Le jour est la nuit(2021)

Waltz with Bashir(he)

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

Women 50 Minutes(zh)

A representation of queer and feminist imagery that was mainly shot in the Qinghai-Tibetan Plateau, remote and developing areas in southwest China, and metropolitan cities like Beijing from 2000 to 2004 to document the social changes in contemporary China. The director sympathetically and erotically represents a variety of women, including women as laborers, women as prayers, women in the ground, women in marriage, and women who lie on the funeral pyre with their dead husbands. Her camera juxtaposes the mountains and rivers in old times, the commercialized handicrafts as exposition, the capital exploitation of the elders’ living space, and the erotic freedom of the young people in a changing city.

Rio Branco(pt)

Leila and the Cigarette(ar)

In early September 2011, Leah decided to go to Lebanon to film her grandmother. Two weeks after the end of filming, her grandmother died of metastatic lung cancer. It would take her 12 years to regain the courage to review their last conversations. Through memories and poems she draws the portrait of her grandmother paying homage to her colorful spirit that made her unique.

Mustapha El Atrassi - La Vie Est Folle(fr)

Immersion in Mustapha's mind during the lockdown period.

The Balcony Movie(pl)

Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.

La ciudad es nuestra(es)

Cathedrals(de)

The city of Ordos, in the middle of China, was build for a million people yet remains completely empty. Ordos is not so much a place but a symbol of babylonic hype. But nothing will change - as long as people believe.

Let's Not Live Like Slaves(fr)

The Lady of the Palace(ar)

Sayedat Al-Kasr traces the history of the Joumblatt family of Mount Lebanon from the 17th century to the present, focusing on early 20th century leader and politician Nazira Joumblatt. Born in 1889, Nazira ascended the throne of the Moukhtara palace in 1923, following the assassination of her husband Fouad and the resignation of her brother Aly Joumblatt. She presided over the region as Lady of the Palace for twenty-five years while raising her son Kamal, preparing him to take his place in a long line of Jumblatt leaders. Famous for her wisdom and strong personality, Nazira boldly entered the Lebanese political scene at a time when this field was entirely dominated by men. Unwavering, she contributed to maintaining peace and stability in Lebanon for many years, earning the respect of men and women, whether Druze or Maronites.

This Is Not Fairuz(en)

A young journalist is looking to learn and talk with the Lebanese legend, Fairuz.

Bulletproof(en)

"Bulletproof" observes the age-old rituals that take place daily in American schools: homecoming parades, basketball practice, morning announcements, and math class. Unfolding alongside these scenes are an array of newer traditions: lockdown drills, teacher firearm trainings, metal detector inspections, and school safety trade shows. This documentary weaves together these moments in a cinematic meditation on fear, violence, and the meaning of safety, bringing viewers into intimate proximity with the people self-tasked with protecting the nation's children while generating revenue along the way, as well as with those most deeply impacted by these heightened security measures: students and teachers.

Siege in the Air(hi)

What did it mean to live in a perpetual siege, coupled with total communication blockade on top of a triple lockdown for the women of Kashmir. This hybrid documentary will try to delve into these questions exploring how the idea of life/living, time and space completely transformed for Kashmir post Article 370 abrogation.

Fatima's Job(en)

Emerging artists seek to stay afloat in their industry whilst the Covid pandemic induces career threatening lockdowns.

Engenho Prado - Guerra de Baixa Intensidade na Zona da Mata Norte de Pernambuco(pt)

Fuori era primavera: Viaggio nell'Italia del lockdown(it)

Recovery(ar)

Jean-Claude walks his dog in a neighborhood forever stuck in reconstruction. On his trip, he wonders about life, mortality, and 'what if' scenarios while remembering fragments from the direct impact of the second that almost cost him his life on August 4. At the moment of the explosion, the end of the world, bodies, buildings, roads, and cities may shatter. Perhaps the universe itself breaks apart. But the most severe fragmenting remains that of memory. A picture here and a sound there are vaguely reconstituted. Can a future be built from such a memory? Can it rebuild what was lost? Is it time to leave?

Un cafè a l'Hamsa(ca)

Kaab l Dayaa(ar)

Intimate discussion with the inhabitants of Kfarbaal, a village tucked in the mountains above Byblos. We hear them share their experiences, deceptions and dreams.

The Wages of Resistance: Narita Stories(ja)

The Wages of Resistance is a feature-length documentary film that portrays an "extended span of time" of the protests against building Narita International Airport which have continued from the 1960's to today through documenting monologues of those whose lives were twisted by the movement.