A fisherman looks forward to celebrating his 88th birthday on the Festa de São João. Shot on Super 8 in Foz do Douro, the film is a miniature portrait about the gentle wisdom of living.
A fisherman looks forward to celebrating his 88th birthday on the Festa de São João. Shot on Super 8 in Foz do Douro, the film is a miniature portrait about the gentle wisdom of living.
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A fisherman looks forward to celebrating his 88th birthday on the Festa de São João. Shot on Super 8 in Foz do Douro, the film is a miniature portrait about the gentle wisdom of living.
Fog surrounds the peak of a mountain as summer wildflowers bloom.
A short film shot on Super 8 which captures the last days of winter.
This documentary short-film follows the story of The White Bus Cinema based in Southend-on-Sea. They keep the process of projecting real celluloid film alive by showing films from their archive of over 3,000 films, ranging from Super 8, 16mm, and 35mm prints. The film argues why it's important to continue the shooting and projection process of film in our current age of digital shooting and projection in modern Hollywood, amidst the chaos of studios removing films from their streaming services.
Three bands and crew (a combined total of 13 individuals), 2 Dodge Ram extended cab vans, one equipment truck, one PA system traverse the continental US for six months. A road documentary shot from the inside of the last Black Flag tour ever (the 1986 “In My Head” US tour.) Featuring behind the scenes proceedings and live performances from Black Flag, Painted Willie, and Gone. David Markey was along for the entire trip as the drummer / singer for Painted Willie, documenting the six month tour with his Super-8 camera as it happened. Also features roadie Joe (“Planet Joe”) Cole, soundmen Davo Claasen and Dave “Ratman” Levine, and the tour manager who kept it all together, Mitch Bury. A crucial turning point in American underground rock. The end of the line for a trail blazing American band. Shot in 1986 and completed by director David Markey in 1991 for We Got Power. (futuristika.org)
In 1975, soon after the end of the Vietnam War, Hoa Thi Le and Hue Nguyen Che fled the country on a small boat. After nine days at sea, they docked in the Philippines, where they were held in a refugee camp. During this time, along with nearly 100 other refugees, they were utilized as background extras in the filming of APOCALYPSE NOW.
Accumulated life experiences. The expansion of an edge south of my watch.
Skip Liberty enlisted in the Army in 1968. During his tour in Vietnam he shot 3,100 feet of Super 8 film, over 3 hours worth. Upon returning to the states the film was placed in storage, Skip had never seen the footage he shot. Until now.
This is the story of Roger, a former pork butcher, who worked for 40 years in the beautiful town of Beaune in Burgundy. Since he retired, he has started a new life as a filmmaker: Roger films only on Super 8. Insects, birds, everything he can find in the countryside are his favorite subjects. His short films have won prizes all over the world, some of them have been shown during the Cannes Film Festival. Josette, his wife and number one fan, happens to work for him from time to time.
This short film showcases the life of Lucy, a lovable family dog
Concert footage of The White Stripes recorded in January of 2004, featuring tracks from the band's four studio albums as well as live favorites like the Dolly Parton cover "Jolene"
A short experimental film shot on Super 8, inspired by the music of Richard Wagner.
A Cine-Poem. A journey through Paris. A memory film. Three stories, dedicated to one pioneer of cinema.
A traumatized cheer captain races to stop a masked killer and the new tourist attraction aimed to exploit her tragedy from a year earlier.
A man is confronted by parallel versions of himself as he contemplates his life choices.
Inspired by their putrid desire for this butch hustler named Hollywood, this queer triptych follows a clan of revolutionary femmes as they are driven to righteous violence. It’s pro-drug anti-fascist queer propaganda in gorgeous Super 8mm!
A trip to the supermarket, an awry medical procedure and a nonsensical figure compose an exploration into what makes us happy. Recorded on Super 8 film without editing.