EARLY BIRD(NaN)

A Farra do Circo(pt)

This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.

May It Last: A Portrait of the Avett Brothers(en)

An intimate portrait of the acclaimed North Carolina band The Avett Brothers, charting their decade-and-a- half rise, while chronicling their present-day collaboration with famed producer Rick Rubin on the multi-Grammy-nominated album “True Sadness.”

Best Before Death(en)

Bill Drummond, once the most notorious man in pop music, now travels around the world baking cakes, building beds and shining shoes as part of a twelve year World Tour which is his final art project. This film follows him as he does his work in India and the United States.

The Road Movie(ru)

Anything can happen on Russian roads and is precisely shot by the dashboard camera. Super-objective video registration grows into the strong image of Russian national character – with its permanent awaiting for the miracle and habitual approach to real dramas. A forest on fire as a symbol of Russian hell, a military tank at a car wash and car chase in the vicinity of Kremlin shot with a dashboard cam at the same time when Boris Nemtsov, the leader of political opposition, was shot dead near Kremlin. Dashboard cam depicts life in it’s purity as an unbiased observer.

Third Shift Coming Home(en)

This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.

Elton John: Ten Days That Rocked(en)

Lifting the lid on one of the most iconic singers, songwriters and performers of all time with a look at the most powerful moments that molded Elton John's career and identity. Highlighting each moment are Elton's own words from his writings and interviews as he reflects on each major milestone that altered the trajectory of his life.

American Hardcore(en)

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

Dont Look Back(en)

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

Selena Live! The Last Concert(en)

The concert was recorded on February 26, 1995, at the “Houston Astrodome” and was televised live on Univision. The singer shared the concert with Tejano singer “Emilio Navaira” and performed to 66,994 people, which broke the previous attendance record held by Selena in the previous year. Selena's performance at the Astrodome became her final televised concert before she was shot and killed on March 31, 1995. The set list mostly included material from her "Amor Prohibido" (1994) album and a medley mashup of disco music songs.

George Michael: Freedom Uncut(en)

Freedom Uncut chronicles the tumultuous — yet creatively fruitful — period of George Michael’s life and career following the release of his 1987 solo debut, Faith, then through the creation and release of his 1990 follow-up Listen Without Prejudice, Vol. 1. Along with documenting his creative efforts during this period, the doc will also explore his relationship with Anselmo Feleppa — who died from AIDS-related complications — as well as the death of Michael’s mother.

Aka Dan(en)

YouTube musician and Korean American adoptee Dan Matthews travels to South Korea to perform and reunite with his biological family, including a long lost twin he never knew he had.

What Difference Does It Make?(en)

A documentary that explores the challenges that a life in music can bring.

Pichuco(es)

A musical tour through the work of Aníbal "Pichuco" Troilo, one of the defining figures of tango and Argentinian music.

The Revenge of the Dead Indians(en)

This is a full-length documentary honoring the life and work of American composer and artist John Cage. Cage is considered one of the most influential composers of the 20th century. This documentary features interviews with various personalities from different fields as they introduce us to the life and work of this great American artist.

Kubota(en)

A film featuring architect, sculptor, and musician Nobuo Kubota in a sound-sculpture performance. From within a cage-like structure filled with traditional musical instruments and sound-making devices fashioned from ordinary objects and toys, Kubota creates an aural/visual montage of musical notes and noises. Praised by music educators as a valuable tool for teaching creativity in sound exploration and musical innovation, the film reveals the infinite percussion possibilities of simple objects and presents a portrait of a versatile performer whose imagination has led him far beyond the confines of conventional music. Directed by Jonny Silver - 1982 | 20 min

HAIYU: Rebel Singer Mariem Hassan and the Struggle for a Free Western Sahara(ar)

HAIYU interweaves Mariem Hassan’s music and her personal quest for her country’s independence with larger historical events dating back to the region’s Spanish colonisation, and subsequent occupation by Morocco.

Riverside Player(ko)

The old musicians play in the shaded corner on the side of a stream under a bridge. Their music tells stories of their lives.

The Magnet City(pt)

The film shows the lives of four foreign musicians from different backgrounds and musical genres that after visiting the City of Rio de Janeiro, ended up falling in love with the city, choosing it to live in and becoming typical cariocas.

Slave Trade: How Prince Remade the Music Business(en)

In the mid-1990s reports emerged that Prince had fallen into dispute with his record company. Having signed what was ostensibly a new, 100 million dollar contract just a couple of years before, Prince was now demanding - not unreasonably to most commentators - control of his masters and the freedom to release what he wanted when he wanted. After a bitter war of words, during which the star scrawled Slave across his cheek whenever he appeared in public and routinely dissed his label, the parties finally settled and Prince henceforth was free to take full control of his music and the way it was sold to consumers. Prince approached this task with devastating foresight as he routinely created new marketing concepts which, with time, became the norm across the music world.

Rostropovich: L'archet Indomptable(fr)