Unlike other dance instruction videos that "break away" for you to practice alone, we will practice each basic step with you until it's automatic.
Herself
Announcer
Dancer
Dancer
Dancer
Dancer
Dancer
Dancer
Unlike other dance instruction videos that "break away" for you to practice alone, we will practice each basic step with you until it's automatic.
1992-09-09
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Have Fun Learning America's Favorite Dances
Country Line Dance Aerobics video has all the hit songs and is sure to get you jammin'!
Despite constant disrespect, Olivier Giroud always delivered. Hear from France's all-time leading goalscorer and more legends of the game as they discuss the striker's incredible career.
Eliezer Batista – O Engenheiro do Brasil is a documentary about the life of Eliezer Batista, former president of Companhia Vale do Rio Doce, twice Minister of State and one of the most influential characters in modern Brazil. The film reflects the thoughts and feelings of a visionary man and his achievements in Brazil and the world.
Documentary about the making of Renata Litvinova's 2004 film: "The Goddess: How I Fell in Love."
A bleed on the brain and concussion inspire a crash victim to confront the heartbreak, trauma and confusion of losing connection with the only person they ever really knew.
A short documentary on the charms of cross-country skiing. Beyond the formal beauty of the images, there floats a certain nostalgia for unknown landscapes. Something rare that pushes the neophyte to want to follow these free men, on the white paths, on exhilarating walks, taking the time to look at the landscape. Film without words.
In a world where energy sources remain untapped and electricity goes to waste, "Stranded" takes viewers on a gripping journey into the heart of Bitcoin mining, revealing the ingenious solution that not only fuels the cryptocurrency but also reclaims wasted energy. "Stranded" explores the untold story of Bitcoin miners who've uncovered a way to harness stranded electricity, transforming it into Bitcoin. This short film offers a captivating introduction to the feature documentary "Dirty Coin."
Prior to leaving Hampshire College in 1980, Tom was working on a 16mm film inspired by Jose Arguelles' book, The Transformative Vision: Reflections on the Nature and History of Human Expression. Shot in sync and MOS, the footage reflects Tom's interest in perception, human consciousness, and signaled his evolving interest in fusing non-fiction, experimental and dramatic genres. All the original materials for this unfinished film were stored at the LA home of Ken Levin, another Hampshire College alum who along with several other students, worked with Tom on this project, which he called the Architecture of Mountains.
An impressive reconstruction of time through archival materials, it explores through three characters the fate of 6 million immigrants who made our River Plate the most European region in all of Latin America. The three characters are fictional but their stories are real. From this collective adventure is a trace, a trace: it is the record of the photographers and filmmakers who documented the immigration process.
Meet an eclectic group of people who have dedicated their lives to answering the question: what should books become in the digital age? From the esoteric world of book artists to the digital library of the Internet Archive, the film spins a tale of the enduring vitality of the book.
A young colla leaves his Salta community to travel to Buenos Aires and Become a boxer, with the dream of becoming like this. of poverty. His father makes a journey from the humility of the interior to the big city to find the boy and demand the return of his lands usurped many years ago.
"Clean Lines, Open Spaces: A View of Mid-Century Modern Architecture" focuses on the construction boom in the United States after World War II. Sometimes considered cold and unattractive, mid-century modern designs were a by-product of post-war optimism and reflected a nation's dedication to building a new future. This new architecture used modern materials such as reinforced concrete, glass and steel and was defined by clean lines, simple shapes and unornamented facades.
The story of union branch no. 100. The dismissal of a worker in a factory shows his colleagues the instability of their situation. From the discussion that followed this event germinated the idea of a union. A national union is consulted, which appoints a representative to explain the advantages and operation of a workers' union. Branch No. 100 is created and immediately becomes a trading agency; subsequently, it obtains better working conditions for the workers. The spirit that presides over all the meetings demonstrates the democratic strength of a union.
An account of the life and work behind the camera of Spanish filmmaker Pedro Olea, whose very personal viewpoint, interested in all kinds of subjects, approached in very different ways, but always with a very characteristic style, has analyzed the social and political life of Spain for more than five decades.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.