A short claymation film about grief and the desire for control.
Mother (voice)
A short claymation film about grief and the desire for control.
2024-10-15
0
A young Irish boy named Keegan and Spanish girl named Moya journey into a magical world of the Megaloceros Giganteus who teach them to appreciate Riverdance as a celebration of life. Based on the stage show phenomenon of the same name and featuring Bill Whelan’s multi-platinum Grammy Award-winning music.
One night, near a cliff-to, a young woman receives a marvellous and unhoped for invitation of life.
Simba idolizes his father, King Mufasa, and takes to heart his own royal destiny. But not everyone in the kingdom celebrates the new cub's arrival. Scar, Mufasa's brother—and former heir to the throne—has plans of his own. The battle for Pride Rock is ravaged with betrayal, tragedy and drama, ultimately resulting in Simba's exile. With help from a curious pair of newfound friends, Simba will have to figure out how to grow up and take back what is rightfully his.
Kenichi and his detective uncle, Shunsaku Ban, leave Japan to visit Metropolis, in search of the criminal, Dr. Laughton. However, when they finally find Dr. Laughton, Kenichi and Shunsaku find themselves seperated and plunged into the middle of a larger conspiracy. While Shunsaku searches for his nephew and explanations, Kenichi tries to protect Tima (a mysterious young girl), from Duke Red and his adopted son Rock, both of whom have very different reasons for wanting to find her.
Replikas, online chatbots, have trouble determining their place in the world. They share their thoughts with the humans they exchange with. Events unfold from their point of view through real conversations collected on the web.
Yuna and Akari are two high school girls with very different views on love: Yuna dreams about romance through rose-coloured glasses, while Akari is down-to-earth and practical. Meanwhile, high school boys Kazuomi and Rio also have different views on love: Kazuomi is an airhead who can't grasp the concept of love, while Rio grabs onto any confession as an opportunity—so long as the girl looks cute. Will these four classmates end up leading a youthful romance that meets their expectations?
The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.
An overbearing mother struggling to keep a daughter alive after a divorce from her ex-husband.
Film about conflict between young and old generations. In this animated film with live actors the protagonist is a girl, who is brought up by her grandfather. He lives in a strictly regulated world where animate as well as inanimate creatures have fixed places, which are marked by chalk on the living-room floor. Anything surpassing those borders is mercilessly scarped out of the film strip. The young girl, in whom the primal forces of nature are awakening, learns from her grandfather’s fading sexuality. She starts to scrape the filmstrip as well, to change the world according to her own will. What will she draw instead of her past childhood?
While peeling away the layers of pain, an onion struggles to find the line between self-preservation and self-destruction.
Love is love. Someday, the pain of being in love will be an endearing memory. No matter who the feelings are towards, no matter what form it takes, all love and lifestyles have the same value. An omnibus anime tells the stories of “The wedding of an ex”, “a student and a teacher at an all-boys’ school” and “childhood friends whose bodies and hearts change with adolescence.”
Teenager Riley's mind headquarters is undergoing a sudden demolition to make room for something entirely unexpected: new Emotions! Joy, Sadness, Anger, Fear and Disgust, who’ve long been running a successful operation by all accounts, aren’t sure how to feel when Anxiety shows up. And it looks like she’s not alone.
For Agatha, Christmas triggers sadness. She yearns for freedom laced with imagination, when magical creatures were part of a game played with friends in the forest. The death of her parents after a 1978 Christmas Party still haunts Agatha. She sees similarities between her parents' unhappy marriage and her own. The Black Madonna statue from her childhood visits Agatha, escalating her anxiety and goading her towards change. The discovery of a mysterious portal offers Agatha the possibility of resolving her grief and saving her crumbling marriage.
The steak has been marinating for a few days now. The pan is heated. Franc's stomach is rumbling. But Liza's co-workers surprise her with a birthday party. Will she be home on time?
Tayra and I grew up on a beach in the north east of Brazil. We were inseparable. The sea breeze brings me back happy memories.
Years after immigrating to the United States, Matt (Gabriel Berm) grapples with the notion of family. A call from his sister, Callie (Callie Morken), becomes the catalyst for a realization: he learns that family transcends borders and manifests in varied forms. The deepest connections endure physical separation, teaching Matt that what truly matters is the unbreakable bond they share, echoing louder than any distance.
You have gone, Vasco, you wanted to go far away. But we kept you back, with concrete and kisses, and you tasted the blood of whales. But it was not enough, you wanted to go further, towards the horizon that fascinated you so much. But how far will you go, Vasco?