When a student documentary crew decides to interview Julia, a puzzling young woman willing to share her sensitive past, the project grows increasingly uncomfortable for the subject as the director's relentless scrutiny and unethical transgressions soon start to blur the lines between reality and performance.
Julia
Reggie
A silent film drama directed by Carroll Fleming.
Since Monsanto began selling their patented 'Roundup Ready' genetically modified (GM) seeds they have sued hundreds of farmers for patent infringement. Michael White, a fourth generation farmer and seed cleaner living in the northeast corner of rural Alabama never imagined that he would become the target of the conglomerates aggressive legal tactics. But unlike other farmers in his area Michael refused to give in to Monsanto and in doing so became one of only a handful of farmers to maintain the ability to speak publicly about his case. This is his story.
Ortensia is a mechanical ballerina, that every day is forced to dance for an audience, in a seemingly endless loop. But one day, she sees in the crowd someone drawing her: the first representation of herself as an individual.
Yuki is a 2nd year high school student. She volunteers at a paediatrics ward for her summer vacation, because she wants to witness the moment a person dies. She got that thought after feeling envious of a transfer student's story of seeing a friend's dead body. Yuki has friend named Atsuko. She was bullied in the past and has anxiety issues. She volunteers at a nursing home for her summer vacation, hoping that she will gain courage if she sees the moment a person dies.
What we show in Milk is literally the best of the best when it comes to dairy farming, yet, as soon we view what happens from the perspective of the mother cow, it becomes clear that this is an industry that runs on the exploitation and suffering of animals. By using animation, we are able to show a unique perspective and tell the story of the mother cow in a way that cannot be done from investigative footage alone. Milk centres the cow as the protagonist of her own story and allows us to view what is happening to her from an up close and personal perspective. Organic, free-range, high-welfare, humanely raised. It doesn’t matter what label we put on dairy products, all dairy cows are victims of an industry that forcibly impregnates them, takes their babies from them, exploits their bodies and then sends them to a slaughterhouse to cut their throats. It's time to end the dairy industry.
Emile returns home to his estranged grandmother Marley after graduating from college, only to find their strange and inexplicable history that has been bubbling away underneath the surface, begin to boil over once more.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Panorama film shot floating down the Seine.
A view of the Ferris wheel from the Chicago Exposition of 1893, turning slowly.
This one is modelled on the painting by Paul Delaroche and is an extension of the stage act known as “tableau vivant”.
A street scene in Toulouse. Catalog no. 157.
A battalion, preceded by three riders and a military marching band, parades in front of the crowd. A man is manoeuvring a handcart bearing the inscription "Sunlight Soap" in the foreground.
The arrival of King Rama V, the king of Siam, in Switzerland.
Sovereign Nicholas II, Alexandra Feodorovna and President Félix Faure, walking by, followed by their respective escorts.
Overview of the Alexandre III bridge during the World Exhibition in Paris.
The quadrille enter the arena with alguazils leading the paseíllo.
Arielle's path changes forever when she befriends a young man whose fate rests on the outcome of his journey home from prison.
This is a short film about Alice Guy-Blaché, the first female director of fiction in cinema history. Alice Guy was Léon Gaumont's secretary at the beginning of the last century and she was the first woman to ever direct actors in front of the camera. In 1895, the Lumière brothers introduced to the world the "Cinématographe", the first camera. Léon Gaumont decided to sell this revolutionary new device. Fascinated, Alice asked her boss for permission to use the camera to make her own films. Mr. Gaumont agreed only under the condition that she “would be able to keep up with her mail.” This short film is a poetic reverie that Alice Guy might have had in her time if only society at the time hadn't presented her with so many challenges.