Return To Retro(2025)

Sound of the Soul(en)

SOUND OF THE SOUL is a compelling portrait of an Arab country where Muslims, Christians, and Jews have lived together in relative peace for centuries. Beautifully photographed during the Fez Festival of World Sacred Music, the film presents unforgettable performances from groups from Morocco, Ireland, Russia, Afghanistan, Mauritania, the USA, Portugal and France, which carry viewers into what the film's Moroccan sufi guide calls "the hearing of the heart": the essential Oneness at the core of all religions and faiths.

The Deal(en)

Stop-motion animation on the arranging of marriages in 1950/60s set in the Eastern-Polish borderland. The script is based on a part of Mikołaj Smyk's diary, the director's grandfather. The biographical objects used in the animation, such as an authentic headscarf, Polish and Russian books, the copy of Mikołaj Smyk's diary and photographs help situate the story in its original environment.

The Sun Never Sets(en)

Smithsonian Magazine once asked the rhetorical question, 'Can a weekly paper in rural New Mexico raise enough hell to keep its readers hungry for more, week after week?' The Rio Grande Sun, published in Espanola, New Mexico is considered one of the best weekly newspapers in the country. The Sun is known for its investigative reporting. It broke the story that its own rural community had the highest per capita heroin overdose rate in the country. It has led the fight for open records and open meetings in a county where political shenanigans are the rule. The film follows the Sun's reporters and editors as they write about the news, the sports, the art and culture of a large rural county. John Burnett, an NPR correspondent, reports on the Sun's Police Blotter--'the best in the country.' Tony Hillerman, the celebrated author and newspaper editor, speaks eloquently about the value of community newspapers. The Sun Never Sets is narrated by Bob Edwards, Peabody Award winning news anchor.

The Song(en)

A documentary that follows the recording process over three days and nights of "(I'll Love You) Till the End of the World" by Nick Cave and the Bad Seeds. A new version of the documentary appeared in 2005, and on the 2019 Criterion release of Wim Wenders' film UNTIL THE END OF THE WORLD.

The Yes Men Fix the World(en)

THE YES MEN FIX THE WORLD is a screwball true story about two gonzo political activists who, posing as top executives of giant corporations, lie their way into big business conferences and pull off the world's most outrageous pranks.

Youth '68(en)

This documentary interviews young people on war, religion, music, sex, and other topics. Part of NBC's Experiment in Television.

The Boys Wanted to See Fireworks from the Side(ja)

A documentary looking back on the making of Shunji Iwai's TV play Fireworks, Should We See it from the Side or the Bottom?.

The Warhol Effect(en)

Lifting the lid on the fascinating last decade of Andy Warhol's life and the legacy he left for future artists, through never-before-seen footage and interviews with insiders.

Wick Is Pain(en)

Witness the never-before-seen footage and true story behind the John Wick phenomenon – from independent film to billion-dollar franchise.

Look Away(en)

Interviews from women involved in the 70's and 80's rock music industry. An examination of the people taking advantage of underage fans and calling for a "Me too" movement in the music world

From You were Black You were Out(en)

About the black community in Ladbroke Grove and Notting Hill which grew up in the 1950s. “No Irish, no coloured, no dogs" read the rooms-to-let signs in what was already a decaying inner area of London. In the Grove black people had to face the brunt of a crude and brutal racism and a grassroots defence was organised against white racist attacks in 1958, to become part of the more general community resistance. And that strength was reflected in the emergence of several major 'Black Power' organisations. Since the 1960s the vital sense of black community which developed in the Grove has resisted attempts to disperse and weaken the community and in particular the attempt to suppress the annual Carnival - the major Afro-Caribbean event in Britain.

Russification in pop style(uk)

A documentary about how Russia has been using popular culture as a weapon against Ukraine for decades. Together with industry participants, the film's narrator, musician Albert Tsukrenko, explores the financial, political and psychological reasons for the vulnerability of Ukrainian artists and reflects on how to break this vicious circle. Unfortunately, our own Ukrainian talents are becoming the ammunition in this weapon. Several generations of original Ukrainian musicians at different times in the 1970s and 1980s, 1990s and 2000s, and 2010s switched from Ukrainian to Russian in their work. Whether willingly or unwittingly, they became tools of Russian show business, which has always sought to blur the cultural border between Russia and Ukraine and worked to promote the imperial myth of "one nation".

Un uomo solo: Incontro con Riccardo Freda(it)

Interview with film director Riccardo Freda.

Sam Morril: Full Capacity(en)

A documentary about the comedy clubs reopening in NYC and getting back to some sense of normalcy.

De Gaulle, le monarque et le Parlement(fr)

Heartbeat of a Nation(en)

A short documentary that celebrates Dene cultural reclamation and revitalization, in which a father passes on traditional knowledge to his child through the teachings of a caribou drum.

One Night With Asterix & Obelix(fr)

On the occasion of the release of the blockbuster "Asterix & Obelix: The Middle Kingdom", unpublished images of the preparation of the film and the manufacturing secrets, as well as the crazy story of Asterix and Obelix since its origins.

Saudade: The Lisbon I Never Knew(en)

A love letter from an American soul to the city of Lisbon.

The Admiral: Pub, Drums and Food(en)

A documentary short catching up with John Halsey a.k.a. Barry Wom of The Rutles

Ulrich Seidl - A Director at Work(en)

This cinematic portrait shows the Austrian filmmaker Ulrich Seidl at work. The much-discussed ‘Seidl method’ is conveyed here vividly and directly: The camera watches over Seidl’s shoulder during the filming of his new production IM KELLER, and observes him at the rehearsals for his latest theatre production ‘Böse Buben / Fiese Männer’. The film paints the picture of a fascinating and exceptional artist using a combination of extensive interviews and excerpts from earlier works.