A single mother begs, borrows, and steals to provide her son with a better life than she had, with little help from her ex-husband or her mother.
A single mother begs, borrows, and steals to provide her son with a better life than she had, with little help from her ex-husband or her mother.
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While out to avoid spending time with her narcissistic and promiscuous mother, sixteen-year-old Jo has a brief affair that leaves her pregnant and abandoned. When her mother remarries, Jo's only support becomes her friend Geoffrey, a homosexual.
After his lover rejects him, Maurice attempts to come to terms with his sexuality within the restrictiveness of Edwardian society.
A young schoolteacher descends into personal moral degradation after finding himself stranded in a brutal, menacing town in outback Australia.
Hubert, a brash 17-year-old, is confused and torn by a love-hate relationship with his mother that consumes him more and more each day. After distressing ordeals and tragic episodes, Hubert will find his mother on the banks of Saint Lawrence river, where he grew up, and where a murder will be committed: the murder of childhood.
A woman married to a former politician during the 1971 military dictatorship in Brazil is forced to reinvent herself and chart a new course for her family after a violent and arbitrary act.
An eight-year-old girl tries to build a relationship with her absent father through a class-assigned family tree.
18-year-old Kathleen is fresh out of foster care. Her departure coincides with the death of her biological mother, so she returns to her hometown to take ownership of her mother’s house. She gets a job and even a friend; but the emptiness of Kathleen’s life cannot be filled by social media and reality shows. Alone and desperate for a mother figure, she sets out on a destructive path to find one.
After 13 years in prison, former drug dealer Marius Eriksen needs to reintegrate into society, and gives unique insights into his past as the biggest drug dealer from Hamburg.
Fifteen-year-old Mia is in a constant state of war with her family and the world around her. When she meets her party-girl mother’s charming new boyfriend Connor, she is amazed to find he returns her attention, and believes he might help her start to make sense of her life.
Having recently lost her sight, Ingrid retreats to the safety of her home—a place where she can feel in control, alone with her husband and her thoughts. After a while, Ingrid starts to feel the presence of her husband in the flat when he is supposed to be at work. At the same time, her lonely neighbor who has grown tired of even the most extreme pornography shifts his attention to a woman across the street. Ingrid knows about this but her real problems lie within, not beyond the walls of her apartment, and her deepest fears and repressed fantasies soon take over.
In old New South Wales a new bunch of convicts arrives including the little convict, young Toby Nelson. Consigned to a Government farm they are subjected to the cruelty of Sergeant Billy Langdon and Corporal Weazel Wesley. Toby escapes and flees into the Australian bush where he is saved from death by the aboriginal boy, Wahroonga. Together, with another escapee, the highwayman, Jack Doolan, and Wahroonga’s animal friends, they launch a spectacular mission to rescue the blacksmith, Big George, and Toby’s sister, Polly.
An aging actor remembers his past stage triumphs and contemplates a dim future on the stage of an empty theatre. The film was nominated for an Oscar for Best Live Action Short Film.
40-year-old single mom Solène begins an unexpected romance with 24-year-old Hayes Campbell, the lead singer of August Moon, the hottest boy band on the planet. As they begin a whirlwind romance, it isn't long before Hayes' superstar status poses unavoidable challenges to their relationship, and Solène soon discovers that life in the glare of his spotlight might be more than she bargained for.
In Paris, Bob Montagne is practically synonymous with gambling -- and winning. He is kind, classy and well-liked by virtually everyone in town, including police inspector Ledru. However, when Bob's luck turns sour, he begins to lose friends and makes the most desperate gamble of his life: to rob the Deauville casino during Grand Prix weekend, when the vaults are full. Unfortunately, Bob soon learns that the game is rigged and the cops are on to him.
The Horváth family is a Romani family with seven children, and the story begins with the tragic death of the father. His wife, Vera, is suddenly in a fight with the authorities, determined to keep her large family together at all costs, but she is hopelessly ill-prepared for the task. They are evicted from their home and her case-Vera versus the city-finds its way to a young, ambitious lawyer. She doesn't know the world of the Romani, nor is she particularly interested in it. Initially she takes the case as a springboard for her career. Despite her prejudices, incomprehension and sometimes Vera herself, she doesn't abandon the case. Luckily she is not the only one who sides with the family. There is a social worker whose attempts to help the Horváths are also motivated by his entirely private interest in the attractive lawyer.
Just before Christmas, department store clerk Steve Mason meets big spending customer Connie Ennis, who's actually a comparison shopper sent by another store. Steve lets her go, which gets him fired. They spend the afternoon together, which doesn't sit well with Connie's steady suitor, Carl, when he finds out, but delights her young son Timmy, who quickly takes to Steve.
The teenage aspiration for independence crashes like an aggressive wave of loneliness. Some drown. In a century where the normal has been transformed into hiding behind lenses, Caio does not learn how to express his feelings, which ends up costing him his life. Only then, the space to explore the boy's suffering appear. Marisol, Elena, and Artur cope with the loss of Caio in different ways. The Brazilian independent film, created by two teenagers, offers a profound reflection on the fragility of existence, the risks of isolation, the power of hope, and the importance of unbreakable bonds formed in moments of shared pain.
When free-spirited Rickey suddenly reappears in father-to-be Glenn’s life, the two former best friends embark on a spontaneous road trip from LA to Sacramento.
A young widow flees from Rome during WWII and takes her lonely twelve-year-old-daughter to her rural hometown but the horrors of war soon catch up with them.
A piece of writing with real danger and which focuses on a mysterious mafia of violent Viet Nam Vets living on freight trains who are akin to Hell's Angels without the Harley. The net is closing since they are being pursued by relentless railroad agents. They may be a repugnant set of people and the film will disturb and provoke the audience that sees it but it follows what John Steppling (also writer of '52 Pickup' directed by John Frankenheimer w/ Roy Sheider and Ann Margaret and 'Animal Factory' directed by Steve Buscemi w/ Willem Dafoe. Mickey Rourke. Ed Furlong) believes - 'Art is not your friend'.