Jonah(1992)

Jonah(en)

Mbwana and his best friend Juma are two young men with big dreams. These dreams become reality when they photograph a gigantic fish leaping out of the sea and their small town blossoms into a tourist hot-spot as a result. But for Mbwana, the reality isn't what he dreamed – and when he meets the fish again, both of them forgotten, ruined and old, he decides only one of them can survive. Jonah is a big fish story about the old and the new, and the links and the distances between them. A visual feast, shot though with humour and warmth, it tells an old story in a completely new way.

The Secret Six(en)

Bootlegger/cafe owner, Johnny Franks recruits crude working man Scorpio to join his gang, masterminded by crooked criminal defense lawyer Newton. Scorpio eventually takes over Frank's operation, beats a rival gang, becomes wealthy, and dominates the city for several years until a secret group of six masked businessmen have him prosecuted and sent to the electric chair.

Evolução(pt)

Ultra Nyan 2: The Great Happy Operation(ja)

Ultra-Nyan's adventures continue. This time, he is tasked with finding the cause of the crows' sudden declaration of war upon the cats.

Haruka's Pottery(ja)

Koyama Haruka was an office worker who lived an unremarkable life, but one day she comes across a large platter of Bizen ware on display at a department store. Little by little, even at work and on her days off, Haruka is unable to think about anything but Bizen ware. With her heart filled by an inexpressible zeal, she heads to the city of Bizen in Okayama Prefecture and excitedly visits the creator of the large platter, Osamu.

Brick Bradford(en)

Brick Bradford, soldier-of-fortune and time-machine traveler, is hired to protect the Interceptor Ray, an anti-guided missile weapon. His task takes him to the Moon, where he is captured by subjects of Queen Khana, but is spared because Queen Khana kinda likes him. Back on earth, Brick, Sandy and June get into The Time To (Brick's spinning time-machine) and spin back to the 18th Century where they have to fight off pirates and island natives.

Up for Murder(en)

Young reporter accidentially kills his newspaper's editor in a fight over the publisher's mistress, who is also the paper's society editor.

Empty Nester(en)

A woman has recently become the sole inhabitant of her long time home - or has she?

My Brothers, Footloose Tramps(el)

A chance meeting between Vantar, who succeeded his father as leader of the clan, and the beautiful Gypsy woman Maira triggers the beginning of a passionate love. But he is not the only one who desires her.

Allegoria della prudenza(pt)

A short film made for "Venezia 70 - Future Reloaded." A homage to Paulo Rocha and Kenji Mizoguchi, filming the director's two tombs, one in Tokyo and the other in Quioto.

Stripped(he)

Alice wakes up with a terrible feeling that she had been raped. Her attempts to repress these nightmarish thoughts collapse, as she finds herself petrified and unable to get out of her apartment. Just across the street lives Ziv, a 17-year old gentle and gifted musician who faces his own loss. Fate will soon join these two characters together and reveal how a crisis can produce both destruction and growth, violence and grace.

Siempre la duda(es)

Adam Ant: The Blueblack Hussar(en)

From Sunrise Pictures, the long awaited Adam Ant documentary film, directed by Jack Bond. Featuring Charlotte Rampling, Mark Ronson, Jamie Reynolds, Allen Jones, John Robb.

Lords of London(en)

Tony is a notorious gangster with a big problem. He has woken up in an abandoned farmhouse, with blood on his shirt, and no memory of how he got there. He stumbles into a small town and discovers he’s in an Italian village that seems to be lost in time.

Piccolo film decomposto(it)

This extremely short film is dedicated to chronophotography, which—as is well known—is the prelude to cinema. As with one of my earlier films dedicated to Muybridge (The Naked Killer, 1982), this one was excavated from books and catalogues, that is, from typographic ink. I tried, in a certain sense, to reanimate the inanimable as does the photographer Duane Michals, having only, sometimes, three or four frames. I found older stroboscopic technology as well as more contemporary flicker effects to be very helpful here and there. I attempted to realize the cinematic identification of Skladanowksy with Avedon; contaminations, precisely, between creators of films and creators of photography, contemporary or not. It is surprising to see Michals, a contemporary photographer, bearing such a strong cinematographic resemblance to Londe, the proto-filmmaker. I hope, at least, to have told the story of their direct commingling, as if by a single secret author.