Moacir, 1954(2025)

Passaporte Memória(pt)

Marcelo was taken to Paris, where he has lived since he was 12. After the sudden death of his mother in 1992, he returns for the first time to the place where he was born. As he walks through the city of his childhood, a series of memories unfolds, revealing a story of friendship torn apart by tragedy and the social tensions that marked Brazil in the 1960s, leading him to question his identity and his place in the world.

Atravessando a Escuridão(pt)

Meu Lugar - Existências Antropizadas Pelos Espaços Trópicos(pt)

Ceifeira(pt)

Trem da Onze(pt)

Suá, a praia que sumiu(pt)

60 anos depois(pt)

Son of Mongolia(mn)

A strange film as beautifully jumbled as the political environment out of which it sprang, like a handsome weed, "Son of Mongolia" is a travelogue of unique and authentic richness, an amusing Far Eastern horse opera of picaresque character, and a scientifically valuable anthropological document in which the Soviet film industry may well take pride. Objective and modern, yet permeated with a fresh folk quality that goes back to the reckless and lovely Tartary of Genghis Khan, it rises above all its inescapable Soviet-isms into a new frontier region of plains, mountains, tents and herds, a world still appreciably beyond the range of Western cameras.

Shepard(en)

A troubled teen crosses paths with a charismatic, dangerous stranger and it becomes the worst decision in both of their lives.

Ghalandar(fa)

Ghalandar feels bothered by the suitors wooing for his sister Eshrat. But for a secret reason he does not want to marry her off. As a way out, he asks his trusted friend Sadegh to marry his sister, but warns him about making love with her. Sadegh tries to keep his promise, but when he leaves his wife immediately after the wedding ceremony for the capital, Eshrat follows and joins him and his mother. Unable to bear with the taunts of mother, Sadegh eventually breaks his oath and takes his legal wife to bed. Informed of this betrayal, Ghalandar waylays Sadegh at a dark night and stabs him to death. Eshrat, suspecting who is behind this murder, flees and joins a whorehouse, intent to exact her revenge by staining the name of his so-far respectable brother...

Palangal(ml)

Usha (Zarina Wahab) comes to her sister's house for relief from a terrible tragedy of her life which is the accidental death of her lover Ravi played by Shankar. In the new place, she meets Ramankutty, played by Nedumudi Venu, who is the friend of Vasu Menon (Bharath Gopi), husband of her sister. Their friendship eventually turns into love, but Ramankutty's mother does not allow this proposal. Usha slowly realizes that Vasu Menon's feelings for her are wayward, but she does not tell her sister as she fears that this will ruin their family. So Usha decides to go back to her home, on the way she meets Ramankutty, who has convinced his mother about marrying Usha.

Venkalam(ml)

Story of two brothers

The crumbs of the world(el)

A captain trusts his only son in the hands of a girl, for which he believes is one that correspond.

Slaves of fate(el)

Dad(en)

Deborah visits her teenage sister, Deanna, at their family cottage in anticipation of their father's arrival late at night. While making up for lost time together, Deborah and Deanna uncover their hidden traumas.