An in-depth look at the early 2011 crisis for public sector unions in Wisconsin, and why it matters in Alberta.
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American Movie documents the story of filmmaker Mark Borchardt, his mission, and his dream. Spanning over two years of intense struggle with his film, his family, financial decline, and spiritual crisis, American Movie is a portrayal of ambition, obsession, excess, and one man's quest for the American Dream.
La Revuelta accounts for the tension experienced by those who, as of October 2019, came out to express their social discontent. The work has as its main stage, renamed by the people, as "Plaza de la Dignidad". It is a choral story, woven with the reflections of the protesters under the protection of the contextualization of a story in off that is unraveling the causes and effects of the outbreak. Thus, more than three years after the social demonstration, La Revuelta, is presented as a critical and contestative reflection, around the popular protest maintained by a people that took 30 years to awaken.
After his Tokyo farewell ceremony, Yamamoto's ashes were sent to Kyoto on March 9. Many friends and citizens gathered at his home in Uji. On the 15th a worker-farmer funeral was held at the Sanjo YMCA. Prokino's Kyoto Branch shot these five days of activities. The long line of cars is filled with taxis, whose drivers deeply admired Yamamoto. The Watanabe in the title refers to the head of the Communist Party of Japan. Watanabe was returning to Japan from Taiwan when he was stopped by authorities. He committed suicide in their custody. Yamamoto and Watanabe were mourned together.
A series of racist acts prompts three Mizzou students to pick up cameras and take us inside the student movement that brought down their college president. From the hunger strike, to victory, to the fear of violent reprisals, we live with the students who started a campus revolt.
Summer 2017, a string of brutal police killings of young African American men has sent shockwaves throughout the country. A Black community in the American South tries to cope with the lingering effects of the past and navigate their place in a country that is not on their side. Meanwhile, the Black Panthers prepare a large-scale protest against police brutality.
History of US labor movements and their suppression. It includes sections on the American Constitution; the Civil War draft riots; Reconstruction; Industrialization; the evolution of the police; the robber barons; early American labor unions; and major mid-to-late 19th Century labor events including the uprising of 1877, the Haymarket Affair, the Homestead strike and the New Orleans General Strike. The introduction examines the West Virginian coal wars of the early 20th Century, culminating in the Battle of Blair Mountain.
Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.
In May 1968, workers, students and young people rise up against the morality and power of the establishment. Faculties and factories are under occupation. Barricades are erected. Paving slabs are launched. Words give way to actions. This is the confrontation. These images bear witness to the men and women who, in their indignancy, march towards their revolution. 50 years ago, as part of our ARC collective, we filmed the uprising of May and June 1968. Out of this material and scenes borrowed from our other filmmaker friends, we created this film.
Hundreds of thousands of Indian men and women – indigenous inhabitants and landless farmers – demand their right to existence by making a 400 kilometre protest march from Gwalior to Delhi. How can one fight for one’s rights without using violence? With such an important contemporary question, the film spreads far beyond the borders of India. It shows the multiple facets of this imposing protest march and focuses as well on the daily realities of these proud people.
Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment
Standing Army, directed by Enrico Parenti and Thomas Fazi, is an award-winning documentary film about the global network of U.S. military bases, the impact that these have on local populations, and the military-industrial complex that lies behind it.
Sleaford Mods - Invisible Britain shows the most exciting and uncompromising British band in years sticking two fingers up to the zeitgeist and articulating the rage and desperation of those without a voice in austerity Britain. The film follows Sleaford Mods on a tour of the UK in the run up to the 2015 General Election, visiting the neglected, broken down and boarded up parts of the country that many would prefer to ignore. Part band doc, part look at the state of the nation, the documentary features individuals and communities attempting to find hope among the ruins, against a blistering soundtrack by Sleaford Mods.
The super-rich determines virtually every aspect of the lives of the other 90% of Americans. This film examines the hidden struggles of American families, the calculated political maneuvers of the elite, and the long overdue uprising of American workers. With affection for the middle-class and the outrageous attempt to color them as lazy, the film explores the question: How do we make sure workers are paid what they are worth, instead of believing they are only worth what they are paid?
In this horrifyingly modern fairytale lurks an online Boogeyman and two 12-year-old girls who would kill for him. The entrance to the internet quickly leads to its darkest basement. How responsible are our children for what they find there?
On the 5th of March 1985, a crowd gathered in a South Yorkshire pit village to watch a sight none of them had seen in a year. The villagers, many of them in tears, cheered and clapped as the men of Grimethorpe Colliery marched back to work accompanied by the village’s world-famous brass band. The miners and their families had endured months of hardship. It had all been for nothing. The miners had lost the strike called on March 6th 1984. They would lose a lot more in the years to come. But was it a good thing for the country that the miners lost their last battle?
A variety of locals react to a napalm plant and an ensuing protest in Redwood City CA during the Vietnam War.
The Big One is an investigative documentary from director Michael Moore who goes around the country asking why big American corporations produce their product abroad where labor is cheaper while so many Americans are unemployed, losing their jobs, and would happily be hired by such companies as Nike.
“Looks at the impact key movements throughout U.S. history have had in shaping our society, laws and culture. From the labor movement of the 1880s, women's suffrage and civil rights, to the LGBTQ+ and Black Lives Matter movements, protest is in the American DNA and this documentary gives an unfiltered look at the ways it has evolved the world in which we live.”
Delegates and workers discuss the issues that effect the Timberworkers’ Union, the reasons for the formation of the Combined Council of Timber Workers Delegates (CCD) and their industrial action.
At the forefront of most of Hong Kong's demonstrations, 'frontliners' (aka 'the valiant', yung mo in Cantonese) are the black-clad, masked, often armed youth willing to use violence against the HK government and its heavily-armed police force. Willis Ho's remarkably revealing doc approaches from the inside, giving them voices and offering understanding, not judgment.