Castro Street(1966)

Erotique(en)

One can determine a line in Tscherkassky’s oeuvre which turns around a game with filmic presentation, with degrees of recognisability — with the only-just and the not-any-more. Just to see desire. An example of this is Erotique. One sees swirling pictures, parts of a woman’s face, red lips, eyes in cyclical fragments of movement. Often it is difficult to tell which part of the body one actually sees (whoever wants to can see/imagine/think sexual organs and sexual acts.) The gaze gets hung up on partial objects, no integral, whole body to think about. No body, whose representation was always one of the problems in cinema.

Notebook(en)

A short, diaristic film; A series of impressions, animations and playful vignettes in color and B&W. Early/ Outtake footage of Menken's Lights can be seen here, as well as camera techniques she'd expand upon in later films.

So Sweet... So Perverse(it)

Industrialist Jean is living a jet set life in late sixties Paris. He comes to the aid of a frightened young woman (Nicole) who is under the domineering control of her abusive boyfriend, Klaus. Although married, Jean develops a romantic relationship with Nicole. However, he may have gotten himself involved in more than he bargained for.

Ernest Borgnine on the Bus(en)

Ernest Borgnine tours the country in his Luxury coach bus, The Sunbum.

Lost Weekend(en)

In 1984, two friends from small-town Pennsylvania win an MTV contest and the chance to party with Van Halen for 48 hours.

Evian: Procession de la Fête-Dieu I(fr)

An oddly routed parade.

About Swimming(es)

The first sequence of About Swimming is significant. Immersed in a pool, Dominique, an open water swimmer, performs an automatic routine that is nevertheless executed with care, elegance, and discipline. Her career is on the rise: she just qualified for the Olympic Games. As she prepares to fulfill one of her lifelong and every professional athlete’s dreams, she receives the news that she is pregnant. The present, which was supposed to be prosperous, has become an uncertainty for the swimmer. Only water - whether in the intensity of the sea, a swimming pool or in her bathtub at home - seems to guarantee Dominique a moment of serenity. The strength of the film directed by Manuela Aguilar and Berenice Vigna lies in the affectionate and calm view on the protagonist, who is seen in a limit situation where her family and sense of duty seem to prevail over her own desires.

Malaria(de)

I Want This Husband Only(mr)

Villagers are fed up with mischief of Gopal (Gopya) and complain about him to village Church Priest, who tells Gopa that to put an end to all his mischief he should get married. But Gopya tells him that is impossible as their fortune teller has told his family that his father will pass away when he gets married. Gopya lives has a step mother who considers him as her own son and wants him to get married. Gopya meets Gopi and both get attracted towards each other but his father tries to bring obstacles in it.

The Swiss Account(en)

Bouldering in Switzerland.

WWE In Your House 15: A Cold Day in Hell(en)

A Cold Day In Hell features Hunter Hearst-Helmsley vs. Flash Funk, The Rock vs. Mankind and The Nation Of Domination vs. Ahmed Johnson. The Undertaker defends the WWE Championship against Stone Cold Steve Austin. Plus, Vader faces Ken Shamrock in a No Holds Barred match and more!

Trans(verso)(pt)

The daily life of four trans men in their adaptation processes with their fears and desires.

Big City(en)

A glimpse of London in 1963, viewing monuments, buildings, parks, museums, and the bustling life of the city.

Best Kept Secrets(en)

Blaise Dietz (Patty Duke Astin) plays the wife of police officer Blaise Dietz (Frederic Forrest), who wants to join a special investigative unit. Forrest is denied this position on the basis of information concerning his wife. The information, which reveals a dicey extramarital affair, was culled from a department surveillance file that was supposed to have been destroyed by court order. Blaise battles through legal channels to expose the police force's illegal actions, even as she and her husband suffer the innuendoes and cold shoulders from his fellow officers.

Tuk-Tuk(ru)

A mysterious knock in an instant destroys the usual life that four lonely, calm people lead.

Ricardo(pt)

Ricardo is an actor, driver, teacher, painter and a dancer at Sensible Soccers' shows. One day he forgets his signature dance move. Will he ever get it back? A film between documentary and fiction that immortalises a dance move present in the collective imaginary.

The Arbors(en)

It's the last bus ride of the school year. Walker, recovering from a recent traumatic event, meets a deeply troubled kid named Noah. The two form a unlikely friendship that eventually leads to something dangerous.

Vamos por la parejita(es)

Antonio Garisa is Juan Fernández Arriaga, a typicall spanish man fifty years ago. He's married and has five girls, but he is unhappy because all he wanted was a boy (in spanish argot, "ir por la parejita" means trying to have a couple of children, girl and boy). He only has women and they have only girls. During the film he prays, he tries to have a boy to give him his surname "Fernández". Garisa is one of the best actors of Spanish Comedy, maybe too understimate because the kind of cinema made in Spain during Franco's government.

Mother(ur)

After the death of the family's matriarch, her husband and son must confront not only the corruption in society around them but the corruption within themselves.

It's Your War Too(en)

Documentary short film detailing the history of the American Women's Army Corps, the WACS. Preserved by the Academy Film Archive, Academy War Film Collection, in 2009.

Prices Unlimited(en)

Two young women, frustrated by war rationing, have a dream illustrating the likely results on prices in America should the measure were prematurely lifted. Preserved by the Academy Film Archive in 2008.

Showman(en)

Albert and David Maysles (Gimme Shelter) directed this 53-minute documentary about movie tycoon Joseph E. Levine (1963). Preserved by the Academy Film Archive in 2012.

Appointment in Tokyo(en)

Produced by the Army Pictorial Service, Signal Corps, with the cooperation of the Army Air Forces and the United States Navy, and released by Warner Bros. for the War Activities Committee shortly after the surrender of Japan. Follow General Douglas MacArthur and his men from their exile from the Philippines in early 1942, through the signing of the instrument of surrender on the USS Missouri on September 1, 1945. Preserved by the Academy Film Archive in 2013.

Kid City(en)

Documentarian Jon Boorstin follows architect Frank Gehry and his sister, Doreen Gehry Nelson, as they attempt a new method of teaching elementary school children in Los Angeles. With funding from the National Endowment for the Arts, the siblings work together on a pilot program of “design-based learning” that would restructure the typical classroom curriculum, replacing rote math or civics lessons with an imaginary city designed and built entirely by the students themselves. Restored in 2018 by the Academy Film Archive.

People Who Make Things(en)

A portrait of three Los Angeles area residents who create things with their hands. Angelo Austin decorates wedding cakes; Dean Jeffries designs, manufactures, and paints custom cars; and Pamela Weir-Quiton creates wooden dolls. Restored by the Academy Film Archive in 2016.

Torpedo Squadron(en)

John Ford splices together footage of Torpedo Squadron 8, all but one of whom were later shot down and killed in the Battle of Midway. Preserved by the Academy Film Archive in partnership with Twentieth Century Fox Film Corporation in 2007.

John F. Kennedy: Years of Lightning, Day of Drums(en)

An overview of John F. Kennedy's political career. Preserved by the Academy Film Archive, in partnership with Warner Bros. Entertainment Inc., in 2014.

Henry Browne, Farmer(en)

Henry Browne, an African American farmer, and his family are profiled in this film. The important job of a farmer during times of war is highlighted, specifically his efforts growing peanuts and cotton. This role is made even more poingnant when they visit the eldest son who is a cadet in the 99th Pursuit Squadron.

One Hand Don’t Clap(en)

Kavery Kaul’s engaging documentary traces the history of calypso and soca music from their birth in the African-East Indian traditions of Trinidad and Tobago through its worldwide diaspora, including its popularization in the 1950s by Harry Belafonte and the new independent distribution networks that arose to serve the expatriate community in the 1980s. North American restoration premiere at To Save and Project: The 19th MoMA International Festival of Film Preservation on January 27 and 31, 2023. Digital restoration by the Academy Film Archive and the Women’s Film Preservation Fund of New York Women in Film & Television; courtesy of Riverfilms.

The Maltese Cross Movement(en)

The film reflects Dewdney's conviction that the projector, not the camera, is the filmmaker's true medium. The form and content of the film are shown to derive directly from the mechanical operation of the projector - specifically the maltese cross movement's animation of the disk and the cross illustrates graphically (pun intended) the projector's essential parts and movements. It also alludes to a dialectic of continuous-discontinuous movements that pervades the apparatus, from its central mechanical operation to the spectator's perception of the film's images... (His) soundtrack demonstrates that what we hear is also built out of continuous-discontinuous 'sub-sets.' Preserved by the Academy Film Archive in 2009.

Sikkim(en)

Satyajit Ray's poetic documentary was commissioned by the Chogyal (King) of Sikkim at a time when he felt the sovereignty of Sikkim was under threat from both China and India. Ray's documentary is about the sovereignty of Sikkim. The film was banned by the government of India when Sikkim merged with India in 1975. The ban was finally lifted by the Ministry of External Affairs in September 2010. Preserved by the Academy Film Archive in 2007.

God Respects Us When We Work, But Loves Us When We Dance(en)

Les Blank's poetic documentation of 1967's Los Angeles Easter Sunday Love-In. Preserved by the Academy Film Archive in 2002.

Not a Pretty Picture(en)

Mixing narrative and documentary, the film retells a 16 year old girl's experience of a date rape.

The Sun's Gonna Shine(en)

A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living. Preserved by the Academy Film Archive in 2013.

The Town(en)

The Town was a short propaganda film produced by the Office of War Information in 1945. It presents an idealized vision of American life, shown in microcosm by Madison, Indiana. It was created primarily for exhibition abroad, to provide international audiences a more well-rounded view of America, and was therefore produced in more than 20 translations. Preserved by the Academy Film Archive in 2012.

Why Korea?(en)

This film examines the reasons why the United States decided to engage in the Korean War. Scenes describe Russia's attempt to gain power following World War II (Korea included), and its refusal to allow free elections in the country. Footage shows Soviet-backed North Korean troops' movement into South Korea on June 25, 1950, the United Nations' response, and the armed struggle against both North Korean and later Chinese troops led by General Douglas MacArthur. Preserved by the Academy Film Archive in partnership with Twentieth Century Fox Film Corporation in 2005.

T Is for Tumbleweed(en)

T Is for Tumbleweed is a 1958 English-language short film directed by Louis Clyde Stoumen, starring Anne Lockhart. It features some tumbleweed that moves through a small town in the desert and interacts with people and animals. Preserved by the Academy Film Archive in 2013.

Project Hope(en)

Documenting the maiden voyage of the SS Hope, a hospital ship operated by Project HOPE, where it brought medical care to Indonesia and South Vietnam in 1960-1961.

A Tribute to Dylan Thomas(en)

An atmospheric tribute to the genius of Welsh poet and dramatist Dylan Thomas, using many of the windswept locations where Thomas himself grew up and found his inspiration. The film is hosted/presented by Richard Burton, Thomas's friend, who narrates the story and appears from time to time amidst the Welsh landscape. Burton had already appeared in Douglas Cleverdon's acclaimed BBC radio dramatization of Thomas's 'play for voices' Under Milk Wood in the 1950s and, in the early Seventies, would appear in director Andrew Sinclair's film version as First Voice. Preserved by the Academy Film Archive in partnership with The Film Foundation and National Screen and Sound Archive of Wales in 2000.