2024-07-30
9
The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people
With more than 50 million Latinos now living in the United States, Latinos are taking their seat at the table as the new American power brokers in the world of entertainment, business, politics and the arts. As Latinos’ influence in American society has soared, they have entered mainstream American culture, and the proof is in the music. Executive produced by legendary music mogul Tommy Mottola, THE LATIN EXPLOSION: A NEW AMERICA features a dazzling array of artists at the center of Latino cultural power and influence, including Marc Anthony, Emilio Estefan Jr., Gloria Estefan, José Feliciano, Eva Longoria, George Lopez, Jennifer Lopez, Los Lobos, Cheech Marin, Ricky Martin, Rita Moreno, Pitbull, Romeo Santos, Shakira, Thalía and Sofía Vergara. Narrated by John Leguizamo.
A promising MLB player is forced to return to his country after being found to be using steroids, and the only option he gets to rebuild his life is joining a team of losers in the Dominican league.
Based on the Fyodor Dostoevsky novel about a young woman who leaves her family to live with her lover whose father dead set on keeping them apart.
"A film after film". A director goes to Sabinov, where the Oscar-winning film The Shop on Main Street was shot almost fifty years ago. He meets people connected to the film as well as others who remind him of various characters. A tribute to a particular film as well as to film as such.
Lakshya, a police constable gets some extra ordinary powers in his body after he is saved from a blast.
Stuck in a depressing and mind numbing routine, Pierre decides to trade the sweaty atmosphere of the factory for the conditioned air of a hotel room. Locked up with three other tenants in a dreary and dim-lighted suite, he is forced into an idle and aimless lifestyle, no more fruitful than the mindless hustle and bustle he left behind — that is, until this oppressive dullness gives birth to an idea…
A group of friends have created a brand new subculture that is taking over the streets of Glasgow. They've established their very own fight club, but this is no ordinary wrestling event - this is brutal, riotous chaos. Fights don't always stay inside the ring, people are bounced off the side of buses and thrown off balconies in pubs. They now plan the biggest show of their lives. The stakes are high, will it bring them the fame and recognition they need to survive?
Amusing 1937 musical short film produced by the weirdly-named "Educational Films Corporation of America".
A misunderstanding between a man and a woman will either mean the end of a friendship or the beginning of something more.
This honest and often blackly hilarious film shows Martyn at home in Ireland, during the lead-up to and aftermath of an operation to have one of his legs amputated below the knee. Contributors include sometime collaborator and buddy Phil Collins, the late Robert Palmer, Ralph McTell, Island Records founder Chris Blackwell, fellow hellraiser bassist Danny Thompson, John's ex-wife Beverley Martyn and younger generation fan Beth Orton. We see a man incapable of compromising his creative vision, from his folk club roots in the Sixties, through a career of continuous musical experimentation. Along the way there is a surreal roll-call of accidents and incidents, including a collision with a cow
On Her Majesty’s Service follows Gary Barlow as he embarks on a mission to record a special song to celebrate the Queen's Diamond Jubilee. He writes the melody with Lord Lloyd Webber, but wants performers from around the Commonwealth to play on it. Prince Charles gives Gary some suggestions before he begins an extraordinary trip, recording a vast number of musicians on their home turfs to make the unique record "Sing".
When a person’s understanding of waves is so concrete, surfing can become especially reminiscent of modern skateboarding. Mutating masses of water almost appear as still and solid as skatepark transitions as John John Florence spins through the air over them; landing back into each evolving pocket. John John demonstrates this new level of surfing in his first independent release, DONE. Directed by Blake Vincent Kueny and John John Florence, DONE takes the DIY ethos and flips it on it’s head. Shot in beautiful HD, 16mm, and Super-8 in top-notch locations that include Tahiti, Western Australia, South Africa, and Hawaii, this highly anticipated film invites the viewer to travel with John John as he searches and finds some of the most incredible waves on Earth.
Sipping Jetstreams Media presents This Time Tomorrow, a film by Taylor Steele, documenting an epic Pacific swell chase over 8 days and 18,000 miles traveled. Two surfers, Dave Rastovich and Craig Anderson, tracked waves generated from this single storm in an exhausting attempt to surf the same wave twice as they pulsed eastward through the Pacific. As these waves thundered across the legendary reef of Teahupo’o, reeled down the endless point breaks of Mexico and onwards towards a frosty Arctic conclusion the pair gathered friends Kelly Slater, Chris Del Moro, Alex Gray, and Dan Malloy for this cinematic and cosmic experience of a lifetime.
The intention of the film is to give an impression of what small exotic Denmark looks like, what the strange Danes look like and how they are. Nearly 100 Danes are presented in the film, amongst them a racing cyclist, a Minister of Finance, a popular actor and 13 unmarried women from a provincial town. "There is too much fogginess and rain and melancholy in most of the pictures of Denmark," says Jørgen Leth. "But not in my film. I would like to show you some authentic, clear and beautiful pictures from this strange country."
Poet-filmmaker Jørgen Leth taps his own earliest inspirational veins by free-floating through a camera/microscope-enhanced set of poems with love as their first and final subject. For example, how a tropical island woman prepares for a meeting with her lover. The film was shot partly in the South Pacific with more than a nod to social anthropoliogist B. Malinowski's historical work The Sexual Life of Savages.
Jørgen Leth can squeeze poetry from a stone and wit from dust, and he can find love where the milk of human kindness runs dry. In a series of tableaux of Life in Denmark, he carries absurdism to a happy extreme. To act out his minuscule non-dramas, he uses a motley crew of professional actors like Ghita Nørby and Claus Nissen, writer Dan Turéll plus a snake charmer, a bicycle racer and a circus queen.
The Dialogues with Solzhenitsyn is a two-part Russian television documentary by Russian filmmaker Alexander Sokurov on Aleksandr Solzhenitsyn. The documentary shot in Solzhenitsyn’s home shows his everyday life and covers his reflections on Russian history and literature.
The daily life in a shantytown in the north part of Rio de Janeiro, with 10,000 people living in bad conditions, their problems and the issue of police violence.
Chez Schwartz takes us inside a year in the life of Schwartz's Deli - the unique 75-year-old landmark on Montreal's historic Main. Filmed through changing seasons, from the quiet of early morning preparation to the frenetic bustle of packed lunch times and never ending line-ups, to the more relaxed ambiance late at night - Chez Schwartz is an evocative, cinematic portrait of a small spunky deli known worldwide equally for its atmosphere and smoked meat.
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
It is about the representation and optimization of the vulva, anatomical myths, circumcisions, censorship and intimate modifications.
A silent succession of black-and-white photographs of the city of Montreal.
This documentary closely follows a group of people living in the Bering Strait and delves into the fundamental aspects of their daily lives, their survival, and the contrast between their traditions and the modern world. With extraordinary imagery, Bering portrays exceptionally well a community fighting to preserve its culture in this mythical part of the world.
The 24 Hours of Le Mans is one of the premier automotive races of the year. Companies invest millions into cars and racers alike to take home the trophy and the glory of a Le Mans win. And then there is the 24 Hours of Lemons, a 24-hour endurance car race that travels year-round. The rules are simple: buy or build a race car for $500 or less—the most laps win. The teams? Three Pedal Mafia, Team Fafrumwinnin, and Great Globs of Oil will pit their wits, their technical acumen, and common sense against competitors and the laws of physics alike.
Journalist Paloma Chamorro symbolized openness and modernity in Spain in the early 1980s. Her personality and her shows on TVE (then the only TV channel in the country) made her an influential transgressive icon.