Short documentary film that captures the spirit of a new generation of Latvian jazz musicians shaping the contemporary sound of Latvia. With a poetic visual style and personal reflections from the artists themselves, the film explores how jazz becomes a dialogue between generations — a space of tension, competition, and ultimately, self-discovery.
0.0While flying to the first stop on their latest tour, the four members of the Australian music group The Seekers recall in flashback the origins of the group and their rise to success.
7.1Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
0.0A young student filmmaker in an attempt to shoot a documentary gets lost in New Orleans. Out of fear of making a mistake, he ends up making hundreds of mistakes.
6.8In 1955, on his report, a medical examiner wrote in the box: age, “about 53 years”. Charlie Parker nicknamed Bird just died, at 34. His death will be the ransom of a life that was not denied to the excesses or the consuming flame of genius. His wildest improvisations will open the door to future jazzmen. Between shadow and light this film will pay tribute to one of the greatest musicians of the 20th century.
4.6In the late 1990s, iconic photographer Bruce Weber barely managed to convince legendary actor Robert Mitchum (1917-97) to let himself be filmed simply hanging out with friends, telling anecdotes from his life and recording jazz standards.
0.0A documentary featuring archive footage to celebrate the 100th birth of jazz legend Louis Armstrong.
8.0Tenor saxophonist, composer and producer Kamasi Washington and his band perform a special show at Harlem's legendary Apollo Theater for the theatre's 85th year anniversary. Washington explores Harlem's rich musical and cultural history and the city's influence on his generation of artists.
0.0Stories and music of Black artists who relied on an underground travel guide to navigate the injustices of racial segregation while on the road. The Negro Travelers’ Green Book was a directory of lodgings, restaurants, and entertainment venues where African Americans were welcomed. Features performances and interviews with vocalists, musicians, activists, historians, and others.
5.0A documentary about the life and music of Justin Pearson. An enigmatic underground musician and owner of Three One G records.
2.0This film by director Ramon Tort documents a unique moment in the life and career of Andrea Motis: the months preceding the recording of her first album in New York as well as what followed. A time filled with changes and emotions; from leaving her parents’ home for the first time and start living by herself to embarking in a world tour that would take her to places like Japan, United States, Asia and Europe. A crucial time in a young woman's life, who is about to make the big leap…, but is she interested in success or fame? Andrea is not a conventional artist. She lives in the moment, enjoying the small things in life, every day in the most simplest way possible… An entire magical process that can only be understood through her music.
6.6Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
6.0Made on a wind-up Bolex camera, The Sound of Seeing announced the arrival of 21-year-old filmmaker Tony Williams. Based around a painter and a composer wandering the city (and beyond), the film meshes music and imagery to show the duo taking inspiration from their surroundings.
8.0Tenor saxophone master Sonny Rollins has long been hailed as one of the most important artists in jazz history, and still, today, he is viewed as the greatest living jazz improviser. In 1986, filmmaker Robert Mugge produced Saxophone Colossus, a feature-length portrait of Rollins, named after one of his most celebrated albums.
6.0Kansas City PBS is proud to present a documentary that looks back at the years Charlie “Bird” Parker spent in Kansas City and his lasting legacy on the Kansas City jazz scene. Bird: Not Out of Nowhere features rarely seen archival footage of Parker, interviews with musicians and historians, and live performances from Kansas City’s most talented jazz musicians.
Renowned journalist and jazz critic Nat Hentoff tells the story of his longtime colleague, pioneering TV writer/director/producer, Robert Herridge. Herridge, working closely with Hentoff, was the key force behind the making of some of the most important music productions in American television history, from "The Sound of Jazz" (1957), featuring Billie Holiday, Thelonius Monk, Lester Young, Count Basie, Coleman Hawkins and Roy Eldridge, to "The Sound of Miles Davis" (1959), with Davis, John Coltrane and Gil Evans ... to a pair of folk and blues shows, featuring Joan Baez's first national TV appearances (1960), which Bob Dylan says enticed the then 19-year-old Minnesotan to move to New York City and begin his extraordinary career. "The Jazz Television of Robert Herridge" offers Nat Hentoff's video-rich celebration of one of the great musical collaborations of the 20th century.
0.0Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the unconventional stance of this media-shy modern musical genius, regarded as one of the true giants of post-war music. Seated at his beloved and battered piano in his Brooklyn brownstone the maestro holds court with frequent stentorian pronouncements on life, art and music.
