Through the eyes of funeral director Isaiah Owens, the beauty and grace of African-American funerals are brought to life. Filmed at Owens Funeral Home in New York City's historic Harlem neighborhood, Homegoings takes an up-close look at the rarely seen world of undertaking in the black community, where funeral rites draw on a rich palette of tradition, history and celebration. Combining cinéma vérité with intimate interviews and archival photographs, the film paints a portrait of the dearly departed, their grieving families and a man who sends loved ones "home."
Self
Through the eyes of funeral director Isaiah Owens, the beauty and grace of African-American funerals are brought to life. Filmed at Owens Funeral Home in New York City's historic Harlem neighborhood, Homegoings takes an up-close look at the rarely seen world of undertaking in the black community, where funeral rites draw on a rich palette of tradition, history and celebration. Combining cinéma vérité with intimate interviews and archival photographs, the film paints a portrait of the dearly departed, their grieving families and a man who sends loved ones "home."
2013-06-25
6.5
There are eight episodes in stories full of adventure and play in the neighborhood of Limoeiro, with a new car ride, lost treasure, art exhibition in the square, puppet theater, an unexpected escape from Cascão (again?), Characters Saltimbancos and a lot more.
When their best friend dies, Tara and Noah find out that Louis is not the person they used to know..
On the 20th anniversary of their edgy little 90's cable show Underground Entertainment, the authors, along with many SF, horror and B celebrities in cameos, remember how they pushed the envelope, shocked, entertained, but also introduced the audience to many movies, comics and conventions.
Set the large tasks of putting life into the 2D artistic renderings Gillaume created. See how ILM craftsmen put life into the inspired digital creatures.
1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.
The second part: Brakhage’s layering of images spends less time with images of war, and begins filtering in scenes of Vienna and his home in Colorado. He sets up a comparison between “Kubelka’s Vienna” and his own.
In a cold and cramped basement, at the far end of the dark place, a housewife is about to make a grisly discovery.
When the promise of living in a perfect digital world traps the citizens of Sanctuary City online, Combat Wombat and Sweetie must return to save the day and kick some wom-butt!
In which Scheherazade doubts that she will still be able to tell stories to please the King, given that what she has to tell weighs three thousand tonnes. She therefore escapes from the palace and travels the Kingdom in search of pleasure and enchantment. Her father, the Grand-Vizier, arranges to meet her at the Ferris wheel, and Scheherazade resumes her narration: “Auspicious King, in old shanty towns of Lisbon there was a community of bewitched men who, in all rigour and passion, dedicated themselves to teaching birds to sing…”. And seeing the morning break, Scheherazade fell silent.
Chito is the son of the owners of a lodge in Coron, Palawan. Because of a shortage in eggs in the town, he gets encouraged to go into growing organic chickens.
With the help of some seedy gangsters, young attorney Steve Keiver makes some quick cash by bending the law, and in the process, he impresses the mobsters so much that they invite him to work for them on a regular basis. But when Police Inspector Matt Duggan realizes that Steve is working as a middleman for the mob, the young lawyer finds himself in a life-threatening situation. In order to clear his name, he must betray the deadly crooks he's been working for.
Mythomaniac teenager Anna tries to impress her schoolmates so she impersonates a journalist to meet her dancer crush who she said to be in a relationship with.
Thomas, in his forties, holds an important post in a slaughterhouse. He is engaged to Marie-Rose, the daughter of the director, whom he hopes to follow later. In a routine examination in the hospital, however, he finds out that he has cancer and his days are counted. The upheaval that he suffers as a result, however, does not take long, his decision is certain: he will use the short time to clean up some bad guys. What else can he do now?
An actress visiting Hollywood for the first time books a dream apartment on AirBnB, only to discover a horrifying presence is staying there with her.
A portrait of the working class musicians and dancers of Buenos Aires's San Telmo neighborhood, who have channeled the city's many cultural influences into the street performance called Murga.
This observational documentary follows the journey of Beyoncé’s super-fans who, unable to pay for the most expensive tickets, camped out for two months to secure their front row spots. Living with this makeshift community bring to light important issues, such as economic class, black identity, homophobia, feminism, and what it means to make this sacrifice for a media phenomenon larger and more powerful than themselves.
Women's unwritten history is passed down through memories. Shows women talking about their experiences of the Great Depression in Australia. Covers such areas as: aboriginal women; paid and unpaid work; mothering; marriage; women's participation in the political struggles of the 1920's and 30's.
Profile on three young Adelaide women. Diana, Kerry and Josie are now 18 years old, and continue to have open and frank discussions about their lives.
An exploration of the hopes and expectations of three working class women from Adelaide, and the differences and similarities they share with their daughters.
The third film in a documentary series from acclaimed director Gillian Armstrong, about the lives of three working class women. as they grow up from the age of 14. They're now at the ripe old age of 26, and we witness the women confronting the very real issues of teenage pregnancy, and love versus sex, marriage and career.
The unusual story of Nose and Tina, 2 people in love. He is employed as a brakeman, she as a sex worker.
Jesus Camp is a Christian summer camp where children hone their "prophetic gifts" and are schooled in how to "take back America for Christ". The film is a first-ever look into an intense training ground that recruits born-again Christian children to become an active part of America's political future.
An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls "cine-writing," traveling from Rue Daguerre in Paris to Los Angeles and Beijing.
This documentary analyzes the origins of the Puerto Rican economic development plan of the 1960’s, better known as Manos a la Obra (or Operation Bootstrap). The film examines this economic plan within the framework of Puerto Rican society, with special emphasis on the mass migration of Puerto Ricans to the mainland.
In this documentary by Coline Serreau, known for her feature film Why Not?, a selection of Frenchwomen in characteristically no-win situations discuss what they are experiencing and answer, if only by implication, the question: "What do women want?"
"The Apology" explores the lives of former "comfort women," the more than 200,000 girls forced into sexual slavery during World War II. Today, they fight for reconciliation and justice as they struggle to make peace with the past.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.
We wanted to make a film about a teenage mother. We met Joana in a casting that took place in Setubal, in the Bela Vista neighborhood. She appeared to us as a porcelain doll, small, fragile, pale, with a little hair bow. Little by little, she crumbled apart, revealing a charming complexity. We were conquered by the duality of strength and fragility, freedom and incarceration, joy and sorrow. The intimacy and complicity we were able to establish with her made this film possible. In Cat's Cradle, we share her with everyone else.
The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.
Hidden in the heart of Russia, there is a Soviet-era city where thousands of people live and work behind barbed-wire fences monitored by armed guards. It is Ozyorsk (Ozersk), located in the Chelyabinsk Oblast, one of the most polluted places on the planet and home to the largest stockpiles of nuclear material. Its code name: City 40.
REAL BOY is the coming-of-age story of Bennett Wallace, a transgender teenager on a journey to find his voice-as a musician, a friend, a son, and a man. As he navigates the ups and downs of young adulthood, Bennett works to gain the love and support of his mother, who has deep misgivings about her child's transition. Along the way, he forges a powerful friendship with his idol, Joe Stevens, a celebrated transgender musician with his own demons to fight.
Beyond the mystical city of Timbuktu, Mamatal, the son of a Tuareg chief sets out on a journey across the Sahara to save his culture known as the blue people of the Sahara before they disappear. But when the North African government of Mali collapses, he finds himself and his people caught up in an international crisis,a battle between the Tuareg fighting for independence and Al Qaeda bent on taking over the Sahara to plot future terrorist attacks against the United States and Europe. documentary looks behind the international headlines of the crisis in the Sahara and exposes the government corruption and neglect of an indigenous people who might be the only hope for defeating Islamic radicals in the region.