What is a film if not a therapeutic act? Wa(te)r is a poetiс reflection on my 2022–2023 diary entries, poured from one medium to another. I uncovered countless water metaphors intertwined with life and death throughout these entries. I often revisit recurring dreams—one of floods, the other of war—that have haunted me since childhood. Water flows, and everything changes. It ties me to the very beginning, with my mother's hands bathing me, and to the very end, with suicidal despair. All I strive to express emerges from the water, my words engulfing themselves. In these times, water is the most precious resource, reliable conduit to memories, and promise of oblivion. Dedicated to my dear mother and her protective touch.
What is a film if not a therapeutic act? Wa(te)r is a poetiс reflection on my 2022–2023 diary entries, poured from one medium to another. I uncovered countless water metaphors intertwined with life and death throughout these entries. I often revisit recurring dreams—one of floods, the other of war—that have haunted me since childhood. Water flows, and everything changes. It ties me to the very beginning, with my mother's hands bathing me, and to the very end, with suicidal despair. All I strive to express emerges from the water, my words engulfing themselves. In these times, water is the most precious resource, reliable conduit to memories, and promise of oblivion. Dedicated to my dear mother and her protective touch.
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A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
An experimental film that reflects on the past, encourages audiences to live in the present and look into the future with optimism.
Haley Hoult, a student of Est Harrison High, creates a sarcastic video essay about his school.
A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.
May Pang lovingly recounts her life in rock & roll and the whirlwind 18 months spent as friend, lover, and confidante to one of the towering figures of popular culture, John Lennon, in this funny, touching, and vibrant portrait of first love.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
Two street artists with contrasting intentions about the artform tell the relevance of street art in society while accompanied by an enigmatic graffiti writing, “Bon Jovi.”
A story about Europe´s largest terrestrial mammal and their potential return to Swedish forests. The audience also meets Rikard, the main caretaker of Avesta Visentpark and who shares his inner reflections and hopes regarding the future of the European bison.
An experimental documentary on the Magdalene Laundry Institutions in Ireland, told through the myth of the banshee.
An introspective journey through the silent language of architecture, "Sensuousness" presents an evocative tapestry of black-and-white imagery. Each frame whispers the essence of space and form, blending the intimate with the expansive. Inspired by philosophical musings on beauty and the tactile experience of the built environment, the film meanders through interior and exterior realms, accompanied by a serene soundtrack. This meditative piece invites viewers to perceive the subtle dance between light, shadow, and texture, uncovering the soul of architecture in a world of monochrome contemplation.
In 1952, Haanstra made Panta Rhei , another view of Holland through the eyes of a painter and filmmaker. Its poetic images of water, skies and clouds reflect Haanstra's own moods.
Sharing is a documentary that will show the process of building a video dance performed by four female artists who have a connection not only with blood, but also with dance.