafa’s life is one of hard work and dedication to his chosen craft. But Mustafa dreams of a life beyond the confines of the workshop. He still wants to be a baklava master: he just wants to do it on his terms. Soon, against the advice of his friends and family, Mustafa makes a move towards the big city. Will his dreams be realised or will they crumble before him? A film about the impetuousness of youth and the importance of reaching for the stars, Angelos Abazoglou’s innnovative documentary is a moving and joyful coming-of-age tale which will speak to anyone who has ever wanted to fullfill their dreams.
Share the sweetest day of the year with your Clubhouse pals and help Mickey create A Valentine Surprise For Minnie! Mickey wants to give Minnie a gift from the heart: a pink, sparkly Valentine. But can he finish making the card and get to Mickey Park in time to deliver it before sundown? With your help - and the right mouseketools - Mickey can make Minnie's Valentine's Day wishes come true!
A one minute short about women's collective fear of sexual assault.
Two 'friends', Jonas and Mark, who live by cheating and squandering their money in saloons meet a crazy old man who tells them that gold has been discovered in the Rocky Mountains. The whole town moves, with dreams of becoming rich, but they are bitterly disappointed when on their way home they are robbed by Mulieta and his vicious gang of outlaws. Jonathan and Mark are spurred into action and decide to fight Mulieta's gang and retrive their gold.
In the 1930s a young fellow, Simon Chalumet, is sent to a military school by his overbearing father, an ex-soldier who has little sympathy for his son's more gentle temperament, or for his interest in films.
A look back on Tupac's final years through the eyes of Tupac's personal bodyguard, Frank Alexander. Featuring never-before-seen footage.
“Joseph,” a story of dreams and the power of forgiveness, is now available on DVD. Captured before a live audience, Joseph takes flight in his colorful coat. You’ll be immersed in all the action with intimate close-ups, sweeping dramatic shots and exhilarating production numbers. You’ll also experience exclusive interviews and behind-the-scenes footage, which reveals how this biblical epic was adapted from script to stage. Now you can experience this amazing, live stage production in a captivating, new way and give the gift of that experience to others. So, journey back in time and dare to dream through the life of Joseph.
A man and a woman engage in a conversation if they have met before.
Kuwaiti play, presented on April 19, 1973. Her story revolves around Dalal, the spoiled girl who is in love with the pharmacist Fahd, who asked Dalal's father to represent her for 30 days.
Chick Hewes is released from prison and finds work as an accountant. Two years later, Chick's crooked friend, Benny LaMarr, to whom he is indebted for past kindnesses, steals a diamond necklace from the home safe of the district attorney. When the district attorney threatens to accuse the police of inefficiency in crime fighting, Garvey, who is campaigning for the office of police commissioner, promises to catch the thief in twenty-four hours.
Akerman spends a brief period on her own in an apartment by the sea in Tel Aviv. She films from the apartment and in her narration she talks about her family, her Jewish identity and her childhood. She wonders whether normal everyday life is possible in this place and whether filming is a realistic option.
Mound is a celebration of the moving painting, in which more than one hundred pallid puppets – clowns, spectres, gnomes, wraiths, and ghouls – writhe, sway, plod, and transform with awkward grace to the mournful musical accompaniment of It’s Raining Today(1969) by legendary singer-songwriter Scott Walker (also known as Noel Scott Engel).
Showmen riding cinema lorries have brought the wonder of the movies to faraway villages in India once every year. Seven decades on, as their cinema projectors crumble and film reels become scarce, their patrons are lured by slick digital technology. A benevolent showman, a shrewd exhibitor and a maverick projector mechanic bear a beautiful burden - to keep the last traveling cinemas of the world running. A critically acclaimed, poignant documentary that celebrates India’s travelling picture shows and laments their demise, filled with exquisite visuals and marvellous eccentrics.
Experimental animation film, with a visual focus on geometrical shapes and straight lines
The film's protagonists are the orphaned children taken into custody by the state and institutionalized at Children's House no. 6 from Bucharest. For Mészáros, the concern for the situation of children left orphaned during the Second World War is autobiographical: the director directly experienced the absence of parents in her own childhood.
Pavlina is a drug addict imprisoned, as well as her boyfriend, for illegal drug manufacturing. They meet again after the amnesty and the vicious circle of drugs starts rolling again.
René has been in prison since he was 16. He is sick of life and doesn’t care about his parents (just as René’s parents never cared about him when he was a child); he doesn’t even know how many more children they had. After the general amnesty, René just hangs around, not satisfied in any job, and with his younger brother he starts stealing. In no time he is back in prison, this time joined by his brother who is still a youth. History repeats itself and René’s life philosophy seems to be confirmed: You enjoy your freedom for a while, then go to prison and the same thing happens all over again.
Lada is a product of "educational“ or "corrective“ institutions. Not only is he not educated or corrected, he simply does not understand anything about life. He solves his problems in his own way – by swallowing sharp objects.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.
Lenka and Míra Hřib are a young married couple with two small children. They are both interested in ecology and sustainable life.
An observational documentary about Jakub Špalek and all his activities, victories and losses in the years 1989 to 1999.
A documentary film following several years in the life of Jan Potměšil who has become a very popular actor at an early age, representing the type of a young sporty intellectual. After a serious car crash in 1989, he ended up on a wheelchair. He was 23 years old at the time. After a year of rehabilitation, he returned to the stage. Excelling in “Flowers for Algernon”, he continuously acts in the production in front of sell-out crowds across the country. He also lives his personal life, experiencing new loves and breakups, is engaged in civic affairs and returns to the hospital now and then. The film aims to give a non-pathetic image of a life lived to the full despite adversity.
Heda Blochová was born in Prague into the Jewish family of the cofounder of the well-known Koh-i-noor factory. She married Rudolf Margolius, a lawyer. Soon after the wedding the young couple and the whole Margolius family were deported to the ghetto in Lodz. After spending a couple of years there, they were all taken to Oswiecim concentration camp. There the family was parted. Heda was lucky enough to be taken to a labour camp after a few months and was finally made to join the Death March. She managed to escape the guards and thus saved her life.
Nebbishy filmmaker Joanna Arnow documents her yearlong relationship with an open-mic poet provocateur. What starts out as an uncomfortably intimate portrait of a dysfunctional relationship and protracted mid-twenties adolescence, quickly turns into a complex commentary on societal repression, sexuality and self-confrontation through art.
A powerful, emotional and sometimes humorous look at the daily life of a prison inmate and a corrections officer.
When the galaxy comes under the threat of a nefarious space captain, a mechanic and his newfound robot ally join an elite squad of combatants to save the universe.
Short documentary on the Cambodian Handicraft Association which trains and supports women who have been affected by polio, landmine injuries, deafness or mental trauma.
Living alone in darkness, Kaspar has experienced little oflife until he’s discovered by a man in black and brought outinto the world. Animator Diane Obomsawin’s affecting fableis based on the tale of the nineteenth century’s most famous wild child.