For centuries, freeminers have held the right to mine coal anywhere within the Forest of Dean. To become a freeminer, one must be over 21, born within the hundred of St Briavels, and have worked underground for a year and a day. Today, Forestry England administers the mining tradition, with only a few freeminers still venturing underground in search of the elusive ‘black gold,’ helping to keep this unique heritage alive. This short documentary offers a rare glimpse into the lives of those most connected to this fascinating practice. Through their eyes, we explore the dark depths beneath the ancient forest floor and uncover an enduring way of life.
Himself
Himself
Himself
Himself
For centuries, freeminers have held the right to mine coal anywhere within the Forest of Dean. To become a freeminer, one must be over 21, born within the hundred of St Briavels, and have worked underground for a year and a day. Today, Forestry England administers the mining tradition, with only a few freeminers still venturing underground in search of the elusive ‘black gold,’ helping to keep this unique heritage alive. This short documentary offers a rare glimpse into the lives of those most connected to this fascinating practice. Through their eyes, we explore the dark depths beneath the ancient forest floor and uncover an enduring way of life.
0
0.0In the Sardinian town of Tonara, where the ancient art of crafting cowbells teeters on the edge of extinction, a family battles to preserve their heritage, passing down skills to a new generation while grappling with personal struggles and the pull of modernity. English subtitles.
0.0The film is about inspiration, reminding the power of collective action, the importance of preserving the heritage of Santa Ana, and the boundless potential that lies within the community. It is a story that deserves to be told, a story that will resonate with audiences of all ages and backgrounds.
0.0Time-travel to a 1940s classroom with this exemplary educational film.
0.0On the 5th of March 1985, a crowd gathered in a South Yorkshire pit village to watch a sight none of them had seen in a year. The villagers, many of them in tears, cheered and clapped as the men of Grimethorpe Colliery marched back to work accompanied by the village’s world-famous brass band. The miners and their families had endured months of hardship. It had all been for nothing. The miners had lost the strike called on March 6th 1984. They would lose a lot more in the years to come. But was it a good thing for the country that the miners lost their last battle?
0.0In the wake of one of the worst social experiments in the history of mankind, 'I'm not Black, I'm Coloured' is one of the first documentary films to look at the legacy of Apartheid from the viewpoint of the Cape Coloured. A people who in 1994, embraced the concept of Desmond Tutu's all encompassing 'rainbow nation', but soon thereafter realized that freedom, privilege, economic growth and equality would not include them. A people who for more than 350 years has been disregarded, ignored, belittled, and stripped of anything they can call their own enduring a complex psychological oppression and identity crisis unparalleled in South African history.
0.0During his stay in Cape Town as a film student, Shatho Tibone was inspired by an initial casual trip he took to the scenic but informal settlement of Hangberg. This film focuses on the uncertainties and inhumane acts of police and state brutality faced by the predominantly Rastafarian, KhoiSan identifying community of Hangberg in Cape Town, South Africa. So, through the participatory collective effort of a few journalists, filmmaker and community leaders Shatho went on a 5 year journey to document the story of this community which has become an enigma in South African imagination,
0.0Motivated by family memories, a filmmaker returns to the land of his mother to reflect on his identity and deep cultural heritage.
0.0Documentary marking the 30th anniversary of the 1984 miners' strike, one of the bitterest industrial disputes in British history, with stories from both sides of the conflict.
5.7Documentary chronicling the government relocation of 10,000 Navajo Indians in Arizona.
0.0The majestic rebirth of Manchester's Bradford Colliery and other stories.
0.0"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.
7.5The first of a documentary serie about rural France.
0.0“…It is a film that tells in hurried film sequences and a resonant musical score juxtaposing the sublime, funereal despair of Bartok agains tthe gut-bare tones of folk music. Gates has through his filming technique and meticulously selected mining sites, captured all the outrage and sorrow and indignity to the land and its people that strip mining represents. The film is one that all Americans should see, for it shows extremely well the price we have to pay for strip mined coal.” - Dale A. Burk, The Montana “Missoulian”
9.0A short documentary about the rapidly disappearing era of heritage movie palaces and the film going experience once offered within those hallowed walls.
0.0This film demonstrates how labor law has crippled the collective bargaining power of unions and weighed the scales of justice against working people. The documentary follows the 1988 United Mine Workers strike against the Pittston Coal Company that followed the expiration of their contract and Pittston's termination of the medical benefits of 1,500 pensioners, widows, and disabled miners.
0.0This film takes us into the harsh realm of BC's early coal mines, canneries, and lumber camps; where primitve conditions and speed-ups often cost lives. Then, the film moves through the unemployed' struggles of the '30s, post WWII equity campaigns, and into more recent public sector strikes over union rights.
10.0A small town is overcome by a massive underground coal fire in 1962. As a result hundreds of residents had to be relocated.
In July of 2019 the Blackjewel coal company announced it was declaring bankruptcy. Miners were told to stop working mid shift, and their last paychecks bounced. The miners retaliated by blocking a train full of coal, camping out on the coal tracks for weeks. Queer regional organizers made their way to the encampment to support the miners. The encampment became a place for community gathering and mutual aid distribution. Sarah Moyer, a film maker living in Kentucky, also made their way to the encampment and filmed this short documentary on the blockade. (Summary from Queer Appalachia)
0.0What does blood have to do with identity? Kendra Mylnechuk, an adult Native adoptee, born in 1980 at the cusp of the enactment of the Indian Child Welfare Act, is on a journey to reconnect with her birth family and discover her Lummi heritage.