LALGAM - portraits of survival(2020)

Fuck(en)

A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.

Human Flow(en)

More than 65 million people around the world have been forced from their homes to escape famine, climate change and war, the greatest displacement since World War II. Filmmaker Ai Weiwei examines the staggering scale of the refugee crisis and its profoundly personal human impact. Over the course of one year in 23 countries, Weiwei follows a chain of urgent human stories that stretch across the globe, including Afghanistan, France, Greece, Germany and Iraq.

Night Will Fall(en)

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

The Cave(en)

Deep beneath the surface in the Syrian province of Ghouta, a group of female doctors have established an underground field hospital. Under the supervision of paediatrician Dr. Amani and her staff of doctors and nurses, hope is restored for some of the thousands of children and civilian victims of the ruthless Syrian civil war.

Naqoyqatsi(en)

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

Notturno(ar)

Shot over three years on the borders between Iraq, Kurdistan, Syria and Lebanon, the film depicts the everyday struggles of people attempting to rebuild their lives amongst the devastating effects of civil wars, dictatorships, foreign invasions, and the deadly presence of ISIS.

For Sama(en)

A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.

The Making of The Walking Dead(en)

The Making of the TV Series The Walking Dead.

Anna Nicole Smith: You Don't Know Me(en)

From the heights of her modeling fame to her tragic death, this documentary reveals Anna Nicole Smith through the eyes of the people closest to her.

Love, Gilda(en)

Diaries, audiotapes, videotapes and testimonials from friends and colleagues offer insight into the life and career of Gilda Radner -- the beloved comic and actress who became an icon on Saturday Night Live.

Finders Keepers(en)

In this documentary, recovering addict and amputee John Wood finds himself in a stranger-than-fiction battle to reclaim his mummified leg from Southern entrepreneur Shannon Whisnant, who found it in a grill he bought at an auction and believes it therefore to be his rightful property.

Love, Marilyn(en)

Using the book 'Fragments', which collects Marilyn Monroe's poems, notes and letters, and with participation from the Arthur Miller and Truman Capote estates who have contributed more material, each of the actresses will embody the legend at various stages in her life.

Mea Maxima Culpa: Silence in the House of God(en)

Alex Gibney explores the charged issue of pedophilia in the Catholic Church, following a trail from the first known protest against clerical sexual abuse in the United States and all way to the Vatican.

American Boy: A Profile of Steven Prince(en)

Martin Scorsese spends an evening with larger-than-life raconteur Steven Prince—a former drug addict, road manager for Neil Diamond, and actor—as he recounts stories from his colorful life.

To Be Takei(en)

Over seven decades, actor and activist George Takei journeyed from a World War II internment camp to the helm of the Starship Enterprise, and then to the daily news feeds of five million Facebook fans. Join George and his husband, Brad, on a wacky and profound trek for life, liberty, and love.

Audrey(en)

An unprecedented and intimate look at the life, work and enduring legacy of British actress Audrey Hepburn (1929-1993).

Spider-Man: All Roads Lead to No Way Home(en)

JB Smoove and Martin Starr host a celebration of 20 years of "Spider-Man" movies, from the Sam Raimi trilogy to Marc Webb's movies and the trio from Jon Watts.

The Class of ‘92(en)

A detailing of the rise to prominence and global sporting superstardom of six supremely talented young Manchester United football players (David Beckham, Nicky Butt, Ryan Giggs, Paul Scholes, Phil and Gary Neville). The film covers the period 1992-1999, culminating in Manchester United's European Cup triumph.

Savage X Fenty Show(en)

The Savage X Fenty Show gives a look into Rihanna's creative process for her latest lingerie collection. Modeled by incredible, diverse talent, celebrating all genders and sizes, and featuring performances by the hottest music artists.

As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty(en)

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

The hidden fire(es)

Silence always surrounds the mine, first when it explodes and then when it eternally haunts its victims. The history of the silence of this fire hidden by Morocco in the sand of Western Sahara has left more than 4,000 victims in what is considered the largest minefield in the world. Daha and Fatimetu suffered the effect of the silence of the mines, their lives changed forever, like that of the Saharawi people who, after 14 years cleaning the desert of artifacts, the rupture of the ceasefire have left the future of the contamination of their territory.

A garden that means more than a garden(en)

Taleb, who came to a refugee camp at the age of five in 1975 and returned there after his studies abroad, tells of his life as a displaced person, his gratitude for the reception and support in Algeria, and his hope that the Sahrawis may one day return to their homeland. For Taleb, this hope drives him to actively prepare for better times: as a graduate in agricultural sciences, he conceived a successful small-scale closed-loop economy in a desert under the most difficult conditions, producing enough food for self-sufficiency.

Nollywood, Smara(es)

Smara is the city of dust, kingdom of sirocco, a surviving ruin of a suffocating region… Thousands of Sahrawis who fled Western Sahara after the war against Morocco (36 years ago) live in this refugee camp, located in the Sahara’s inhospitable north, in the middle of the Algerian hamada. They live here, under poor human conditions, thanks to international help. A small film cooperative fights, with barely any means, to elevate the voices of young Saharawis. It is one of the many Nollywoods (Hollywood of emptiness) found in Africa.

Lives on pause(es)

Every year, approximately 800 Sahrawi boys and girls leave the refugee camps to study in Cuba, Algeria and Libya… 15 years later, they return biologists, doctors, engineers… but when they get back to the refugee camps all they have is the desert…

Tebraa, portraits of Sahrawi women(es)

Tebraa is the song of the women of the Sahara desert. Songs of love or lamentation that they sing when they are alone. This collective documentary made by a group of Andalusian women tells the life and injustices that Sahrawi women experience in the adverse conditions of exile and in the occupied territories of Western Sahara.

Western Sahara, a nation that wants to exist(it)

The documentary gives as overview of the history of the Sahrawi people and their current situation in the refugee camps and in the liberated territories of Western Sahara. It describes how water, education, land etc. are managed.

Crisis(es)

In the middle of Western Sahara desert, where no water, no trees, no animals live but a bunch of refugees, struggling in poverty to survive the harsh habitat, the least of the problem one might face is the environmental crisis.

Free paths maker(es)

This documentary deals with the great injustice and pain caused by anti-personnel mines and demands the urgent need for all the countries involved to sign the demining protocols. The short begins with a 24-hour isolation carried out by the author in a hole/crater in the middle of the desert to empathy with the Saharawi people, from there progressively through their commitment and coexisting for getting close to the reality of the victims of antipersonnel mines and their everyday live. Denunciations and wishes of this people who have suffered a hard exile are verbalized. In parallel, the author is interviewing, listening, sharing and designing an ingenuity that he is building to exploit the mines. The melphas (costume of the Sahrawi woman) make up the sail that moves the wheels that trace with phosphate powder the path with the word FREE and end up exploiting the mine, to show the inhuman damage it cause. A call for peoples to sign demining protocols urgently.

Atu, the face of a forgotten nation(es)

Atu is a 12-year-old Saharawi girl who comes to Valencia every summer to escape the suffocating desert summer in exile. Two opposing worlds between a conflict that has driven hundreds of thousands of people away from Western Sahara forcing them to live in southwestern Algeria. At her young age, with little resources and no homeland, she courageously faces the future.

Trump's Unlikely Superfans(en)

Ahead of the U.S. Presidential Elections, Angela Scanlon travels across America to meet some of Donald Trump's most unlikely supporters - including a second-generation Mexican American who wants Trump to build that wall.

Bil'in Habibti(he)

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.

The reflection on the sand(ar)

The rocks, sculpted by sea and wind, stand resilient, displaying the scars of the fragments torn away. From that beach, a young Sahrawi embarks on a mental journey to his last visit to the camps. The places, the rituals, the history, and the time make his voice merge with the memories of his mother's stories, showing a deep contrast between the situation in the recent past and the present.

Sadig: my Sahrawi friend(es)

Habub and Marcos establish a relationship through “video letters” during the wintertime. Through these videos, we see what daily life is like in the Sahrawi refugee camps and, more importantly, how important the friendship between these two kids is.

Sirocco: Winds of resistance(en)

Drawing from the inspiration of their grandmothers, singer Aziza Brahim and activist Senia Abderhaman wrestle for the independence of their people from a brutal and corporate backed Moroccan regime using culturally derived methods of music, poetry, and nonviolent resistance.

When the sun came for them(en)

When the Sun Came for Them is a series of interviews with the nomadic Saharawi people in the Western Sahara. They discuss their remarkable history, their poetic life style and their strong morals. They recount the horrific Moroccan invasion, which forced them into the Algerian refugee camps. This is a powerful and unique movie, which not only preserves the Saharawi people’s personal and cultural history as nomads, but also documents what it means to be a “state-less” person. It is a human rights plea to a world, which has been sadly silent on the long time abuse of the Saharawi people. When the Sun Came for Them documents what it means to be a “state-less” person and how after decades of abuse even pacifist Muslims are turned into fighters committed to war. It is a timely and important film. All was shot by a crew of three recent college graduates on two iPads. It is true backpack journalism.

Sea of sand(es)

This documentary explains the problems of Western Sahara while occupied by Morocco, the territories liberated by the Polisario Front, and the refugee camps in Tindouf (Algeria). 40 years of human rights violations, cultural, human and economic despoliation (fishing, phosphates,...), but also of resistance, fighting back, dignity, solidarity; and most of all, the women’s defining role in the establishment of a forcefully exiled population in one of the most inhospitable places on the planet.

The flowers of the wall(es)

With help from the city of Gavá, the Sahrawi painter and artist Mohamed Moulud Yeslem, presents here in the city his project “a flower for every landmine.” Through this initiative, he has mobilized schools, civil society associations, other entities and even private citizens to make flowers and bring them to be planted next to the landmines that hide the world’s longest wall, a wall constructed by Morocco in Western Sahara and which has reaped division among the Sahrawi people for over 33 years. In all, they have planted 3500 flowers, but they have also learned that they are not just planting flowers for Western Sahara, but to fight against all walls or other buriers to humankind, wherever they may be.

Saharauiya(es)

The documentary is about the sahrawi women’s role carries out from all areas in her society and developes within the framework of the refugee camps in Tindouf (Algeria). Sahrawi women who have different jobs tell us through several interviews their vital experiences and share their opinion about the difficult situation that they suffer. In parallel with these interviews the documentary shows us how is a typical day of a sahrawi family in which a girl and her friend live a little story of fantasy.

Cast in sand: Najla and Agaila(en)

Two women of different generations struggle for survival, happiness, and freedom in barren desert refugee camps. Here, the displaced people of Western Sahara have rebuilt life after fleeing from Morocco's brutal occupation from their homeland, and continue to cry out for justice. Najla and Agaila's different relationships to their cause reflect their personal narratives, revealed and explored with an intimate approach.

Voyages au centre de la Terre : Dans les pas de Jules Verne(fr)