Violin Film #1 (Playing the Violin as Fast as I Can), is one of several 1967-68 films featuring Nauman's violin-playing, in which the production of sound is subjected to procedural strategies that problematize its status as music and performance.
Himself
Violin Film #1 (Playing the Violin as Fast as I Can), is one of several 1967-68 films featuring Nauman's violin-playing, in which the production of sound is subjected to procedural strategies that problematize its status as music and performance.
1968-07-16
0
Jim Dine at work and at home. Includes footage of Dine discussing his life, his artistic development, and what is called "ugly" in his work. Examines a number of Dine's works from different periods, including his tie paintings, tool paintings, palettes, collages, and "happenings," and considers Dine's concern with objects in his work.
Through a collage of spaces and times, the interventions and interferences of nature and human beings in the south of Brazil reveals themselves... or try to hide.
Drawing on the collections of major Russian institutions, contributions from contemporary artists, curators and performers and personal testimony from the descendants of those involved, the film brings the artists of the Russian Avant-Garde to life. It tells the stories of artists like Chagall, Kandinsky and Malevich - pioneers who flourished in response to the challenge of building a new art for a new world, only to be broken by implacable authority after 15 short years and silenced by Stalin's Socialist Realism.
An assessment of the 20th century's best known artist and his vast achievements through the insights and speculations of over a dozen participants. Filmed on the 100th anniversary of Picasso's birth at MoMA, Musée Picasso, Walker Art Center, Museu Picasso Barcelona. Featuring Henry Moore, Anthony Caro, David Hockney, Roy Lichtenstein, Robert Rosenblum, Clement Greenberg, Roland Penrose and others.
A short film that transforms the chat-room of a porn-forum into a techno-feudal court.
An inspiring 75min DIY documentary film on new art and the young artists behind it. It was all filmed on the heat of live action of the first NOVA Contemporary Culture Festival, July and August 2010 in São Paulo, Brazil.
A painter, a naked woman, and a camera. In this triple constellation we explore the power of the gaze and the roles it imposes on us. An artist's studio turns into the setting for questions about how we look at and perceive women. The naked skin of the model becomes the canvas for an audiovisual exploration of the ways in which seeing and being seen anchors us in our body. And how this body shapes our experience of the world and our role in it.
Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.
Born in Portugal, Paula Rego is one of Britain's leading artists. This intimate film follows the artist from her retrospective in Madrid to the privacy of her studio in London while she talks with humor and candor about her compulsion to produce works that, though accessible, deal with the most private themes.
Henri Cartier-Bresson: The Decisive Moment is an 18-minute film produced in 1973 by Scholastic Magazines, Inc. and the International Center of Photography. It features a selection of Cartier-Bresson’s iconic photographs, along with rare commentary by the photographer himself.
When Anna, a twenty-eight-year-old photographer, is put in charge of a report on the restoration works at The Ostend Museum of Modern Art, she discovers by chance five paintings signed Constant Permeke, whose power and mystery move and fascinate her.She decides to embark on a quest to find out about who Permeke actually was, the places where he lived, how he worked, what experiences he went through.
Three restoration students and scholars from all over the world meet in a Palladian villa in view of a conference on Palladio. Meanwhile, in the United States of America, a young university professor asks his mentors, Kenneth Frampton and Peter Eisenman, how to be able to transmit Palladio's humanistic values to the new generations.
Nine artists—dancers, musicians, and visual artists—in recovery from drug and alcohol addiction are transformed by creativity in their search for identity and freedom. Their stories reveal how art has been a ballast while confronting old addictive habits and finding a portal into the aliveness and spiritual connection of art-making from a unique San Francisco perspective.
The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present. The dramatic arch is developed as a visual narrative that flows through the past 160 years to reveal black photography as an instrument for social change, an African American point-of-view on American history, and a particularized aesthetic vision.
Follows the behind-the-scenes work of Studio Ghibli, focusing on the notable figures Hayao Miyazaki, Isao Takahata, and Toshio Suzuki.