The Gender Chip Project is the product of the unique vision of director Helen DeMichiel and an extraordinary collaboration with Media Working Group and organizations throughout the country. De Michiel brought together several young women majoring in the sciences, engineering and math at Ohio State University in Columbus, and spent three years documenting their experiences and struggles as women stepping into traditionally male domains. DeMichiel completed the documentary at Citizen Film, which provided post-production management and editorial services.
The Gender Chip Project is the product of the unique vision of director Helen DeMichiel and an extraordinary collaboration with Media Working Group and organizations throughout the country. De Michiel brought together several young women majoring in the sciences, engineering and math at Ohio State University in Columbus, and spent three years documenting their experiences and struggles as women stepping into traditionally male domains. DeMichiel completed the documentary at Citizen Film, which provided post-production management and editorial services.
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A locomotive journey traversing the North to the South of the German Democratic Republic on the eve of its dissolution. Labourers, punks, mothers, intellectuals, young and old are implored to reflect on their life choices, the sacrifices they've made, and their place in the world. Despite everything, hope persists.
Parents talk about their gay and lesbian children, and how they came to accept their lifestyle.
Carla Haddad Mardini was born with bombs blasting at the worst period of the Lebanese Civil War. She embarked on a career in the humanitarian field where she experienced a meteoric rise, quickly holding leadership positions, first at the ICRC and now at UNICEF in New York. One of her greatest successes is to have overcome the challenges of combining harmonious family life with an intense professional career.
A young mother, alone with her daughter, confides in a friend who happens to be the director herself. Chantal Akerman, although she sympathizes with the mother, does not say a word.
This is an educational short released by the Los Angeles Public Library explaining what to expect when you get your first period.
In interviews, various actors and directors discuss their careers and their involvement in the making of what has come to be known as "cult" films. Included are such well-known genre figures as Russ Meyer, Curtis Harrington, Cameron Mitchell and James Karen.
A group of filmmakers shadow some glamour photographers in order to discover the skill involved in getting 'magic' to appear on the photos.
Follows the compelling story of how the brutally honest 'End of the Road' was made, the obstacles it overcame, and its lasting impact.
This a fun behind-the-scenes featurette that looks back on the creation and continuing popularity of the show. Several members of the crew discuss the production's early difficulties, finding the series' tone, the growing fandom, and the show's unique appeal to all ages.
As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.
To achieve women's rights and gender equality, these three pioneers were willing to risk their livelihood and their future, as well as their reputations.
A documentary about the making of Ari Aster's Kafkaesque epic Beau is Afraid.
In the void created ad hoc to throw us into desperation, fear, shock, the torment of an infinite present, Arto Lindsay sings with words, silences and small gestures of/with/for/about love, a force that is so violent that nothing will ever be the same again.
The Making of feature for the George Lucas movie 'THX 1138'.
Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.
In ancient times, wildcats were fierce carnivorous hunters. And unlike dogs, who have undergone centuries of selective breeding, modern cats are genetically very similar to ancient cats. How did these solitary, fierce predators become our sofa sidekicks? Eva-Maria Geigl traces the domestication of the modern house cat.
Sex. Something that is part of human nature. Everyone does it and strives to have their happily ever after… Right? In a society where intimacy and romance are constantly everywhere, someone breaks from the mould after years of self-discovery. They send a letter to their past self full of their experiences and lessons learned, in the form of a short documentary. A-Okay brings attention to the hyper-sexualized and romanticized society we live in and how it’s expectations, stigmas, and stereotypes can be harmful to individuals on the aromantic and asexual spectrums.
Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.
As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.
OnBoard is a brilliant chronicle of the rise of Black women on America's boards and the evolution of board diversity from Patricia Roberts Harris in 1971 to the present day, as seen through the eyes of a group of fearless women organized during the Summer of 2020 to create change. Merline Saintil, a former Tech COO and Robin Washington, a former CFO, were well-known in the boardrooms of America. During an ordinary phone call between the two women, something extraordinary happened– the movement to create an organization to expand the opportunity and exposure of Black women who can impact America's boards. Black Women on Boards, the now global organization of 200+ members, was conceived at that moment.