Iracema(2024)

Un jour à Paris(fr)

A young man finds love on the streets of Paris, thanks to an Umbrella

Sleepwalker(en)

A husband's attempt to keep his sleepwalking wife from injuring herself descends into chaos as he discovers she may be in the grips of mind control.

diBurger Bacem(id)

Joy Boy(en)

Based on a true story, Joy Noy revisits pivotal moments in the life of Jonny, a young man caught between his conservative family, an evangelical church and his emergent sexuality.

Consommé(en)

A young woman’s fiercest self takes over to fight for her life when she’s attacked in this taut thriller from up-and-coming filmmaker Catherine Fordham. After waking up and noticing bruises on her body, the woman flashes back to last night’s perilous journey home. But as full memory of the attack she experienced comes back to her, we soon realize our heroine turned the tables in a surprisingly scary way. Fordham’s effective twist on the rape-revenge thriller marks her as a forward-thinking horror maker with a unique perspective in a historically misogynistic genre.

The Gift of Tears(pt)

A princess and a hunter. An iconographic journey immersed in Lusitanian fantasy.

My Little Boy(de)

Berlin, 1934. Many men are forced to live their hidden homosexuality. Erich, a photographer, has an appointment in his photo studio with Wolfgang, a Nazi soldier, with whom he shares a loving, tumultuous, and passionate relationship. For both of them, this should not be a problem, but appearances deceive.

The Fortune Teller(en)

Remember those origami fortune tellers you made as kids? They're not what you think.

Mr. Ticklez(en)

In the late hours of Halloween, a mother and her young daughter are haunted by a terrifying clown that lives in their tv.

Uproar(it)

In a picturesque hamlet overlooking the sea near Rome, two young men divide their time between petty thefts and football matches. Their crimes have the lightheartedness and exuberance of childhood games, until an unexpected proposal marks a change in their lives, and that of the history of Italy, with the death of Pier Paolo Pasolini.

El lado frío de la almohada(es)

An unknown couple in the same bed

Gravity(en)

The cinematic kiss is probably one of the most archetypical images to be found in film history. It is usually a reassuring and sometimes climactic element in a movie's storyline. Not in Nicolas Provost's 'Gravity' though: with stroboscopic effects, more than a dozen kissing scenes, most from stereotypical 1950s romantic dramas, are edited together and superimposed. Narrative is subverted as the kissing is isolated from its context entirely; the action slows down and flickers back and forth. Every now and then, shots from different films overlap and match; protagonists merge and diverge again a few seconds later. The sugary and dramatic soundtrack of romantic film music contrasts with the deconstructed images; together, they form a dazzling 6-minute vertigo where love becomes a passionate battle.

Run!(en)

Sometimes you're caught in the moment. Sometime you're just caught!

3/105(es)

Horror in Tirschenreuth(de)

Short film by Marran Gosov

27th of Shaban(ar)

Nerves are on edge as Mohammed and Nouf sneak out to a restaurant for a date, an act prohibited in Saudi Arabia.

Curtain(ar)

After experiencing traumatic events, a nurse has difficulty performing her duties due to a hostile work environment.

The ChubbChubbs Save Xmas(en)

Meeper and the ChubbChubbs go to the North Pole; when Santa Claus is injured and can't deliver his presents, he is replaced by Meeper.

Meshes of the Afternoon(en)

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.

The Ghost of Self(en)

Frank Johnson, a wealthy landlord, without a heart, has no mercy for the poor. His cold attitude towards the public in general has a great influence in his life, and when he proposes marriage to Eleanor Groves, his manner is indeed anything but that of love. Eleanor, although she cares for Johnson, reprimands him and tells him that she could never marry a man as cruel as he is. Her last line of rebuff, "The ghost of your better self will appear to you and make you realize what a beast you are," gets Johnson to thinking.