In the dilapidated industrial buildings in Upper Ladadika or in the wider area of Valaoritou in Thessaloniki, bands and creators flourished for over four decades. Rooftops, music studios and rehearsal halls with the decibels turned up created the space and time for a continuous explosion of cultural action, personal and collective expression. Through the eyes of the musicians and individuals who continue to shape the city's underground music scene, we see how all this creative expression is increasingly threatened by the ongoing process of displacement due to gentrification. We discuss Thessaloniki, music, the future and the resistance that can be born.
In the dilapidated industrial buildings in Upper Ladadika or in the wider area of Valaoritou in Thessaloniki, bands and creators flourished for over four decades. Rooftops, music studios and rehearsal halls with the decibels turned up created the space and time for a continuous explosion of cultural action, personal and collective expression. Through the eyes of the musicians and individuals who continue to shape the city's underground music scene, we see how all this creative expression is increasingly threatened by the ongoing process of displacement due to gentrification. We discuss Thessaloniki, music, the future and the resistance that can be born.
2025-03-21
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the ghost of a world that could be free
Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.
The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.
A short film about the changing face of London Soho and the implications of gentrification on Mimi, an aging transvestite.
On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, shopping malls and stadiums where punk rock music and culture continue to thrive.
Toronto filmmaker Charles Officer profiles the young people of Villaways Park, a housing project on brink of historic change.
A film essay contrasting the modern metropolis with its "golden age" from 1830-1930, with the participation of some of New York's leading political and cultural figures. Made at a time when the city was experiencing unprecedented real estate development on the one hand and unforeseen displacement of population and deterioration on the other. Empire City is the story of two New Yorks. The film explores the precarious coexistence of the service-based midtown Manhattan corporate headquarters with the peripheral New York of undereducated minorities living in increasing alienation.
A documentary about the underground singer-songwriter Tobias Gruben, his upbringing and his musical career, featuring past live perfomances by himself and cover versions of his songs by contemporary artists.
Class Acts is a feature-length documentary tracing the genesis of Singapore's creative scene in the '90s through intimate conversations with its pioneering personalities. These are the stories of individuals who started creating with nothing, who push Singapore’s creative standards even today. The ones who went on to inspire a new generation of musicians, designers, and street artists.
Peter Sempel's masterful poetic film tribute to butoh performer Kazuo Ohno.
At the end of the Cold War, something new arised that should influence an entire generation and express their attitude to life. It started with an idea in the underground subculture of Berlin shortly before the fall of the Wall. With the motto "Peace, Joy, Pancakes", Club DJ Dr. Motte and companions launched the first Love Parade. A procession registered as political demonstration with only 150 colorfully dressed people dancing to house and techno. What started out small developed over the years into the largest party on the planet with visitors from all over the world. In 1999, 1.5 million people took part. With the help of interviews with important organizers and contemporary witnesses, the documentary reflects the history of the Love Parade, but also illuminates the dark side of how commerce and money business increasingly destroyed the real spirit, long before the emigration to other cities and the Love Parade disaster of Duisburg in 2010, which caused an era to end in deep grief.
An alternative documentary following the trail of blood and carnage of Philadelphia’s own Deathmatch Rock n’ Roll pioneers, Eat the Turnbuckle, from beer-soaked bars to the largest stage in the world of metal.
Don't Bring A Dog shows a part of the New York underground music scene - rooted in the early eighties - existing apart from MTV and billboard charts. Music, interviews, sounds and pictures of the city blend into a collage. Don't Bring A Dog works like a time capsule of people and music in NY at a particular moment
PBS produced documentary in two parts: the first is dedicated to saxophonist and composer John Zorn; the second is about Sonic Youth at the height of their powers in 1988.
A journey through the fantastic and mysterious Barcelona that the Spanish writer Carlos Ruiz Zafón (1964-2020) loved so much, the city of myth and legend, the city that was before it became one of the main European tourist destinations.
White Flag : Flipside, Not Alright, Communication Breakdown G.B.H. : Gimme Fire, Wild Thing, I Am The Hunted 7 Seconds : This Is My Life, out of Touch, Skins brains guts Tesco Vee : worshiping /s - 7 seconds with a cat and a guessing game with: SSD doing Shangri-las, White Flag doing Pink Floyd & GBH doing the Buzzcocks. Battalion of Saints : I Wanna Make You Scream Minor Threat : Stand Up And Be Counted, Stepping Stone Rodney Mullen skating Minor Threat: betray & Jeff Nelson Brian baker (skating) it Follows Big Boys : Brickwall Stretch Marks : Professional Punks Urinals/100 Flowers : California Falling, Surfing With The Shaw, With: Keith Morris and D Boon Black Flag : Scream in Mike Muir's garage Kraut : Kill For Cash Minutemen : Split Red, Life As A Rehearsal, Ack Ack Ack Ack Angst : This Guns For You, Neil Armstrong Dickies : If Stuart Could Talk, Manny, Moe, and Jack, You Drive Me Ape, Gigantor ENDCLIPS: The Avengers, The Eyes, 45 Grave, SIN 34
San Francisco has long enjoyed a reputation as the counterculture capital of America, attracting bohemians, mavericks, progressives and activists. With the onset of the digital gold rush, young members of the tech elite are flocking to the West Coast to make their fortunes, and this new wealth is forcing San Francisco to reinvent itself. But as tech innovations lead America into the golden age of digital supremacy, is it changing the heart and soul of their adopted city?
“El Apagón: Aquí Vive Gente” is a documentary directed by Bad Bunny and Blanca Graulau. This 23-minute film explores the socio-economic challenges in Puerto Rico, focusing on the effects of power outages and gentrification driven by the real estate and energy sectors. Through visuals and personal stories, the documentary highlights the experiences of Puerto Rican communities facing these issues.