
A man sits in his living room, doing absolutely nothing while morning arrives.
2025-11-28
0
Experimental
8.0X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
0.0In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.
0.0Breathe deeply: in 3 years, your molecules will circle Earth, as today’s oxygen came from nature.
10.0A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.
0.0Norman, arrives at a giant building and climbs up the countless stairs that exist in the building until he reaches the top.
A cineastic meeting of two characters who are directly related to each other: Camera (Cinematographer) and Dancer. Both can define space/room, but only through interaction. They meet each other in an abstract setting (a white cube) and start a dramatic play.
0.0Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.
3.0Iwasaki’s ink oscillates like an evil lava lamp that might actually be alive and its progression into more and more disturbing images create an impressive sense of dread in a film that is basically just some pencil drawings on a blank background. (Film School Rejects)
0.0An experimental meditation on the pervasive nature of transience.
7.2This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is one of several experimental shorts inspired by the music of jazz great Chico Hamilton. At the end, in footage probably shot by Jerry Juhl, Jim demonstrates his working method.
0.0To forget about the end of a relationship, a woman fantasizes about an ideal one. Fantasy and reality begin to melt into one another, but the past finds a way to rear its head again. Films used: Notorious (1946) Gaslight (1944)
0.0Succeeding in entering the past, a young man meets his favorite actress whom he adulates with passion. His identifying urges emerge, and the desire of replacement prevails : he makes his idol live forever.