John Gabriel Borkman, a former bank director, was imprisoned for fraud but believes he was wrongly convicted. He had invested clients' money in a major industrial venture but was reported by his friend Hinkel, who was in love with Borkman's former fiancée, Ella Rentheim. Borkman now lives on the first floor of the house, with his estranged wife, Gunhild, living on the ground floor. He occasionally receives visits from his friend Wilhelm Foldal, who supports Borkman's delusion that the bank will reinstate him. In his youth, Borkman betrayed his love for Ella by marrying her twin sister Gunhild to advance his career. After his conviction, Ella took care of their son Erhart and now wants him to live with her and take her name. Borkman agrees, but Gunhild refuses to let her sister take their son.
John Gabriel Borkman, a former bank director, was imprisoned for fraud but believes he was wrongly convicted. He had invested clients' money in a major industrial venture but was reported by his friend Hinkel, who was in love with Borkman's former fiancée, Ella Rentheim. Borkman now lives on the first floor of the house, with his estranged wife, Gunhild, living on the ground floor. He occasionally receives visits from his friend Wilhelm Foldal, who supports Borkman's delusion that the bank will reinstate him. In his youth, Borkman betrayed his love for Ella by marrying her twin sister Gunhild to advance his career. After his conviction, Ella took care of their son Erhart and now wants him to live with her and take her name. Borkman agrees, but Gunhild refuses to let her sister take their son.
1982-01-04
0
An original, semi-modernized musical adaptation of Shakespeare's classic romance.
Victor, a disillusioned 60-something whose marriage is on the rocks, opts to relive the week of his life when, 40 years earlier, he met his true love through a company that allows customers to return to the time period of their choosing.
A rustic comedy about a small-town bowling alley entrepreneur who learns that being scammed is not the end of the world.
After passing out, Louise, playing Dorothy in her senior production of The Wizard of Oz, must fight to go on-stage while navigating the selfish interests of her co-stars in this fantastical ode to musical theater.
Lillian Hall, a Broadway actress, has never missed a performance throughout her long, illustrious career. Yet in the rehearsals her confidence is challenged. People and events conspire to take away her ability to do what she loves most.
When his best friend pushes him to try out for the local musical, Charlie decides to take his shot, but things start to get messy when his drug lord dad intervenes.
The story of Nina, a ballerina in a New York City ballet company whose life, like all those in her profession, is completely consumed with dance. She lives with her retired ballerina mother Erica who zealously supports her daughter's professional ambition. When artistic director Thomas Leroy decides to replace prima ballerina Beth MacIntyre for the opening production of their new season, Swan Lake, Nina is his first choice.
Egocentric stage actor Marcin has to face the unexpected breakdown of a long-term relationship. During three different performances, fantasy mixes with the prose of the life of a separating couple.
On the night of their wedding anniversary, a bohemian theatre actress and a beatnik inspired writer confront the strife of their relationship, dreams, and the city they once loved.
A Channel Four special presentation of the Royal Court Theatre 1989 production, London. with Paul Bhattacharjee, Nabil Shaban and Fiona Victory. "Iranian Nights" was a play written and produced as a direct response by writers and artists to the notorious Feb 14 1989 Fatwa (a sentence of death) from Iran's leader, Ayatollah Khomeini, placed on Salman Rushdie for his novel "The Satanic Verses", regarded by fundamentalist Muslims as blasphemous.
"Razakar" is a period drama set in pre-Bangladesh-separation Pakistan, exploring the political tensions of the time. The story follows Jamal, an aspiring Bengali actor, as he grapples with the challenges posed by his uncompromising director, mirroring the larger socio-political conflicts unfolding around them. Through personal struggles and political subtext, the film raises poignant questions about identity and division.
On the brink of turning 30, a promising theater composer navigates love, friendship and the pressure to create something great before time runs out.
Layar, a popular film star who feels bored with his career wants to make a musical theater set in a family history that is always linked to Indonesian film history.
A collaboration in which Robert Wilson and Heiner Müller let Molière die, imagine his death in tableaux with text passages recited by Müller himself. "Cinema watches Death at work." Wilson's actors watch Molière die: their vigil is hard work. Müller's comment: "The poem watches a dying man at work, his name is Molière. The poem is not a film. The film watches an actor playing a dying man called Molière."
A loose stage adaptation of the classic by Alexandre Dumas, told as an interactive electropop musical experience, breaking the boundaries between stage and audience.
A theater actor with crippling body image insecurities must face his greatest fears when he is asked to perform nude on stage in his dream role.
Quotations From a Ruined City was first performed as a workshop production for the Los Angeles Festival in a former shoe store on Hollywood Boulevard. The production subsequently moved to a vacant pajama factory in New York's meatpacking district and went on to be presented by multiple European presenters. It was Abdoh's final work. "Quotations from a Ruined City is a sort of apocalyptic follies: an evening of song, dance, poetry, nudity and torture set in a world whose center has clearly long ceased to hold. Created and directed by the gifted young theatrical cult artist Reza Abdoh, the work is a kaleidoscopic catalogue of images of decay and destruction that range through the centuries and around the globe."--New York Times, 1994.
Jerry Ryan, a lawyer, is devastated after his divorce. Desiring to make a change in his life, Jerry moves to New York in the hopes that it will be good for him. Jerry's life takes a different turn when he meets Clara Mosca, a free-spirited woman in New York.
2006 Takarazuka Revue Flower Troupe production of Maury Yeston and Arthur Kopit's "Phantom."