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The story of a photograph: A single mother, an absent father and a child.
Told through a series of memories, poems, photos, and hallucinations, "Absence of Color" is an exploration of a young man's psyche, in a world where 99.9% of the population suffers from Monochromacy.
Aqueducts transport water. Images transmit the memory. Images of aqueducts are useless.
Two young men meet during a day at the seaside. A reflection of the concerns that give way to maturity, of the fleetingness of summer and, sometimes, of love.
An intimate portrait of the lives of Delvys and Carlos, siblings who live alone with their elderly mother in a rural part of a small Cuban town. The film portrays a family engulfed in their inner worlds. Between the sacrifices they make out of love for those who are present, and their longing for things that are absent, they struggle to find meaning as they reflect, contemplate, and carry the weight of existence, trying together, to move forward.
The inspiring story of the beginnings of the Sister Servants of Mary, a religious order that was founded in Madrid, Spain in 1851 by Fr. Miguel Martinez and Sister Maria Soledad who guided it in its development and expansion until her death in 1887.
Year 1947. Commander of UPA Danylo Chervonyi gets into the terrible slaughter of Stalin's camps, where he must go through hell and inhumane prison conditions, prosecution of criminal leaders, meanness, betrayal and despair. Danylo finds the strength to resist repression of the camp commander and makes a desperate attempt to break free, raising the first rebel in the camp.
Ganapa is based on an incident in Bengaluru's underworld. The film takes a realistic approach, not on rowdyism, but on people affected by it.
On 31st October 1984, Prime Minister of India gets assassinated by her Sikh Security Guards. Politicians use this incident to spark public hatred towards the Sikhs labeling them as traitors. Devender Singh and his family are stuck in their house as their city plummets. In 24 hours of uncertain oscillations, helplessness and with their relatives dying and neighbors turning hostile, Devender's family seek help from their Hindu friends who live across town. As Pal, Tilak, and Yogesh travel to save Devender's family, they come face-to-face with the destruction of humanity. They witness the carnage and the moral corruption that makes men turn into savages. In their attempt at ferrying Devender's family to safety, Pal, Tilak, and Yogesh must face their own demons first.
Manu, a trans immigrant, must return to her native Chile after 10 years in France. In the days leading up to her departure, Manu’s platonic friend Daniel proposes marriage with the intention of solving her visa issues. Manu strongly considers the offer, but she’s wholly disheartened at the prospect of a life without love, romance, and sex—that is, until she meets a fellow foreigner who instills in her the hope for a romantic future.
Camila is a young dance student. She has a committed boyfriend and supporting family, but when she discovers she is pregnant, all that love and encouragement become a burden. Camila will have to set other people’s expectations aside and make her own decision, no matter how difficult.
Amábilis Cordero featured in his film Miracles of the Divine Shepherdess (1928) the image of the death in very precarious shape of a scrawny, anonymous actor who, wrapped in a sheet and armed with a scythe, walking in sandals rooftops Barquisimeto in what could be considered one of the first and rare surreal visions of Venezuelan film. As we know, our film has preferred rather turn towards the outside; to the marginal, criminal and sociological social fact avoiding exploring spaces of dreams and imagination. In such a witty and imaginative country like Venezuela no longer curious that the film lacks the imagination to accept that truth finds its best support in the fable: that reality always full of poetry.
Ana, abandoned by her husband, who confessed her having fallen in love with another woman, tries to restructure her life with another man, Andrés, but thinking of not getting married yet. They decide that they'll experience their relationship with full freedom of feelings, until their love lasts. Andrés is often emotionally ignorant but believes he's doing things well, cursed by the old ways he's been educated into. Ana herself is not even ready for anything new in her life, yet discontented with her new situation. The problems between the couple are not just financial, but more subtle, and inevitably disenchantment appears.