What would happen if we'd try to perceive the digital image at a microscopic level? Would we be able to see between or behind the pixels, as if they were atoms in a vacuum? We can escape the frame by crossing its outer borders, but is there also a way out through the image? This film shows that digital images deny us these possibilities: no matter how far one zooms in, the medium will fill in the supposed emptiness, resisting finitude.
What would happen if we'd try to perceive the digital image at a microscopic level? Would we be able to see between or behind the pixels, as if they were atoms in a vacuum? We can escape the frame by crossing its outer borders, but is there also a way out through the image? This film shows that digital images deny us these possibilities: no matter how far one zooms in, the medium will fill in the supposed emptiness, resisting finitude.
2024-05-20
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Exploring the Infinity of Digital Cinema
A loose sequel to "Self Reflection", "Inner Reflection" is about art, memories, filmmaking, and the director themselves, told through disconnected visuals and a man suffering from violent delusions.
This expressive and experimental short film by Iain Delavan features two distinct emotionally significant videos, broken up by an ethereal synthetic universe. Quoted by Delavan as "the best thing [they] have ever made", this film has many layers hidden underneath the seemingly simplistic surface.
"Light from the Mesa" from Barn Owl's album Ancestral Star.
an experimental short film on being very sensitive. also a commentary on the misogynistic ideology that women are too sensitive/emotional. maybe if we were all a little more sensitive, there would be less wrong with the world.
A documentary with the three cinematographers known for breaking away cinema away from celluloid with the introduction of digital video.
The sun’s energy circulates throughout the earth, feeding the cycle of life. Everything is connected in a natural loop, which repeats, like the circular discs of magical optical toys. This perfectly balanced rhythm is disrupted by human excess, throwing the cycle out of orbit and temporarily stopping the circulation of energy in nature.
The film is an exploration of the queer body’s struggle to attain validation and evade exploitation. In a society where queer identities have always struggled to be recognized, our bodies have often been a medium of our expression and avenue for satisfaction. However, we, as a community, have subjected ourselves as victims to a system that exploits our vulnerabilities and bodies, to the point of moral decay.
In a world where freedom is constantly under threat, democratic societies are always on the lookout to ensure that the hard-won conquests of the historically recent past are not rolled back, but rather evolve towards individual and collective freedoms of expression and coexistence. (Khalil Charif)
Bounded Intimacy (part of the trilogy of Super 8mm shorts It’s Just Business, Baby) examines the histories of various forms of body labor across the Chelsea and Tribeca districts, renowned as a sites for sex work, sex clubs and illicit sexual activity. Bounded Intimacy explores the seduction of a nameless woman and the camera. The relationship between the two remains unknown and ambivalent as to whether or not the encounter is “authentic.” The nature of their relationship is irrelevant as the camera captures the authenticity of the desire in the encounter between the two. (Ayanna Dozier)
From afar, the suburban lifestyle may appear as a sort of utopia; but be sure to gaze beyond the veil, for dire horrors and troubled intimacies will arise in the most unpleasant of forms.
Shot on July 23, 1968, this historical 16mm footage of Frank Zappa and The Mothers of Invention at Whisky a Go Go in West Hollywood, CA has been newly restored from the Vault! The film has been newly synced to the 2023 mixes, marking the first time it's ever been seen with audio. Frank Zappa never had the opportunity to see this footage synced to the music. Now you do. The film was shot in increments and features silent performance footage of The Mothers along with scenes involving The Freaks and the premier of The GTO's (Girls Together Outrageously). In the audience were Flo & Eddie (The Turtles), John Mayall, Elliot Ingber (The Fraternity Of Man), Alice Cooper and members of the Rolling Stones.
A frenetic found-footage documentary made entirely from “lost” unlabeled media on YouTube - weaving together nearly a thousand raw videos, each mistakenly or mindlessly uploaded under a generic filename (e.g., IMG 1326, IMG 5493…).
Quinn is a grade school teacher who is exploited by a group of memoryless individuals who reeducate his long-term partner Amy.
Fantastical, larger-than-life puppetry and rambunctiously playful choreography is framed against an Edenic backdrop of Vermont farm country in George Griffin and DeeDee Halleck’s luminous, lyrical short film, which documents the 1974 edition of the Bread and Puppet Theater’s annual Domestic Resurrection Circus, taking place soon after the company’s relocation from downtown Manhattan to the rural New England enclave where it remains headquartered to this day.
An experimental short film using only free archival footage.
LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)
Experimental film about a guy that really likes to read books in the forest.
Presence narrates the journey of Thati, a woman determined to overcome her anxiety attacks through surfing. She finds refuge in the waves, where the surfboard becomes her ally and personal therapy.