Afghan Heroin: The Lost War(2008)

Paper Cannot Wrap Up Embers(en)

During the last half-century, Cambodia has witnessed genocide, decades of war and the collapse of social order. Now, documentary filmmaker Rithy Panh looks at an irreparable tragedy that is less visible, yet no less pervasive: the spiritual death that results when young women are forced into prostitution. Angry and impassioned, PAPER CANNOT WRAP UP EMBERS presents the searing stories of poor Asian women whose lives were violated and their destinies destroyed when their bodies were turned into items of sexual commerce.

See You in the Obituary(sr)

Made in the form of an extended news report and narrated by journalist Dina Čolić-Anđelković, the film presents a snapshot of the chaotic Belgrade criminal underworld in the early 1990s which sprung up against the backdrop of Yugoslav wars. The film is composed of fragments from interviews with individuals directly involved with criminal activities either through perpetrating them or through trying to stop them.

Sons of Haji Omar(en)

Haji Omar and his three sons belong to the Lakankhel, a Pashtoon tribal group in northeastern Afghanistan. The film focuses on his family: Haji Omar, the patriarch; Anwar, the eldest, his father's favorite, a pastoralist and expert horseman; Jannat Gul, cultivator and ambitious rebel; and Ismail, the youngest, attending school with a view to a job as a government official.

El mercado de la inocencia(es)

Over the last two decades, Medellin has gone from being globally known as a drug traffic and extreme violence destination to becoming a thriving cosmopolitan city. Progress and peace have resulted in an exponential increase of tourism, but have also caused unexpected collateral damage: the rise in sex tourism in this Colombian city. Many of the illegal networks run by foreigners in the United States and Europe, offer Medellin guided tours that include underage prostitutes in their packages available for online purchase.

Afghanistan: War without End?(en)

Key decision makers reveal the inside story of how the West was drawn ever deeper into the Afghan war. Reporter John Ware charts the history of a decade of fighting and looks at when the conflict may end.

Longe de Cabul(pt)

STARTING FROM ZERO(en)

STARTING FROM ZERO documents the journey of three refugees — a female boxer, a TV personality and a journalist — caught in the crosshairs following the U.S. military’s sudden withdrawal from Afghanistan. Fleeing for their lives, they are transported to an unlikely luxury compound in Qatar before making their eventual journey to the United States and Germany, where they must restart their lives and confront the deferment of their dreams.

Blood Type(en)

What blood calls a man to war? BLOOD TYPE is a reflective documentary about professional Estonian soldiers in the Afghan war. The deeply personal revelations of the warriors are woven in with footage of their daily dangers, forming an intimate portrait of the soldiers' day-to-day struggles. Their stressful job and haunting fear to lose their legs echo the destiny of Andrei, who lost his leg in the Afghan war two years ago. Having returned to homeland, Andrei gives his all to reunite with his blood brothers on the battle field despite his disability. What is the spiritual journey of a soldier? What kind of responsibility does he have to his brothers in arms, his family, and the locals? By showing the cooperation between Estonians and Afghans, the film is looking for the imprint that might be left behind once the international forces have been withdrawn from the distant Afghanistan.

Afgan: The Soviet Experience(en)

During the 1980s, Russia fought a disastrous war in Afghanistan. Shot by a Western crew, the 40 minute film includes footage of combat missions with the Spetsnaz elite units, helicopter gunship pilots from a Kabul-based Air Assault Unit flying missions, the patrolling of the Salang mountain pass and the military hospital in Kabul. Soviet General Lev Serebrov referred to the making of the film as "An experiment in glasnost".

Taxi to the Dark Side(en)

An in-depth look at the torture practices of the United States in Afghanistan, Iraq and Guantanamo Bay, focusing on an innocent taxi driver in Afghanistan who was tortured and killed in 2002.

Ascend(en)

Mina Bakhshi, Haniya Tavasoli and Rabia Hussain had a fair amount of latitude for women in Afghanistan, able to pursue their education, go to work, and explore hobbies and interests. Joining Ascend, a nonprofit organization teaching leadership and rock climbing to women, gave them the chance to test their personal and cultural limits and explore the mountains of their home country. But when the Taliban took over in August 2021, Ascend became their one chance to escape a regime that would restrict their freedoms and future.

Traces: The Kabul Museum 1988(ja)

The Kabul National Museum, once known as the "face of Afghanistan," was destroyed in 1993. We filmed the most important cultural treasures of the still-intact museum in 1988: ancient Greco-Roman art and antiquitied of Hellenistic civilization, as well as Buddhist sculpture that was said to have mythology--the art of Gandhara, Bamiyan, and Shotorak among them. After the fall of the Democratic Republic of Afghanistan in 1992, some seventy percent of the contents of the museum was destroyed, stolen, or smuggled overseas to Japan and other countries. The movement to return these items is also touched upon. The footage in this video represents that only film documentation of the Kabul Museum ever made.

Beyond the Beach: The Hell and the Hope(en)

A powerful depiction of war in infamous global conflict zones. Directed by Oscar/Emmy documentary makers Buddy Squires and Graeme Scott (know for Sam Smith), this film provides a rare and powerful insight into humanity and hope in the depth of war and the greatest global humanitarian crisis of the last several decades.

Restrepo(en)

Directors Hetherington and Junger spend a year with the 2nd Battalion of the United States Army located in one of Afghanistan's most dangerous valleys. The documentary provides insight and empathy on how to win the battle through hard work, deadly gunfights and mutual friendships while the unit must push back the Taliban.

Bulletproof Salesman(en)

Fidelis Cloer is a self-confessed war profiteer who found The Perfect War when the US invaded Iraq. It wasn't about selling a dozen cars, or even a hundred, it was a thousand-car war where security would become the ultimate product.

War on Drugs: The Prison Industrial Complex(en)

The war on drugs has been going on for more than three decades. Today, nearly 500,000 Americans are imprisoned on drug charges. In 1980 the number was 50,000. Last year $40 billion in taxpayer dollars were spent in fighting the war on drugs. As a result of the incarceration obsession, the United States operates the largest prison system on the planet. Today, 89 percent of police departments have paramilitary units, and 46 percent have been trained by active duty armed forces. The most common use of paramilitary units is serving drug-related search warrants, which usually involve no-knock entries into private homes.

Krvavý Bagrám(cs)

Operation Homecoming: Writing the Wartime Experience(en)

A unique documentary about troops' experiences in Iraq and Afghanistan, based on writings by soldiers, Marines, and air men.

Electronic Awakening(en)

A documentary following the conscious evolution of electronic music culture and the spiritual movement that has awakened within.

Massoud the Afghan(fr)

The friendship between Christophe de Ponfilly and Commander Massoud, a legendary figure of the Afghan resistance against the Soviet invader, goes back to the filmmaker's first film, "A Valley Against an Empire", made in 1981. Fifteen years later, weakened, isolated, betrayed by many of his own, the "Lion of Panshir" has not surrendered to his new and implacable enemies, the Taliban. While preparing his next offensive, he evokes his commitment and his fights, and bears witness to a history in which he has been one of the main actors for twenty years. At the same time, the director questions the role and power of the media, as well as his own approach as a filmmaker. Commander Massoud was killed in an attack in September 2001.