Jerry his boss sees some kind of commotion from far away though it's only viewable from above a fence blocking the rest of it. So he and Jerry get a sheriff who when they arrive at the fence suggests a constable who then suggests a cop. In between all those encounters, we see them all take the long walks to various places of which one of those-up a hanging bridge-provides some good humour when they fall down on it a couple of times. When all of the above all gather together, they walk another long distance to the other side of the fence.
Jerry his boss sees some kind of commotion from far away though it's only viewable from above a fence blocking the rest of it. So he and Jerry get a sheriff who when they arrive at the fence suggests a constable who then suggests a cop. In between all those encounters, we see them all take the long walks to various places of which one of those-up a hanging bridge-provides some good humour when they fall down on it a couple of times. When all of the above all gather together, they walk another long distance to the other side of the fence.
1920-03-08
5.2
In his fourth short film, Iain Delavan examines profound feelings and experiences. In this expressive display of carefully crafted scenes and poetic dialogue, two characters lament about traumatic events in their past.
Nina, a former NATO special operations agent living in hiding, has to use all her deadly skills to rescue her son who has been kidnapped by ruthless gangsters. Finding Max is a double opportunity for her. A chance to feel the adrenaline rush again, and an opportunity to get back into the life of the son she had to abandon years ago.
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