O flagelo da enchente assola Pôrto Alegre(1941)

A VOZ DA ORLA: Tribunal Popular da Orla(pt)

A Noite Mais Fria da Cidade(pt)

Lanceiros Negros Estão Vivos(pt)

Mirabal: Um Foco de Resistência(pt)

Gentrificação(pt)

The Happiest Man in the World(pt)

An intimate portrait of one of the most loved footballers; Ronaldinho. This documentary looks at his childhood in Brazil, his breakthrough to professional football and his journey to Europe including the ground-breaking years with Barcelona. We hear from his family, teammates and peers in a truly heart-warming story of one of the games greats.

Trespassing or Close Encounters of the 3rd World(pt)

Symphony of doom(pt)

An urban symphony about all the evils that affect contemporary societies.

Minha Porto Alegre '50(pt)

The Evil Within(pt)

An exorcism goes terribly wrong as the entity searches for a stronger host.

The Man Who Copied(pt)

André, 19, lives in Porto Alegre, Brazil, and works as a photocopier operator. He likes to see his neighbor Sílvia with a pair of binoculars. She works selling clothes. Becoming attracted to her, he tries to get nearer, and goes to her shop to buy something, but finds out that he can't afford it. So he puts the photocopier to other uses, and begins to envisage fishy schemes to earn some money.

De Todos os Lugares e de Lugar Nenhum(pt)

Sons da Cidade(pt)

Tricks of Our Trade(en)

With examples from Disney feature-length films, Walt Disney gives a behind-the-scenes look at the improvements in animation made by his studio's in-house training and research that studied real-life motion and made technical innovations.

Debarquement du Président Émile Loubet et du Tsar Nicolas II d'un bateau(fr)

Émile Loubet and Nicholas II get off a ship.

Unconventional: Living Life to the Max(en)

Max Ramsey, an advocate for those experiencing poverty, uses what he has gone through to serve the impoverished community of Milwaukee despite internal struggles and disapproval from the city.

No Tomorrow(en)

No Tomorrow is a new video installation by Kjartansson, choreographer Margrét Bjarnadóttir, and composer Bryce Dessner. Spanning six screens that encircle the room, the installation surrounds viewers with a performance of spatial music written for eight dancers with eight guitars. Recorded from the center of the performers’ space, the installation is kaleidoscopic, capturing the dancers as they weave within each screen and across the channels; their movements and melodies ranging from pastorale to rock and roll. Combining a variety of classic Western references – blue jeans and white t-shirts, the draped silk curtains of mid-20th century song and dance films, as well as lyrics drawn from the Archaic Greek poet Sappho and adventurer Vivant Denon, two sensualists millennia apart – the work spins notions of idealization and iconography.

I.(fr)

This series of three works is part of the “household scenes” project, a corpus in development. It is a set of vignettes, cinematographic tableaux, built around the repeated gestures of my parents' daily life. I present these scenes sometimes as sequence shots, sometimes as a succession of cut-out shots. Some depict only one parent, with particular emphasis on how he/she negotiates domestic space. With these paintings, imagined in various environments and by a treatment specific to the medium, I work to reveal the singularity of the places, the movement of the figures and the relationship between the two.

Richard Pryor: Live in Concert(en)

Richard Pryor delivers monologues on race, sex, family and his favorite target—himself, live at the Terrace Theatre in Long Beach, California.

The Kids Are Alright(en)

Through concert performances and interviews, this film offers us a comprehensive look at the British pioneer rock group, The Who. It captures their zany craziness and outrageous antics from the initial formation of the group in 1964 to 1978. It notably features the band's last performance with long-term drummer Keith Moon, filmed at Shepperton Studios in May 1978, three months before his death.