A city is made of people. Here, the figure of the gaze establishes a central role in the relationship with the urban environment, perceiving the interferences and constant verticalization of the contemporary world. How much, in the end, is human nature contracted by the city?
A city is made of people. Here, the figure of the gaze establishes a central role in the relationship with the urban environment, perceiving the interferences and constant verticalization of the contemporary world. How much, in the end, is human nature contracted by the city?
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The Fellowship of the Ring embark on a journey to destroy the One Ring and end Sauron's reign over Middle-earth.
Tom is a young guy from Zagreb, completely without money, trying to make films in Belgrade. He somehow manages to survive with a help of women. He doesn't believe in anybody, respects no one and is in constant conflict with the ruling system and order. After being left by a silly American girl, Tom binds with a woman whose husband is abroad. When she kicks him out, he moves in with her husband's sister, who later kills him in the attack of jealousy. All this is shown in the context of major historical events prior to 1968. with lots of archive footage of world leaders.
Miss Moxy and her cat friends look down on everyone who is "different". One day she goes to France with her beloved human Joosje (8) and her parents. Landlady Rita wants desperately to win the Animal’s Got Talent show with her dog Tuur. She sees the musical Miss Moxy and when the family needs to go home, she kidnaps her. Miss Moxy escapes. On the way, she meets two unlikely travel companions: Ayo, an old swallow and Tuur. During their joint adventures Miss Moxy comes to realise that her old opinions are misguided and understands what true friendship means.
An army of bear cubs train and indoctrinate young recruits for the war against the unicorns, which threatens the safety of the cubs. Brothers Bluey and Tubby, along with a group of inexperienced cadets, are sent on a dangerous mission to save the Magic Forest, where the unicorns live, and start a terrible battle.
Goodbye [good-bahy] interjection: a concluding remark used at parting. Tallahassee [tal-uh-has-ee] noun: A vortex of a city that never lets you go.
A celebration of art by legendary animator Max Fleischer. Features: KoKo's Kozy Korner (1928), Somewhere in Dreamland (1936), Any Rags? (1932), Small Fry (1939), Dinah (1933), The Old Man of the Mountain (1933), and Popeye the Sailor Meets Sindbad the Sailor (1936).
Irrational Numbers is a 2008 hand drawn animation film by artist Eric Leiser exploring hierarchies of infinite numbers and accompanying paradox's written about by mathematician Georg Cantor (1845-1918)
Feeling lost in his day-to-day existence, Red has trouble making a decision that could potentially change his life.
Animal Charm makes videos from other people's videos. By compositing TV and reducing it to a kind of tic-ridden babble, they force television to not make sense. While this disruption is playful, it also reveals an overall 'essence' of mass culture that would not be apprehended otherwise. Videos such as Stuffing, Ashley, and Lightfoot Fever upset the hypnotic spectacle of TV viewing, revealing how advertising creates anxiety, how culture constructs "nature" and how conventional morality is dictated through seemingly neutral images. By forcing television to convulse like a raving lunatic, we might finally hear what it is actually saying.
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
King of the Jews is a film about anti-Semitism and transcendence. Utilizing Hollywood movies, 1950's educational films, personal home movies and religious films, the filmmaker depicts his childhood fear of Jesus Christ. These childhood recollections are a point of departure for larger issues such as the roots of Christian anti-Semitism.
Dash Snow rejected a life of privilege to make his own way as an artist on the streets of downtown New York City in the late 1990s. Developing from a notorious graffiti tagger into an international art star, he documented his drug- and alcohol-fueled nights with the surrogate family he formed with friends and fellow artists Ryan McGinley and Dan Colen before his death by heroin overdose in 2009. Drawing from Snow’s unforgettable body of work and involving archival footage, Cheryl Dunn’s exceptional portrait captures his all-too-brief life of reckless excess and creativity.
In the aftermath of 0009: The Sharks Make Contact (2019), the surviving sharks have to deal with a destroyed moon, and try to stop Shoogledocking.
In the sharks' second adventure, a shark's refusal to return a glass of pesto leads to a terrorist crisis.
In her recent films, Geiser has been exploring the possibilities found in merging video texture with film, creating a kind of deep, ambiguous space, a suggestion of “the floating world”. In ULTIMA THULE, gravity fails, land and sky lose their historical meaning. A small silver plane navigates an ultramarine storm, flying over barely-glimpsed hills, an unlikely ferry to ”Ultima Thule”: the farthest point north, the limit of any journey. The seduction of immersion in blue is too strong to avoid, the land fills with water, and time loses its line.
A portrait of a speaker, engrossed in his own speech, finds the hall empty.