“The picture [shows] a number of Esquimaux picking nickels from cracks in a board with their dog whips, in which sport they are very expert. In the background will be seen one of their "Topeks," a sealskin tent in which they live during their short summer.” (Edison catalog)
“The picture [shows] a number of Esquimaux picking nickels from cracks in a board with their dog whips, in which sport they are very expert. In the background will be seen one of their "Topeks," a sealskin tent in which they live during their short summer.” (Edison catalog)
1901-08-08
5
Her mother in Kenya, 13-year-old Melanie spends her summer vacation at a strict diet camp set in the Austrian countryside. Between workouts and nutrition classes, pillow fights and first cigarettes, she falls in love with a doctor 40 years her senior.
Joey Boca is the owner of a pizza parlour, and has been married to Rosalie for years. When Rosalie discovers that Joey is a womanizer and has been cheating on her for a long time, she goes to extreme lengths to punish him.
Homicidal maniac Jason returns from the grave to cause more bloody mayhem. Young Tommy may have escaped from Crystal Lake, but he’s still haunted by the gruesome events that happened there. When gory murders start happening at the secluded halfway house for troubled teens where he now lives, it seems like his nightmarish nemesis, Jason, is back for more sadistic slaughters.
After a group of Texas teenagers leave prom night early and get into a car crash in the woods, they employ the aid of a nearby insurance agent, who calls in her tow truck-driving boyfriend, Vilmer Slaughter. Unfortunately for them, Vilmer is a sadistic killer with a mechanical leg who introduces them to his brother, Leatherface, and the rest of their twisted family.
"Bull" McCabe's family has farmed a field for generations, sacrificing much in the name of the land. When the widow who owns the field decides to sell it in a public auction, McCabe knows that he must own it. While no local dare bid against him, a wealthy American decides he requires the field to build a highway. "Bull" and his son decide they must try to convince the American to let go of his ambition and return home, but the consequences of their plot prove sinister.
Chicken is back in exile. Hung Hing, a triad, is trying to ally with Chicken's new group, the Taiwanese triad San Luen. A contest is on in Hong Kong. The winner will head the Causeway Bay branch.
A hard-working mother inches towards disaster as she divorces her husband and starts a successful restaurant business to support her spoiled daughter.
A man, his business partner, and his wife are enlisted to transport an unknown object from a Russian military base, only to discover that the object is a giant, genetically-altered python.
"Let's Get Loud" was Jennifer Lopez's NBC Special, which premiered on November 20, 2002 and was recorded over 2 nights in Puerto Rico in the fall of 2001. It was Jennifer's first-ever headlining concert appearance, showing off her talents as a vocalist and dancer. The performance features a variety of Spanish and English songs, including: "Love Don't Cost A Thing", "If You Had My Love", "I'm Real", "Plenarriqueña", and many more.
Antonio, a former variety actor, keeps his daughter in an excellent boarding school by organizing small scams with his friend and colleague Felice. Commissioner Malvasia good-naturedly persecuted him. When their respective unsuspecting children fall in love, the two fathers make peace.
Alice Tate, mother of two, with a marriage of 16 years, finds herself falling for a handsome sax player, Joe. Stricken with a backache, she consults herbalist Dr. Yang, who realizes that her problems are not related to her back, but in her mind and heart. Dr. Yang's magical herbs give Alice wondrous powers, taking her out of her well-established rut.
Kaitou Kid dares to challenge the police once more, setting his sights on the Russian Imperial Easter Egg. With the date, time, and place, the Osaka police force scrambles to stop him. But this time, Kid may have bitten off more than he can chew—Conan Edogawa, Heiji Hattori, and numerous others are also trying to get their hands on the jeweled egg.
After learning that an old friend of theirs has been arrested in Morocco on drug charges, four former college buddies set out for Marrakech to bail him out.
In Los Angeles, a colorful assortment of bohemians try to make sense of their intersecting lives. The moody Dark Smith, his bisexual girlfriend, her lesbian lover and their shy gay friend plan on attending the wildest party of the year. But they'll only make it if they can survive the drug trips, suicides, trysts, mutilations and alien abductions that occur as one surreal day unfolds.
Filmed during the annual 24-hour endurance race at Le Mans, Michael Delaney is a Porsche driver haunted by the memory of an accident at the previous year's race in which a competing driver was killed. Delaney also finds himself increasingly infatuated with the man's widow.
In a vignette called "Strange to meet you," Roberto sits at a small table in a coffee bar. Five cups of coffee and two ashtrays are in front of him; he drinks and smokes. Steven joins him. They start a conversation about cigarettes and coffee. Steven likes to drink coffee before he sleeps, so he can dream faster. The conversation jumps around. "You know my mother?" asks Roberto. Steven describes coffee Popsicles. They switch seats; then switch back. Steven has to leave for a dental appointment he's not looking forward to. Roberto makes a startling offer, inspired no doubt by the coffee and cigarettes.
Entertainingly led by famous Hollywood historian Scott Michaels, this epic documentary employs never-before-seen autopsy reports, dozens of rare photographs, original Manson Family music recordings, and modern-day visits to the locations where the action went down, in the most complete retelling of the Manson Murders ever put on film.
Joanna Mills has a successful career but feels her personal life is spinning out of control. She has few friends, an estranged father, and a crazy ex-boyfriend who is stalking her. Joanna begins having terrifying visions of a woman's murder, and it seems that she is the killer's next target. Determined to solve the mystery and escape her apparent fate, Joanna follows her visions to the victim's hometown and finds that some secrets just do not stay buried.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Wallace Carlson walks viewers through the production of an animated short at Bray Studios.
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
As retailers, wholesalers, and negotiators, Asante women of Ghana dominate the huge Kumasi Central Market amid the laughter, argument, colour and music. The crew of this `Disappearing World' film have jumped into the fray, explored, and tried to explain the complexities of the market and its traders. As the film was to be about women traders, an all female film crew was selected and the rapport between the two groups of women is remarkable. The relationship was no doubt all the stronger because the anthropologist acting as advisor to the crew, Charlotte Boaitey, is herself an Asante. The people open up for the interviewers telling them about their lives as traders, about differences between men and women, in their perception of their society and also about marriage.
Short documentary on the Antwerp Ford Motor Company plant.
A woman is shown various wallpaper samples, in a short displaying the Kinemacolour process
A display of flower bouquets, rotating to show the Kinemacolour process.
Buster Brown creater R.F. Outcault sketches his creation. Part of the Buster Brown series for Edison film studio.
A silent succession of black-and-white photographs of the city of Montreal.
This documentary closely follows a group of people living in the Bering Strait and delves into the fundamental aspects of their daily lives, their survival, and the contrast between their traditions and the modern world. With extraordinary imagery, Bering portrays exceptionally well a community fighting to preserve its culture in this mythical part of the world.
A movie follows a regular working day of a woman who works in a factory. She wakes up at 3am and goes to sleep at 10pm.
IN THE LAND OF GIANT PYGMIES, a diary of Aurelio Rossi's 1925 trek into the immense Belgian Congo, preserves a long-gone-Colonial-era wonder at natural resources, "primitive" tribes, customs and costumes in Europe's cast African possessions, and implies that the "dark continent" could benefit from the "civilizing" influences of home.
Nazi Third Reich propaganda film that used architecture as a statement about "racial accomplishment," and so called "racial superiority." Hitler claimed that between 1934 and 1940, the Nazi rule of Germany had produced architectural uniqueness, and this film was produced to shown to attempt to validate that. The opening montage gives a survey of earlier Gothic and Baroque structures in the country as an example of "architectural superiority" that the German race was said to be the sole inventor of; then moves on to deride the recent construction of the Bauhaus school (with a racially motivated score of Jazz music) and an example of German "architectural decay." Then proceeds to show off buildings constructed by the Nazi and an architectural revival, to "last 1000 years," Film also spends a great of time dwelling on massive and "busy" monuments that had been erected all over the county.
The lives of Stan Laurel (1890-1965) and Oliver Hardy (1892-1957), on the screen and behind the curtain. The joy and the sadness, the success and the failure. The story of one of the best comic duos of all time: a lesson on how to make people laugh.
The rarely seen lives of an Arctic tribe who try to continue to honor their way of life 80 miles above the Arctic Circle on a fragile barrier island disappearing due to climate change.
In this feature-length documentary, 8 Inuit teens with cameras offer a vibrant and contemporary view of life in Canada's North. They also use their newly acquired film skills to confront a broad range of issues, from the widening communication gap between youth and their elders to the loss of their peers to suicide. In Inuktitut with English subtitles.
"La Gigue" (Gaumont #590) is part of the "Miss Lina Esbrard. Danseuse cosmopolite et serpentine" series of 4 films, and should not be confused with "Danse excentrique" (Gaumont #587), "Danse serpentine" (Gaumont #588, the only extant film in the series), or "Danse fantaisiste" (Gaumont #589).