A young couple with conflicting desires for intimacy attempt to navigate the emotional complexities of what should be a joyful one-year anniversary.
Zoe
Brie
Man on the Metro
Young Man on the Metro
Young Woman on the Metro
A young couple with conflicting desires for intimacy attempt to navigate the emotional complexities of what should be a joyful one-year anniversary.
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A filmmaker holds a series of boundary-pushing auditions for his latest project: a thriller on the subject of female pleasure.
A close-knit group of gay friends share the emotional roller coster of life, relationships, the death of friends, new beginnings, jealousy, fatherhood and professional success. At various stages of life's disarray, these young men share humorous and tragic relationships and always have each other to rely on.
An experimental film revolving around how an artist perceives a man and a woman.
First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.
Hunter, a bride-to-be, feels overworked and unappreciated. Her artistic spirit is squelched by the shallow corporate world she’s in and she has had enough. Unfortunately, she feels as if she can’t turn to Ian, her commercial executive fiancé, for solace. As her wedding day approaches, Hunter and her three bridesmaids embark on a road trip to Las Vegas for one last hoorah together. As the girls venture from the city, they decompress and let their personal barriers fall. An impromptu sightseeing excursion into the desert leads to a clash of anxieties and attitudes between Hunter, the bridesmaids, and her fiancé as Hunter searches for the road that’s right for her.
Brian Hartley has finally found the girl of his dreams in Linda. Unfortunately, he can't convince her or himself that it's really true. When she catches him with another woman, she finally decides she's had enough and vows to never see him again. Frenzied from the loss, Brian breaks into her house to try to talk her into seeing him again, but Linda and her roommates Kim and Sharon instead bind him to the bed.
Bruno, in his thirties and in desperate need of a purpose, ends up homeless after a breakup. Without despairing and under the watchful eye of his motherly big sister, this sawmill worker will find the drive to put his beloved blue suit back on and to rekindle an old flame.
Anne is persuaded to join her fiance, Gilbert, in New York City as he begins his tenure at a major hospital. However, any chance of lasting happiness is dashed when Gilbert enlists to serve in The Great War in Europe. Anne stays behind and takes up writing, but learns that contact has been lost with Gilbert. Seeing no other option, Anne decides to venture to Europe herself to find him. In doing so, she begins an adventure that will challenge her wits and imagination to the limit.
A couple is stuck in an escape room, and a failing relationship, with no way out.
A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.
In an anonymous city, a person collapses, appearing to have lost consciousness. Some strangers pass by, others embrace her. In a solitary quest for intimacy, blinded by a world of indifference, her gaze, her body are staggering.
A spiritual operator, don Tek, gives out advice and judgments to his followers, who dream of a dark, cruel man who attacks them with the socio-moral meanings of life. The dream interpreter materializes and is killed by don Tek who, after the murder, falls asleep to forget. But the victim appears in his dreams, leaping from the sky only to die instantly: don Tek has killed dreams.
Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.
An adaptation of the play "4.48 Psychosis" written by Sarah Kane. The movie consists of scenes that work as a fragmenteded voyage through the mind of a person on a deeply depressive state. Everything is shown in a raw and experimental manner to bring the feelings and emotions in the most pure form to screen.
"We Go Past Future" is an experimental paper collage film by Anna Malina. The film reimagines a series of Soviet films from 1919 to 1953, blending them into a unique visual narrative.