A criminal couple, hiding out on a remote property, become the unwitting victims of a blackmail plot by the most unlikely of conspirators.
Thelma
Elizabeth
An attorney defends a young man on trial for killing his aunt — a psychiatrist who took him in to study possible homicidal tendencies.
After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.
A youth comedy about the tragedy of the first love. An experiment in the area of the film language. REC, accidentally pressed in the middle of a fight. Jealosies, breakups, reunions. A few bedroom scenes, shot with a home camera. Cries and whispers of the urban outskirts. The audience of the film are both Bergman fans and YouTube viewers.
A personal journey in self-loathing through the usage of home videos.
Sam works on the tolls and likes to listen. He overhears more than he bargains for and becomes embroiled in a mishmash of corruption and blackmail. Anna is a hooker who specializes in throwing tomatoes at ageing weirdos. Sam and Anna's paths cross as he works to expose shady maneuvrings by the CEO of Infacorp, who is out to land a contract to build a tunnel under Auckland harbour.
When reticent Ama returns to the city where she was gifted to a white art collector as a little girl, the quest to reclaim her stolen childhood quickly goes into a tailspin when she recruits an ex-lover on her mission. Escaping the city on a remote country road, their journey is beset with a series of bizarre encounters as their fate is tied to that of two passengers they pick up.
A colonial scene in the U.S. An old lady sits astride a bell while a man in blackface, wig, and livery pulls the bell rope. From an upper door emerges an old man, dressed as a dandy, who tips his hat to the woman as he walks down stairs grinning. Others leave the same door and walk down the same stairs: a shabby man, a cop, and, several times, the same dandy. The man in blackface hangs himself; the dandy continues to smile. A bell tolls, a grave beckons. In the dark, the dandy plays the piano. Is he Death? The Hearts of Age is the first film made by Orson Welles. The film is an eight-minute short, which he co-directed with William Vance in 1934. The film stars Welles' first wife, Virginia Nicholson, as well as Welles himself. He made the film while attending the Todd School for Boys, in Woodstock, Illinois, at the age of 19.
The director Gaetano Di Vaio wanders around in a Naples that struggles to survive, telling the difficulties of those who, on the margins of society, try to overcome the shortcomings of the state, reinventing themselves a job. A documentary that does not just show what happens, but wants to explain the reason for what happens, in a society that is the paradox of itself.
Inspired by the real events that took place in the Pilibhit Tiger Reserve where people used to leave their elderly family members for tigers to prey on, and then claim compensation from the administration, it is a story of Gangaram, a patriarch of a farmer family entrenched in poverty because of three consecutive failed monsoons. He enters the forests to adopt the infamous Tiger practice to give up his life so that his family can have two square meals, however, what follows next is a series of unprecedented events.
Babu and Vimala are lovers. However, under a circumstance Babu is forced to get married with dying Gowri without the acknowledgement of Vimala. Vimala and Gowri are friends. Shocked by the fact her lover get married to Gowri, Vimala and Babu tried to keep their past as a secret from Gowri.
Short film loosely exploring the concept of a surgery as a ritual, where blood and bones are sacrificed.