Bored with her mundane life, aspiring writer Lucy Simon embarks on a psychedelic road trip to the planet Mars with her brash, unnamed drug dealer behind the wheel. Danger, thrills and cosmic wonder ensues in this existential adventure presented entirely through the use of close-up photography.
Down-on-his-luck film director Jimmie Dale takes a job at a fly-by-night acting school. He is drawn into the plans of the school's owner to bilk a wealthy young man out of the funds he has supplied to shoot a movie starring pretty student Alice Perkins. But Jimmie hopes to bilk the bilkers by actually completing the movie as ostensibly planned.
A lonely, simple-minded barman's fleeting encounter in a rural Irish pub, with a difficult customer highlights his need for intimacy.
Ana had the perfect husband, the perfect children, and the perfect friend, but she wanted to turn her life around and turned everything upside down.
By closing his pharmacy, Panagiotis Panagiotidis falls on a provocative stranger, Lulu, who leads him to a beach for swimming and then drives him home. There, he learns that he is called Jordan Steka, that Lulu is his wife and that he suffers from a personality split. He asks for police assistance, but the policeman is convinced that he is crazy and he asks for a psychiatrist to prove him suffering from a personality split.
Plagued by a hidden childhood trauma that is destroying his life, an obsessive-compulsive MMA fighter moves to Fire Island and pretends to be gay in order to buy the house of his dreams and exorcise his demons.
An unnerving glimpse into the near future is experienced through Callum, a young drifter.
One night, a group of workers realises that the administration is stealing machines and raw materials from their own factory. As they organize to survey the equipment and block the relocation of production, they are forced to stand at their posts with no work to do, as a form of retaliation, while negotiations over general lay-offs take place. The pressure leads to a breakdown of the workers along with the world around them.
A shopping center along a large highway is the scene of an apocalyptic musical. Animation with a strong sense of form set to auto-tuned music by Klungan. About liberation through great catastrophy.
Seeking a divorce from her absentee husband, Mimi Glossop travels to an English seaside resort. There she falls in love with dancer Guy Holden, whom she later mistakes for the corespondent her lawyer hired.
The lives and struggles of touring musicians as they expose a little seen face of the music industry, and how it is changing.
Billy Bigelow has been dead for 15 years. Now outside the pearly gates, he long ago waived his right to go back to Earth for a day. He has heard that there is a problem with his family: namely with his wife Julie Bigelow, née Jordan, and his child he hasn't met. He would now like to head back to Earth to assist in rectifying the problem; but before he may go, he has to get permission from the gatekeeper by telling him his story. Adapted from the Rodgers and Hammerstein hit Broadway musical.
Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.
Upon first sight of a beautiful instructor, a bored and overworked estate lawyer signs up for ballroom dancing lessons.
After a young heiress is assaulted by a policeman, she seeks revenge by befriending the policeman’s mousy wife and introducing her to her circle of outrageous punk friends.
The beautiful princess Giselle is banished by an evil queen from her magical, musical animated land and finds herself in the gritty reality of the streets of modern-day Manhattan. Shocked by this strange new environment that doesn't operate on a "happily ever after" basis, Giselle is now adrift in a chaotic world badly in need of enchantment. But when Giselle begins to fall in love with a charmingly flawed divorce lawyer who has come to her aid - even though she is already promised to a perfect fairy tale prince back home - she has to wonder: Can a storybook view of romance survive in the real world?