"I was visiting Jerome Hill. Jerome loved France, especially Provence. He spent all his summers in Cassis. My window overlooked the sea. I sat in my little room, reading or writing, and looked at the sea. I decided to place my Bolex exactly at the angle of light as what Signac saw from his studio which was just behind where I was staying, and film the view from morning till after sunset, frame by frame. One day of the Cassis port filmed in one shot." -JM
"I was visiting Jerome Hill. Jerome loved France, especially Provence. He spent all his summers in Cassis. My window overlooked the sea. I sat in my little room, reading or writing, and looked at the sea. I decided to place my Bolex exactly at the angle of light as what Signac saw from his studio which was just behind where I was staying, and film the view from morning till after sunset, frame by frame. One day of the Cassis port filmed in one shot." -JM
1966-01-01
6.1
An attempt to transform a Roman Western into a Greek tragedy.
-En gammel godsejers eneste datter er død i Italien, efter at hun forlod familien for 15 år siden. Hjem til Danmark kommer nu hendes søn. Han truer godsejerens nevø for sin arv, hvorfor nevøen iværksætter flere planer for at bringe drengen i ugunst hos hans bedstefar. Planerne lykkes næsten, men takket være hjælp fra bl.a. præsten ender historien med en forening mellem barnebarnet og bedstefaderen.
Nora and Tamara are two sisters who survive in a working class neighborhood of the coast. In the midst of a troubled adolescence, Nora's fragile relationship with the world around her is affected by the criminal environment in which her older sister lives.
Thomas, former successful stand up comedian will do anything to get back on the top. Unfortunately at the same time his teenage daughter demands his whole attention threatening the comeback he wants so badly...
‘An animal simply is,’ nature photographer and writer Heikki Willamo says as dazzling black-and-white images segue from a forest bear to a seagull gliding over the sea. The animal images are themselves captivating, without any need to ask what is happening next. Directed and shot by Perttu Saksa, a well-known photographer, Animal Image borrows its form and speech from the reputed existence of animals: there is only here and now.
The Japanese student Aki Onodera travels in her family’s tracks from Tokyo to Germany. In idyllic East Allgaeu she meets the Webers, who take her in as their guest. But soon, the situation of the family becomes turbulent by her appearance…
Tracheotomy - 3D animation (2010) is an experimental educational short film which pairs ambient music with a primitive 3D CG rendition of tracheal surgery.
One of the most outstanding personalities in the Danish film industry is Mogens Rukov, co-writer of Thomas Vinterberg's dogma-film The Celebration (Cannes, 1998, winner of the Jury Price) and head of the Department for Scriptwriting at the Danish Filmschool. Flemming Lyngse has made a film with rather than about Mogens Rukov. This is a film with a moving man - professionally as well as personally.
The story of Pastor Lucy and her husband Duncan Ndegwa, who began feeding and sheltering children from the streets of Nairobi, Kenya in 1996.
Ar spends her days walking around hunting down bad vampires, while Max and her good vampire friends hang around town aimlessly, complaining about how bored they are. That all changes with the arrival of Mung (Yuen Wah), a vampire who kills other vampires to make himself more powerful (don't they always?). When Ar realizes that Mung's dragging her sister (Law regular Pinky Cheung) with him, she joins forces with the vegetarian vampires to fight their common enemy.
The Dai-bosatsu toge trilogy is based on Kaizan Nakazato's unfinished long series of novels (41 books, written from 1913 to 1941). Set in the last period of the Tokugawa Shogunate, Daibosatsu Toge tells the story of Ryunosuke Tsukue, a nihilistic swordmaster who doesn't hesitate to kill anyone, bad or good.
31 year-old Tristan remembers the time when he was 15 and had just hit puberty. But he is not alone in this, he is with a large group of friends: Specki, a fat kid who is always stuffing himself, Streusel, a cheeky boy covered with spots, Tümai, a pretty Turkish girl, Kerstin, best friend of Tümai and very sporty, Elrond, with a heavy stutter, but regardless extremely popular and good looking, Lars and Simone, so far the only couple in the class who spend most of their time smooching and Long Jana, a girl who is at least 6 foot tall and extremely skinny.
When a woman's husband leaves town, she begins to see odd things happening in her house. Afraid that gangsters are after her, she becomes increasingly anxious.
Tambun kills Tok Kadim, the head of a village, and tells the villagers that he died in an accident. The mourning villagers then appoint Tambun as the Penghulu, which sets off a storm of terrible incidents…
An unemployed man struggles with relentless rejection and fading hope as he seeks redemption and a way out of his despair.
Too high, misused, unfair... a large part of the French and Europeans criticize taxes. From tax-rascal to tax revolt, the movement of yellow vests in France has returned to the center of attention the question of consent to tax. How to explain a different resistance to taxes from one country to another without tax pressure being an explanation? Is there a "good" tax? Jean Quatremer takes us on a journey to the tax center across Europe, to meet those who pay it, those who decide it, those who study it... or those who allow to avoid it.
Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.
This short explores the possibility that Louis XVII, son of King Louis XVI and Marie Antoinette, escaped death during the French Revolution and was raised by Indians in America.
Algiers. From the port to the souks, passing through the Jardin d'Essai, Dominique Cabrera transports us to the land where she was born, on the other side of the Mediterranean "where the sea is saltier". If most of the pieds-noirs left Algeria in the summer of 1962, some -a minority- remained. By going to meet them, the director makes her own inner journey.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
The DLFA was a haphazard assortment of young misfits unified by their unwavering pursuit of climbing, partying, and testing the boundaries of socially acceptable behavior. During the late 1970s and throughout the 1980s they established bold first ascents at Devil's Lake State Park and elsewhere in the Midwest. Their spirit of youthful nonconformity and brash rebellion is enshrined in the group's full name: The Devil's Lake Fukness Association.
A silent succession of black-and-white photographs of the city of Montreal.
October 2003, Alma and Lila Levy are excluded from the Lycée Henri Wallon in Aubervilliers solely because they were wearing a headscarf. What follows is a deafening political and media debate, justifying in most cases the exclusion of girls wearing head-scarves to school. February 2004, a law was eventually passed by the National Assembly. "A thinly veiled racism" is about this controversy since the affair of Creil in 1989 (where two schoolgirls were excluded for the same reasons) and attempts to "reveal" that maybe what hides behind is the desire to exclude these girls. This film gives them a voice as well as others - teachers, community activists, feminists, researchers - gathered around the group "A School for You-All" fighting for the repeal of this law they consider sexist and racist ... This movie was censured in Septembre 2004 in France.
After the sunset, a man wonders between the edges of the highways gathering edible roadkill animals.
This documentary follows the French soccer team on their way to victory in the 1998 World Cup in France. Stéphane Meunier spent the whole time filming the players, the coach and some other important characters of this victory, giving us a very intimate and nice view of them, as if we were with them.
While Trevor and Sam are smoking pot, Trevor’s mom comes home. When she finds out, Trevor reveals his father’s adulterous ways and destroys his family.
Frank Scheffer's (collage like) documentary on the American composer and rock guitarist Frank Zappa, as broadcast by VPRO in the Netherlands April 22,2007. Most of what’s on here is seen before, particularly in Roelof Kier’s 1971 documentary and/or Scheffer’s own documentary “A present day composer refuses to die”. But there is some new stuff too, particularly interviews with Denny Walley, Haskell Wekler, Elliot Ingber and Bruce Fowler.
The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.