2003-01-30
0
Johnny Knoxville and his band of maniacs perform a variety of stunts and gross-out gags on the big screen for the first time. They wander around Japan in panda outfits, wreak havoc on a once civilized golf course, they even do stunts involving LIVE alligators, and so on.
Alaska... Here, in this vast and spectacularly beautiful land teeming with abundant wildlife, discover the "Spirit of the Wild." Experience it in the explosive calving of glaciers, the celestial fires of the Aurora Borealis. Witness it in the thundering stampede of caribou, the beauty of the polar bear and the stealthful, deadly hunt of the wolf pack.
Explore the mysterious Amazon through the amazing IMAX experience. Amazon celebrates the beauty, vitality and wonder of the rapidly disappearing rain forest.
The Academy Award® nominee Cosmic Voyage combines live action with state-of-the-art computer-generated imagery to pinpoint where humans fit in our ever-expanding universe. Highlighting this journey is a "cosmic zoom" based on the powers of 10, extending from the Earth to the largest observable structures in the universe, and then back to the subnuclear realm.
A 13-minute documentary film depicting life in Prague.
The deleted scenes and additional stunts and sketches that originally were not presented in the original series.
"Two Million Motorcycles - 24 hours of Sturgis" is a unique video log of what a typical 24 hour day at the Sturgis Bike Rally is all about! From early pre-dawn rides through the Black Hills, to main street mania, to side trips to Spear Fish Canyon and Devil's Tower, to seeing first hand the 900 HP Drag Bikes, to the world's best hillclimb riders and much, much more... this Sturgis [documentary] has it all.
Six novice riders-father, sons and friends-take on the Colorado backcountry on BMW F800GS adventure bikes to create a film about life, meaning and the longing to be part of something epic that is written on every human heart. John Eldredge, author of the New York Times best-seller Wild at Heart (4 million copies sold) and his three sons are joined by two friends for a thousand-mile ride through the best dual-sport tracks the Centennial State has to offer, serving up a thoughtful documentary on life's deepest questions.
The Life from Hells Angels Switzerland Founder Martin "Tino" Schippert
Straight from the twisted mind of Michael Moody, 'The Homegrown Collection' takes you deep into the underground stunt scene and redefines our perception of what the human body can handle. Watch the footage as people get broken, battered and destroyed in some of the most freakish acts caught on home video tape; then watch them do it again. The footage included in this electrifying DVD will leave you on the edge of your seat, filled with shock, gasping for breath as you wait to see the next bizarre clip of video. Witness insane stunts such as Dan G using a power drill to impale a screw into his arm, Trailer Park Mafia's Buckwild getting bit in the nose by a piranha and hilarious pranks like tricking somebody into eating a brownie (which really is a piece of microwaved dog poop). To them Homegrown isn't just a hobby, it's a way of life. And lucky for us they caught it all on tape.
Nazi Third Reich propaganda film that used architecture as a statement about "racial accomplishment," and so called "racial superiority." Hitler claimed that between 1934 and 1940, the Nazi rule of Germany had produced architectural uniqueness, and this film was produced to shown to attempt to validate that. The opening montage gives a survey of earlier Gothic and Baroque structures in the country as an example of "architectural superiority" that the German race was said to be the sole inventor of; then moves on to deride the recent construction of the Bauhaus school (with a racially motivated score of Jazz music) and an example of German "architectural decay." Then proceeds to show off buildings constructed by the Nazi and an architectural revival, to "last 1000 years," Film also spends a great of time dwelling on massive and "busy" monuments that had been erected all over the county.
In his most revealing performance yet, the one-hour special features an exploration into Blaine’s trademark style of street magic as he once again stuns his audience.
Disposable Hero documents Brian's journey from hospital beds to podium tops!!! No one in freestyle has had it as good and as bad as Brian Deegan. Brian has collected more X Games and Gravity Games medals than any other competitor. He's appeared on the cover of Racer X Illustrated, Transworld Motocross & FreeriderMX. Features of him have appeared in not only these motocross industry related magazines but in FHM, ESPN The Magazine, DUB and Rolling Stone. Yet at the same time, he's accumulated more X-Rays, Pins, Rods, Plates, Casts, Gashes, and screws than most freestyle motocross riders. To top it all off, he most recently lost a kidney and severely injured his spleen while filming for MTV's Viva La Bam. "Disposable Hero motivates you to throw away your crutches and kick the weak in their ass, The Grim Reaper was at the door and Deegan did not answer." - Jerry Bernardo
Wallace Carlson walks viewers through the production of an animated short at Bray Studios.
Jackass Number Two is a compilation of various stunts, pranks and skits, and essentially has no plot. Chris Pontius, Johnny Knoxville, Steve-O, Bam Margera, and the whole crew return to the screen to raise the stakes higher than ever before.
We're back...THIS TIME... with more stunts & death defying displays of dumbness you could ever possibly imagine. Enter the apocalypse.
In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.