This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.
This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.
2023-03-13
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A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
By following the lives of five Japanese individuals this documentary explores the problem of depression in Japan and how the marketing of anti-depressant drugs has changed the way the Japanese view depression. Marketing of anti-depressants did not begin in Japan until the late 1990s and prior to this, depression was not widely recognized as a problem by the Japanese public. Since then, use of anti-depressants has sky-rocketed and use of the Japanese word "utsu" to describe depression has become commonplace, having previously been used only by psychiatric professionals.
A short experimental film dedicated to Polish artist Wacław Szpakowski (1883–1973).
Chilo and Omar seem to be the only two men on earth. They live on a solitary beach and their constant activity is fishing to survive. Their friendship, surrounded by sensuality, becomes a kind of a love story. Through their conversations and their relationship, the film explores and portraits human condition.
Desperate to recover from his depression, Dave travels from his home in British Columbia, Canada to Peru in order to experience the healing effects of the sacred medicine ayahuasca. After Dave spends some time in the country, a Shipibo healer begins to teach him how to work with the medicine more deeply.
A look behind the scenes at the several-year journey of making Trevor and Carrie Juenger's horror fantasy epic The Man in Room 6.
A glimpse over the Diguillín River through the mechanical eye of an old digital camera. Light’s trail presents itself fortuitously over the reflection of the sun on the water, tracing infinite threads of concrete luminous information.
Since he was 18 years old, Blake Eckard has written and directed six feature length films in his hometown of Stanberry, Missouri (population 1186). Aside from a short distribution deal in Canada and a few festival screenings, his movies have largely gone unseen.
Hansjürgen Pohland's short documentary is an audiovisual study that captures events and people on the streets on film. The special feature of the work is that the people and objects are portrayed exclusively through their shadows.
This short film documents the daily life of the goings-on on Orchard Street, a commercial street in the Lower East Side New York City.
Sabine is looking for a missing image: a day that has left its mark forever and that everyone remembers but her. But maybe this absence is what allows her to move on with her life?
"Now Eat My Script is a precipice, a fluid solution in which some spectral noises of the self float adrift. Narration takes the role of a pregnant writer who continuously affirms her hunger and clumsiness towards language and history. Her body is crossed over by both the years to come and the stories that have been buried. As a would-be pirate, she navigates through the tumult of familiar waters."
The Tragedy of an Artist, is an experimental short shot over the course of a week. This film is meant to illustrate who Hero Foltz is as a person and his struggles with self identity
In this anxious and hectic time, Happy Life explores those unusual outlets that soothe the turmoil of the body and mind. In a meditative journey through these analgesic places, this documentary essay paints a portrait of a society in seek of meaning and relief.
"I was visiting Jerome Hill. Jerome loved France, especially Provence. He spent all his summers in Cassis. My window overlooked the sea. I sat in my little room, reading or writing, and looked at the sea. I decided to place my Bolex exactly at the angle of light as what Signac saw from his studio which was just behind where I was staying, and film the view from morning till after sunset, frame by frame. One day of the Cassis port filmed in one shot." -JM