What matters at the end of humanity?
What matters at the end of humanity?
2024-05-17
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Earth didn't want us anymore.
The love uncertainties of a young homosexual in search of himself.
In a dystopian near-future, 100 teenage boys must embark on an annual competitive test known as "The Long Walk". The rules are simple: maintain a speed above 4 miles per hour. Receive three warnings in an hour and you’re shot dead. The last one walking gets whatever he wants for the rest of his life. Under these grim circumstances the boys develop deep friendships despite knowing that each of their friends’ survival is a threat to their own.
Eduarda (Eddi) wants to become a woman, but what makes a woman? Maybe breasts help? She goes on holiday with her family and meets Lukas. Unfortunately, she is not the only family member who wants to feel attractive. Are we really defined by what others see?
Origin: Beyond the Impact is a science-fiction drama centered around a meteoric object that hits planet Earth in 1960 and the dark mysteries carried with it. Fifty years after the impact, tech powerhouse Crowe Corporation is determined to lead the world’s fourth industrial revolution by secretly attempting to unlock those mysteries until their leading scientist, Dr. Bernard Schmidt, goes missing. An investigation is launched into the disappearance led by special agent William Shepard of the FBI, reluctantly paired with a cynical Russian operative, Aleksey Popov. The investigation takes a critical turn when Schmidt’s connection to an Air Force test pilot leads the investigators to a young woman whose past uncovers a possible government conspiracy. The investigators then become locked in a race against time to protect a secret hidden in plain sight.
West Germany, Christmas Eve, 1971. 7-year-old Kimîa captures her family’s celebration through the lens of her Super 8 camera. But the mood changes when her mother, Hanna, discovers her husband’s plans.
Every year, thousands of people coming from Africa try to reach Spain in desperate and dangerous journeys across the Mediterranean. Tariq is a young Moroccan who works for a mafia that organises these illegal journeys. His job is to carry immigrants in a dinghy across the strait and not getting caught. But every trip might be the last one.
A group of teenagers riding in a car for a picnic. On the way, one of the guys accidentally shoots a kidnapped girl from a car overtaken on the phone. The guy decides not to tell anyone anything, and soon terrible things start happening to him.
A dark musical about Iara, an ordinary girl who starts to work in a mental institution for women.
An ambitious artist is to present his magnum opus, a time controlling device, at a gala in his nemesis' museum. Getting him into the device is the perfect opportunity to exert revenge and create the ultimate art piece. Stakes rise when the artist's ex-wife volunteer to test the machine instead.
Boba Fett, the infamous intergalactic bounty hunter, has tracked his next prey into a dusty saloon in the outskirts of a remote space port. Who will blink first?
An argument between two families in a thrift store erupts into a full-scale brawl.
In his film 'La tête dans les nuages' ('Head in the Clouds') Jean-Marie Teno criticizes the ills of the modern world and the regression of African societies. This short documentary shows the capital of the Cameroon, Yaondé, but might equally show other African cities: heaps of rubbish lie at the edge of streets, academics are out of work, officials unpaid, corruption is the norm, and misery everywhere. For Jean-Marie Teno 'colonization, civilization, independence, then humanitarian talk are merely excuses and theatrical gestures to ensure that Africa remains the place which foreign powers can exploit with a good conscience.'
Martin, an ex-Parisian well-heeled hipster passionate about Gustave Flaubert who settled into a Norman village as a baker, sees an English couple moving into a small farm nearby. Not only are the names of the new arrivals Gemma and Charles Bovery, but their behavior also seems to be inspired by Flaubert's heroes.
Robin Hood is a 1912 film made by Eclair Studios when it and many other early film studios in America's first motion picture industry were based in Fort Lee, New Jersey at the beginning of the 20th century. The movie's costumes feature enormous versions of the familiar hats of Robin and his merry men, and uses the unusual effect of momentarily superimposing images different animals over each character to emphasize their good or evil qualities. The film was directed by Étienne Arnaud and Herbert Blaché, and written by Eustace Hale Ball. A restored copy of the 30-minute film exists and was exhibited in 2006 at the Museum of Modern Art in New York City.
Ethel, whose financially distressed parents depend on her marrying into wealth, may be forced to abandon the man she loves for her father's rich friend.
When the owner of a handmade hat store and his apprentice learn that the store is on the verge of bankruptcy, they decide to take inspiration from the neighboring hat business in order to make some changes to the store.
Young Jonah's faith carries him and his young sister, Celine, to the last borderland town, Harpdale, in order to escape captivity. They seek out his mother's old friend, the famous reformed gunslinger Kulta; but what they find is more than what anyone bargains for. Set in a Sci-Fi Western town with the air of a Steampunk theme, this tale will begin a journey of high adventure.
James, a newly unemployed man whose personal life is falling apart. Opting to leave his problems behind he encounters entirely new and unexplained ones at the cabin. Strange things happen once he arrives, and James is unsure whether they happen because of an eccentric local named Val or something more sinister.