Rosine(NaN)

Contras' City(wo)

A fictional documentary that portrays the city of Dakar, Senegal, as we hear the conversation between a Senegalese man (the director, Djibril Diop Mambéty) and a French woman, Inge Hirschnitz. As we travel through the city in a picturesque horse drawn wagon, we chaotically rush into this and that popular neighborhood of the capital, discovering contrast after contrast: A small African community waiting at the Church's door, Muslims praying on the sidewalk, the Rococo architecture of the Government buildings, the modest stores of the craftsmen near the main market.

A Night of Knowing Nothing(bn)

L, a student in India witness to the government's violent response to university protests, writes letters to her estranged lover while he is away.

ABBA: The Movie(en)

A radio DJ in pursuit of an exclusive interview follows ABBA during their mega-successful tour of Australia.

The Noise of Time(es)

In the town of Xoco, the spirit of an old villager awakens in search of its lost home. Along its journey, the ghost discovers that the town still celebrates its most important festivities, but also learns that the construction of a new commercial complex called Mítikah will threaten the existence of both the traditions and the town itself.

Man with a Movie Camera(ru)

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

All Five Millions of Us(pt)

"All Five Millions of Us" is a hybrid of documentary and fiction feature film about father absence, based on data released by the National Council of Justice: there are 5.5 million children without paternal recognition in Brazil.

Agatha Christie contre Hercule Poirot : Qui a tué Roger Ackroyd ?(fr)

Ils voulaient tuer de Gaulle(fr)

Based on the model of documentary fiction (alternating period films, interviews and re-enactments with actors), the film begins on September 8, 1961 with the failure of the Pont-sur-Seine attack on a road convoy carrying Charles de Gaulle, then President of the Republic, and continues with the slow preparation, the occurrence and the consequences of the Petit-Clamart attack on August 22, 1962.

Nha Sunhu(pt)

Issa, a footballer from Guinea-Bissau who plays in Portugal, is contacted by two filmmakers who want to know more about his life and make a documentary. Exposing the voices behind the camera, Nha Sunhu is a reflection on the gaze, bias, and representation of the other.

Más cinco(es)

Viva Stalin(ru)

A village meeting in communist Russia to pay homage to Stalin leads to a gossip marathon, which develops into an endurance test for the participants.

Flora(es)

A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.

30s Are (NOT) the New 20s(es)

David turns the terrible 30s. He celebrates it with his friends from the town, those of a lifetime. They have not seen each other for a long time, although there is desire, something changes. The celebration becomes a reflection of their lifes and a memory of those who no longer come. A docufiction about the Millennial generation.

Fluch des Mittelmeers - Piraterie, Menschenraub und Sklaverei(de)

Drama documentary based on the latest discovery of a 16th Century sailing shipwreck found close to Malta by an underwater research team led by maritime archaeologist Timmy Gambin.

Beyond the mall(es)

Is there an audience for Latin American movies? These are some of the questions posed by an Ecuadorian filmmaker whose latest movie was a commercial flop. He embarks on a query to find answers to his questions and relief for his despair. His research leads him to a giant contraband market in the port city of Guayaquil, where pirated movies from all over the world are sold for one dollar each. Here, he discovers a number of Ecuadorian low budget movies produced by amateurs, with titles he had never heard of before: from action packed productions to evangelical melodramas.

After Death(en)

Based on real near-death experiences, the afterlife is explored with the guidance of New York Times bestselling authors, medical experts, scientists and survivors who shed a light on what awaits us.

Born in Flames(en)

In near-future New York, ten years after the “social-democratic war of liberation,” diverse groups of women organize a feminist uprising as equality remains unfulfilled.

Immortalité, Dernière Frontière(fr)

Immortality and eternal life: Will this great human dream come true? In any case, cryonics is making ever greater progress, human cloning no longer seems impossible and research is being carried out into the digital reproduction of the brain. Taking stock in the USA, Canada, Europe and Russia. The documentary delves into a world in which all-too-human people refuse to simply be wiped out by death. It shows how difficult it is to resist the promises of eternal life and also highlights the economic interests behind such endeavors. Google's push is just one sign of a possible two-tier society of the future: on the one hand, the rich who have access to such "offers", on the other, the rest of society.

No One Knows About Persian Cats(fa)

Iranian musicians Negar and Ashkan look for band members to play at a London concert ... and the visa that allows them to leave Tehran to do so.

نصر الدين ديني(fr)

Étienne Dinet (إتيان دينيه), born March 28, 1861 in Paris, where he died on December 24, 1929, was a French painter and lithographer. He was one of the leading representatives of Orientalist painting at the turn of the 19th and 20th centuries. Obtaining a scholarship in 1884, Dinet undertook his first trip to southern Algeria in the region of Bou-Saâda, the Naili culture having a profound impact on him, as he would return there many times until he settled in his first Algerian studio in Biskra in 1900. In 1905, he bought a house in Bou-Saâda to spend three-quarters of the year there. In 1907, on his advice, the Villa Abd-el-Tif was created in Algiers, modeled on the Villa Medici in Rome. Having lived much of his life in Algeria, he called himself Nasreddine Dinet (نصر الدين ديني) after converting to Islam. On January 12, 1930, he was buried in the Bou-Saâda cemetery, where a museum that houses many of his works bears his name.