The Rolling Stones appeared six times on "Ed Sullivan" between 1964 and 1969. Their first appearance, Oct. 25, 1964, featured a performance of "Time Is On My Side." They returned May 2, 1965 to perform "The Last Time," "Little Red Rooster," "Everybody Needs Somebody To Love" and, over the end credits, "2120 South Michigan Avenue." Later performances, presented in color, came on Feb. 13, 1966 ("(I Can't Get No) Satisfaction," "As Tears Go By," "19th Nervous Breakdown"); Sept. 11,1966 ("Paint It, Black," "Lady Jane," "Have You Seen Your Mother, Baby, Standing In The Shadows?") and Jan. 15, 1967, the final "Sullivan" appearance with founding member Brian Jones ("Ruby Tuesday" and the reworded "Let's Spend The Night Together" that became "Let's Spend Some Time Together"). The Nov. 23, 1969 appearance -- with guitarist Mick Taylor -- featured the songs "Gimme Shelter," "Love In Vain" and "Honky Tonk Woman." The Oct. 4 release features the 1965, '66 and '67 shows.)
The Rolling Stones appeared six times on "Ed Sullivan" between 1964 and 1969. Their first appearance, Oct. 25, 1964, featured a performance of "Time Is On My Side." They returned May 2, 1965 to perform "The Last Time," "Little Red Rooster," "Everybody Needs Somebody To Love" and, over the end credits, "2120 South Michigan Avenue." Later performances, presented in color, came on Feb. 13, 1966 ("(I Can't Get No) Satisfaction," "As Tears Go By," "19th Nervous Breakdown"); Sept. 11,1966 ("Paint It, Black," "Lady Jane," "Have You Seen Your Mother, Baby, Standing In The Shadows?") and Jan. 15, 1967, the final "Sullivan" appearance with founding member Brian Jones ("Ruby Tuesday" and the reworded "Let's Spend The Night Together" that became "Let's Spend Some Time Together"). The Nov. 23, 1969 appearance -- with guitarist Mick Taylor -- featured the songs "Gimme Shelter," "Love In Vain" and "Honky Tonk Woman." The Oct. 4 release features the 1965, '66 and '67 shows.)
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Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorsese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.
It is about a music school in Philadelphia, The Paul Green School of Rock Music, run by Paul Green that teaches kids ages 9 to 17 how to play rock music and be rock stars. Paul Green teaches his students how to play music such as Black Sabbath and Frank Zappa better than anyone expects them to by using a unique style of teaching that includes getting very angry and acting childish.
The historic concert appearance of the British band in Cuba on March 25th, 2016. The "Concert for Amity" was and played at the Ciudad Deportiva Stadium - the bands first show in Cuba and the finale of their South America Tour.
A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.
In 1971, to get breathing room from tax and management problems, the Stones go to France. Jimmy Miller parks a recording truck next to Keith Richards and Anita Pallenberg's Blue Coast villa, and by June the band is in the basement a few days at a time. Upstairs, heroin, bourbon, and visitors are everywhere. The Stones, other musicians and crew, Pallenberg, and photographer Dominique Tarle, plus old clips and photos and contemporary footage, provide commentary on the album's haphazard construction. By September, the villa is empty; Richards and Jagger complete production in LA. "Exile on Main Street" is released to mediocre reviews that soon give way to lionization.
This fly-on-the-wall documentary follows the Rolling Stones on their 1972 North American Tour, their first return to the States since the tragedy at Altamont.
For over four decades the Rolling Stones have been on top. Arrests, drugs, fall-outs, death and relationships have stood center stage with eight consecutive number one albums in the US and sold out live shows.
An account of the professional and personal life of renowned American photographer Annie Leibovitz, from her early artistic endeavors to her international success as a photojournalist, war reporter, and pop culture chronicler.
While The Rolling Stones rehearse "Sympathy for the Devil" in the studio, an alternating narrative reflects on 1968 society, politics and culture through five different vignettes.
A concert film taken from two Rolling Stones concerts during their 1972 North American tour. In 1972, the Stones bring their Exile on Main Street tour to Texas: 15 songs, with five from the "Exile" album. Mick Jagger, Keith Richards, Mick Taylor, Charlie Watts, and Bill Wyman on a small stage with three other musicians. Until the lights come up near the end, we see the Stones against a black background. The camera stays mostly on Jagger, with a few shots of Taylor. Richards is on screen for his duets and for some guitar work on the final two songs. It's music from start to finish: hard rock ("All Down the Line"), the blues ("Love in Vain" and "Midnight Rambler"), a tribute to Chuck Berry ("Bye Bye Johnny"), and no "Satisfaction."
The Rolling Stones' record-breaking 1981 North American arena tour documented by director Hal Ashby. Featuring the biggest Rolling Stones songs from the first 20 years - in the words of Mick Jagger, "a feel of what it's like to be there", as 20 cameras take you onstage with the band in this groundbreaking, dynamic tour.
The Rolling Stones emerged in the summer of 1963 as the so-called "bad boys" antidote to the Beatles, a characterization that became one of the foundations of modern rock 'n' roll. In the 25 years that followed, the Stones have succeeded in outraging, mystifying, confusing yet always inspiring their fans. 25 X 5: The Continuing Adventures of The Rolling Stones is the first time that the Stones have gone on camera to tell their own story. Over two hours of devastatingly frank narratives by Mick Jagger, Keith Richards, Charlie Watts, Bill Wyman, and Ron Wood are underscored by rare interview segments with Brian Jones and Mick Taylor, and rare and never-before-seen archival film, video, and newsreel footage.
The Rolling Stones kicked off their 2015 North American tour at the Fonda Theatre where they performed the entire Sticky Fingers album.
Video Rewind by The Rolling Stones is a compilation of video clips recorded between 1972–1984. Instead of just presenting unrelated clips and videos just strung together, it uses a framing 'story', featuring Bill Wyman and Mick Jagger, directed by Julien Temple and includes some video directed by Michael Lindsay-Hogg. It was first released in 1984 on the VHS, Laserdisc, and CED Videodisc format by Vestron home video.
The vivid and inspiring story of British film icon Michael Caine's personal journey through 1960s swinging London.
'From The Vault' is a series of live concerts from The Rolling Stones archive which are getting their first official release. 'The Marquee Live In 1971' is the latest addition to the series. The show was filmed at London's legendary Marquee club on March 26th 1971, shortly after the finish of the band's 1971 UK tour and about a month before the release of the 'Sticky Fingers' album in late April. Mick Taylor was now fully integrated into the group and the band had used the tour to showcase some of the tracks from the forthcoming album. The show at the Marquee was filmed for American television and four songs from the 'Sticky Fingers' album were featured, including the rarely performed 'I Got The Blues'. The footage has now been carefully restored and the sound has been newly mixed by Bob Clearmountain for this first official release of the show.
Mike Figgis’ enthralling documentary about the turbulent life and career of Ronnie Wood, legendary rock guitarist and long-time member of The Rolling Stones.
This film is released as part of the ongoing 50th anniversary celebration of the Rolling Stones. It tells the story of the Stones' unparalleled journey from blues obsessed teens in the early 60s to their undisputed status as rock royalty. All of the Stones have been newly interviewed and their words form the narrative arc that links together archive footage of performances, news coverage, and interviews, much of it previously unseen. Taking its title from a lyric in "Jumpin' Jack Flash," this film gives the viewer an intimate insight into exactly what it's like to be part of the Rolling Stones as they overcome denunciation, drugs, dissensions, and death to become the definitive survivors. Over a year in the making and produced with the full cooperation and involvement of the Stones, this film is and will remain the definitive story of the world's greatest rock 'n' roll band
In a tiny Alabama town with the curious name of Muscle Shoals, something miraculous sprang from the mud of the Tennessee River. A group of unassuming, yet incredibly talented, locals came together and spawned some of the greatest music of all time: “Mustang Sally,” “I Never Loved a Man,” “Wild Horses,” and many more. During the most incendiary periods of racial hostility, white folks and black folks came together to create music that would last for generations and gave birth to the incomparable “Muscle Shoals sound.”