Relatore
2024-10-26
0
Dialoguing directly with the trilogy of documentaries “Images of the Unconscious”, made between 1983 and 1986 and based on clinical cases and therapies with a humanist approach and artistic expression, conducted by the pioneering psychiatrist Nise da Silveira (1905-1999) – screenwriter of that film –, here is presented, in two parts, an interview with the doctor, a student of Carl Jung and a pioneer in the application of non-violent treatments for psychiatric patients, given to director Leon Hirszman, in 1986. The conversation is divided in two parts: the first, "The emotion of dealing", the second, "The egress".
Things are busy at the Paris hospital where young psychiatrist Jamal and his colleagues work. The place is run down, the staff are exhausted, budgets are constantly being slashed. You know the story, but you’ve rarely seen it conveyed as engagingly as in ‘On the Edge’, which employs a handheld camera and meaningful, artistic interventions to observe the daily routine at the psychiatric ward. The deeply sympathetic Jamal is an everyday hero with an exemplary, humanistic disposition, for whom the most important prerequisites for mental health – and for a healthy society in general – are good relationships with other people. He puts his philosophy into practice by listening patiently, giving good advice and organising theatre exercises based on Molière. Realism and idealism, however, are in balance for the young doctor, at least as long as the institutional framework holds up.
In the documentary Nola, we follow the 24 year old Daniëlle and her psychosocial assistance dog. Daniëlle has been struggling with her anxiety disorder for years and has tried many forms of therapy to no avail. Therefore, assistance dog Nola is her last hope for recovery.
The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.
In 1955, Albert Maysles traveled by motorcycle throughout Russia. During this trip, he shot what was to become his first film, 'Psychiatry in Russia', an unprecedented view into Soviet mental healthcare. Originally televised by the David Garroway Show on NBC-TV in 1956.
"You who enter, leave all your hope behind." Själö was Finland's first mental hospital. The hospital opened in 1622. Intended for those suffering leprosy. But Själö hospital also had a secret ward. A house for the insane. The ungodly and mentally ill were deposited here forever and their property fell to the church. In 1889 Själö became a storage area for women with "unbearable insanity".
A nocturnal journey inside the abandoned spaces of the former Collegno mental hospital. Through the writings from within - the voices of the letters, diaries and testimonies of the internees - the labyrinthine and crumbling rooms come back to life and evoke the painful past of the psychiatric hospital. They tell of the electroshocks and tortures on adults and children carried out by Doctor Giorgio Coda, the "electrician" from Collegno. They tell of the official trial against him for torture and of the proletarian trial that Coda suffered at the hands of a Prima Linea group, led by one of his "patients". Only at dawn, with the story of the closure of the mental hospitals, will we see the light again.
The concert was recorded with a black-and-white video camera and a single microphone on June 13, 1978.
Maud Nycander has over one and a half years, filmed a psychiatric emergency ward at St. Göran's Hospital in Stockholm.
A sociology instructor finds her new teaching duties at a private college interrupted by the presence of a killer.
When Cecilia's abusive ex takes his own life and leaves her his fortune, she suspects his death was a hoax. As a series of coincidences turn lethal, Cecilia works to prove that she is being hunted by someone nobody can see.
The story of Romulus, his beautiful wife, Christina, and their struggle in the face of great adversity to bring up their son, Raimond. It is a story of impossible love that ultimately celebrates the unbreakable bond between father and son.
During a hallucinatory incident, Kristen Parker has her wrists slashed by dream-stalking monster, Freddy Krueger. Her mother, mistaking the wounds for a suicide attempt, sends her to a psychiatric ward, where she joins a group of similarly troubled teens.
When her scientist ex-boyfriend discovers a portal to travel through time -- and brings back a 19th-century nobleman named Leopold to prove it -- a skeptical Kate reluctantly takes responsibility for showing Leopold the 21st century. The more time Kate spends with Leopold, the harder she falls for him. But if he doesn't return to his own time, his absence will forever alter history.
Confined to a mental hospital, young Kirsty Cotton insists her supposedly dead father is stuck in hell, controlled by sadomasochistic demons after being betrayed by his evil, occult-obsessed wife, Julia. Few believe Kirsty, except the thrill-seeking Dr. Channard, who is intrigued by the young woman's lurid stories. So when Kirsty and fellow patient Tiffany head to hell for a rescue, Channard and Julia are close behind.
The story takes place in the Belgrade mental hospital on Guberevac during the WWI, where notable Serbian writer Petar Kočić spends his last years of life. The safety of mental hospital in a war-torn Belgrade is disrupted when the deputy military governor in occupied Belgrade, Kosta Herman, finds out that Kočić is in the hospital and decides to settle old scores with him.
Back in the early 1970s, at a mental institution near the Russian border, a crazed doctor, Dr. Anderson assumed the persona of "the Auteur," and began murdering his patients while filming the atrocities. Thirty years later, an American film crew has arrived at the hospital to shoot a horror film based on those awful events. The director, Steven, is determined to make the film as realistic as possible, a goal that doesn't seem too far-fetched when his Finnish sound men discover a hidden room in the hospital basement. There, perfectly preserved, are the original snuff films shot by "the Auteur". As Steven's obsession grows, his cast and crew begin to fear for his sanity. But this is only the beginning, because when Steven discovers actual camera used by "the Auteur", he assumes the role of the murderous doctor and the real slaughter begins.