The creators of the original NIGHT OF THE LIVING DEAD bring you THE BOOBY HATCH, a zany comedy full of schlocky humor, nudity and sex! Sweet and innocent Cherry Jankowski (Sharon Joy Miller) is a product tester for Joyful Novelties, Inc., a manufacturer of erotic sex toys. She goes day-to-day, trying to find self-fulfillment in a crazy, erotic, sex-filled world. One of her friends at work, Marcello Fettucini (Rudy Ricci), is at risk of losing his job because he’s having trouble getting an erection. If he can’t get aroused, he can’t test out the new products! Can Marcello and Cherry work out their problems and live happy, or will they continue to just “lay down on the job”? Written and co-directed by NIGHT OF THE LIVING DEAD horror novelist John Russo, THE BOOBY HATCH satirizes the unbelievable sexual attitudes of the 1970s.
Marcello Fettucini
Herman Longfellow
Reporter
Angela
Eileen Lipschitz
Miss Peabody
The creators of the original NIGHT OF THE LIVING DEAD bring you THE BOOBY HATCH, a zany comedy full of schlocky humor, nudity and sex! Sweet and innocent Cherry Jankowski (Sharon Joy Miller) is a product tester for Joyful Novelties, Inc., a manufacturer of erotic sex toys. She goes day-to-day, trying to find self-fulfillment in a crazy, erotic, sex-filled world. One of her friends at work, Marcello Fettucini (Rudy Ricci), is at risk of losing his job because he’s having trouble getting an erection. If he can’t get aroused, he can’t test out the new products! Can Marcello and Cherry work out their problems and live happy, or will they continue to just “lay down on the job”? Written and co-directed by NIGHT OF THE LIVING DEAD horror novelist John Russo, THE BOOBY HATCH satirizes the unbelievable sexual attitudes of the 1970s.
1976-09-01
5.3
Come On Over! It's Crazy & Sexy -- you'll laugh till It Hurts!!
A documentary about George A. Romero's films, with a behind scenes look at Dawn of the Dead.
Ana and Helen, two divorced women, were close friends as teenagers. Today, amidst the corona virus pandemic and in quarantine, they get in touch after 20 years via internet. Through video conference calls, memories, sensations and emotions reflourishes.
People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.
Six vignettes pit an assortment of characters against each other in everyday situations.
An army major goes undercover as a college student. His mission is both professional and personal: to protect his general's daughter from a radical militant, and to find his estranged half-brother.
Like the original film, the sequel is set in a near future where all drinking and drugs are banned except for on one glorious day known as The Binge. This year, that day happens to miraculously land on Christmas.
The film follows a petty rock band called the Winners, consisting of vocalist Joey Winner, bassist Jennifer, guitarist Tyler, drummer Sam, and French-Canadian roadie Hugo, along with their sleazy manager Jeff, as they tour across Canada and the USA after Jennifer is turned into a vampire by Queeny. Meanwhile, a vampire hunter who is afraid of the dark named Eddie Van Helsing quickly chases them down.
The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times
All Gary wants is to make awesome home movies with his best buds. All his older sister Samantha wants is to hang with the cool kids. When their parents head out of town one Halloween weekend, an all-time rager of a teen house party turns to terror when aliens attack, forcing the siblings to band together to survive the night.
Friends battle former U.S. presidents when they come back from the dead as zombies on the Fourth of July.
A group of friends meet after some years apart and decide to go on a treasure hunt.
Jazz and decolonization are intertwined in a powerful narrative that recounts one of the tensest episodes of the Cold War. In 1960, the UN became the stage for a political earthquake as the struggle for independence in the Congo put the world on high alert. The newly independent nation faced its first coup d'état, orchestrated by Western forces and Belgium, which were reluctant to relinquish control over their resource-rich former colony. The US tried to divert attention by sending jazz ambassador Louis Armstrong to the African continent. In 1961, Congolese leader Patrice Lumumba was brutally assassinated, silencing a key voice in the fight against colonialism; his death was facilitated by Belgian and CIA operatives. Musicians Abbey Lincoln and Max Roach took action, denouncing imperialism and structural racism. Soviet Premier Nikita Khrushchev intensified his criticism of the US, highlighting the racial barriers that characterized American society.
Star Chow, an officer in the elite police unit, resigns when he is made a scapegoat for a botched investigation. He goes undercover at a school to complete the case and realizes a bumbling detective is also undercover as a student.
An elder brother who lived a life of crime but left to show his younger brother the lifestyle is not fit for anything. Years later his younger brother takes his footsteps in the life of drugs/crime, to a deal gone wrong his younger brother is murdered, his elder brother steps back into his crime ways and to find and avenge his younger brother's death.
PEOPLE is a new collaboration of riders and filmers from Mack Dawg Productions. Directed by Pierre Minhondo and Justin Eeles. This newly formed collective combines the talents, attitude, and fun-loving folks from such films as kidsKNOW’s “Burning Bridges,” and Neoproto’s “Some Kinda Life”. Learn, watch, and follow these PEOPLE as they show you real snowboarding in their own form. From our cities to yours, look forward to watching: Jon Kooley, Justin Hebbel, Nima Jalali, Jordan Mendenhall, Curtis Woodman, Mitch Nelson, Bryan Fox, Etienne Gilbert, Robbie Sell, Stephen Duke, Pat McCarthy, Shaun McKay, Josh Mills, Marius Otterstad, Jussi Tarvainen, and Ryan Thompson. -Released August 2006.
A young couples lives are turned upside down when the birth of their first child is accompanied by terrifying entities that threaten their newly formed family.
Vasek, 8 years old boy is desperate to find a new "father" for his mother.
At the turn of the century, all of the Earth's monsters have been rounded up and kept safely on Monsterland. Chaos erupts when a race of she-aliens known as the Kilaaks unleash the monsters across the world.
Louis-Philippe Fourchaume, another typical lead-role for French comedy superstar Louis de Funès, is the dictatorial CEO of a French company which designs and produces sail yachts, and fires in yet another tantrum his designer André Castagnier, not realizing that man is his only chance to land a vital contract with the Italian magnate Marcello Cacciaperotti. So he has to find him at his extremely rural birthplace in 'la France profonde', which proves a torturous odyssey for the spoiled rich man; when he does get there his torment is far from over: the country bumpkin refuses to resume his slavish position now the shoe is on the other foot, so Fourchaume is dragged along in the boorish family life, and at times unable to control his temper, which may cost him more credit then he painstakingly builds up...