

Sometimes you’re at home with a friend and you tell them that if you don’t leave you’ll be late and the response is a crazy, unexpected and utter frenzy.

Sometimes you’re at home with a friend and you tell them that if you don’t leave you’ll be late and the response is a crazy, unexpected and utter frenzy.
2025-05-01
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0.0In this single character-driven movie, we follow the life of meta, an archaeologist. In her excavation she comes across an old ruin and unknowingly falls trap to a curse. This curse later leads her head to get stuck in a mystical pot. It is the nature’s payback to her unknown karmic cycle.
0.0Born from steel and glass Kino Kopf is created by two inventors. They are assembled by their mother, a nurturing artist, and their Father a greedy entrepreneur. Kino Kopf is the first of its kind a sentient humanoid VHS camera. They are given a life by their mother but presented to the world by their father. Kino Kopf is the next big sensation and spurs a technological revolution. They are soon forgotten and alone as new models surpass them. Kino Kopf is left alone to contemplate if they ever had a soul, as visions of an electric cowboy dance through their dreams.
10.0Egglantine loves salt on her eggs. Eggbert prefers pepper. Who blinks first in this playful Easter ritual?
0.0The fan's self-sacrificing blades dance in the air, generating a refreshing breeze that wipes away the sweat of others and brings solace on a scorching day.
A lonely woman with an overwhelming obsession of masturbation must extricate herself from what consumes her every moment.
10.0This experimental short film explores the reconstruction and recollection of traumatic events through fragmented memories, using a non-linear narrative and a layered visual approach. The film emphasizes the penetration of montage, with an anarchic and chaotic tone that reflects both fun and disorder. The film brings to life concerns about how a woman moves, how she speaks, dreams, and how she is stripped of her inherent qualities by a society which continues to sexualize and harmfully perceive her. It visualizes a recollection of thoughts, dreams and memories, symbolically intertwining the characters experiences of their conscious with their subconscious.
0.0Is the eye the window of the soul? - Mydriasis is a movie that reflects about the early discoveries of queerness and its impact on the self perception of a person.
7.2When a US Naval captain shows signs of mental instability that jeopardize his ship, the first officer relieves him of command and faces court martial for mutiny.
0.0Old ghosts celebrate the past as it intrudes on those who think it past.
0.0In an urban reality seen only in black and white, a boy from a conservatory works alone in the school's abandoned fine arts department. Until the boy is accused of schizophrenia by the institution, for gradually starting to see colors and act outside the norm, because he is an artist.
5.0A student and her photographer boyfriend visit an island off of Massachusetts to research a hotel supposedly haunted by a witch.
6.9A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.
7.0When actress Nikki Grace gets the lead role in a cursed film, her world becomes more and more surreal, blending realities and ideas of infidelity, reincarnation, and supernatural forces.
0.0In countless meeting rooms, an employee wants to resign. Her motivations don't matter, what matters is the catharsis of resignation.
0.0On an isolated farm, a woman finds an injured and frightened woman in her old chicken coop. Moved by an inexplicable instinct, she decides to help her, without imagining that this silent encounter will awaken buried secrets. When tension finally gives way to trust, something dark approaches, bringing a truth that no one could have foreseen.
5.0This is a story about a man who believes that he has two “selves” - external and internal. That is, an organism is a certain conglomerate of cells, each of which is a separate individual. This hybrid creature has a certain common personal “I” that uses the entire organism, and is the organism itself, which has its own will. According to the character, one can communicate with him, which is what he is trying to do. He wants to reach him and comes up with different ways of communication: injecting substances under the skin or intravenously, tattooing texts on the body, swallowing objects. The answer would come in the form of a rash or other physical manifestation that had to be interpreted. As a result, communication is carried out and the second “I” agrees to die.
0.0Cinema clerks Silva and Felix work the final night before their beloved cinema is demolished by private investors. An empty final screening allows them to reflect on the meaning of cinema in an age wherein art no longer occupies physical space.
0.0Small fragments from the life of a woman tortured to death by a drug addict and a cannibalistic Satanist. The thick blood splatters against director Baiestorf's dirty lenses, which shows in a surreal way the most realistic scene of heroin use ever filmed in the history of Brazilian cinema. The short was created from scenes filmed for the feature "Stay Sick!" which Baiestorf was unable to finish.
10.0“Poussières de Juillet”, produced in 1967 by Hachemi El-Chérif, is taken from a poem by Kateb Yacine. "We made a film on the return of the ashes of Emir Abdelkader, to Algeria. It was the opportunity to make a film on the ancestors with M'hamed Issiakhem. He designed glass plates on the basis of my texts. Then we had actors collaborate. It was a film which cost us a total of 300 dinars, proof that we could do work for television without too much money. We won two first international prizes at the Belgrade festival. We left the original of the film with the Egyptians in Alexandria and they lost it. We kept a copy but over time I wonder what happened to it, because there is no not even had a screening, they say it still exists, but I don't know in what state." Kateb Yacine, July 28, 1986, interview with Arlette Casas.