Arturo Ui
Clark
Flake
Mulberry
Bowl
Der junge Dogsborough
Diener/Ankläger
1974-01-13
0
How did Nazi Germany, from limited natural resources, mass unemployment, little money and a damaged industry, manage to unfurl the cataclysm of World War Two and come to occupy a large part of the European continent? Based on recent historical works of and interviews with Adam Tooze, Richard Overy, Frank Bajohr and Marie-Bénédicte Vincent, and drawing on rare archival material.
On April 30, 1945, while the Russian Army surrounded Berlin, Hitler committed suicide in his bunker. His body was discovered a few days later by the Soviets. He would be positively identified after a top secret inquest in which Hitler's personal dentist would play a central role. And yet, at the same time, Stalin publicly declared that his army was unable to find the Führer's body, choosing to let the wildest rumors develop and going so far as to accuse some of his Allies of having aided the monster's probable escape. What secrets were hidden behind this dissimulation? What happened then to the two ladies involved in the identification of Hitler’s body?
They’ve become the human face of inhuman barbarity. Leaders like Hitler, Idi Amin Dada, Stalin, Kim Jong Il, Saddam Hussein, Nicolae Ceausescu, Bokassa, Muammar Kadhafi, Khomeini, Mussolini and Franco governed their countries completely cut off from reality. These paranoid leaders were driven to abuse their power by the pathology of power itself. Dictators are driven by a relentless, thought-out determination to impose themselves as infallible, all-knowing and all-powerful beings. But they are also men ruled by their caprices, uncontrollable impulses, and reckless fits of frenzy, which paradoxically render them as human as anyone else. The abuses they committed were clearly atrocious, yet some of them were as outlandish as the characters portrayed in the film The Dictator. They sunk to depths worthy of Kafka: so incredibly absurd, they are outrageously funny.
A dramatization of the life of Albert Speer, Hitler's young architect and onetime confidant, and his meteoric rise into the Nazi hierarchy. Based upon Speer's own monograph of the same title.
A look at the parallel lives of Charlie Chaplin and Adolf Hitler and how they crossed with the creation of the film “The Great Dictator,” released in 1940.
The assassination of the would be ruler of Rome at the hands of Brutus and his fellow Senators has tragic consequences for the idealist and the republic.
This portrait that goes against the grain depicts the Führer as a lazy, isolated leader, cut off from reality, incapable of governing without his "apostles". They are Hitler's essential ministers, advisers, rivals, courtiers. They hate each other, and the Führer puts them in competition, often to get the worst out of them. The portraits of Hermann Goering, Heinrich Himmler, Joseph Goebbels, Albert Speer but also Rudolf Hoess, the commandant of the Auschwitz-Birkenau camp, and Doctor Joseph Mengele trace the rivalries, hatreds and predations that punctuate the entire frightening epic of Nazism. This documentary is composed of a selection of archive images and testimonies from descendants and specialists of this period.
Winston Churchill, one of the most revered men of the twentieth century. Adolf Hitler, one of the most hated leaders in contemporary history. Between 1940 and 1945, these two enormously contradictory personalities faced each other in both politics and war. A clash of giants whose story begins in the trenches of the World War I and ends with the debacle of the World War II.
A collaboration in which Robert Wilson and Heiner Müller let Molière die, imagine his death in tableaux with text passages recited by Müller himself. "Cinema watches Death at work." Wilson's actors watch Molière die: their vigil is hard work. Müller's comment: "The poem watches a dying man at work, his name is Molière. The poem is not a film. The film watches an actor playing a dying man called Molière."
This film captures the affair, full of love, lust, and despair, between Adolf Hitler and Eva Braun, from 1932 until their double suicide in 1945.
At the end of WWII, Nazi officials spirited the living head of Adolf Hitler out of Germany to a hiding place in the South American country of Mandoras, in order to revive the Third Reich at a later date. By the 1960s, the time has come, so a top scientist is kidnapped in order to help keep Hitler alive. This film is a re-edit of The Madmen of Mandoras released in theaters in 1963.
How could Hitler and Stalin, sworn ideological enemies, come to a secret pact in 1939? The captivating and detailed story of the diplomatic fiasco that led to the signing of the Nazi-Soviet pact and its devastating consequences.
From 1929 to 1939 Edgar Feuchtwanger lived across the street from Adolf Hitler in Munich Germany From his bedroom the young Jewish boy often viewed the Fuumlhrer just across the avenue A schoolboy in Munich at the time Edgar witnessed the rise of Nazism firsthand sharing in the fear and dread felt by all German Jews witnessing the unstoppable ascent of a madman and the start of World War II
John Gabriel Borkman, a former bank director, was imprisoned for fraud but believes he was wrongly convicted. He had invested clients' money in a major industrial venture but was reported by his friend Hinkel, who was in love with Borkman's former fiancée, Ella Rentheim. Borkman now lives on the first floor of the house, with his estranged wife, Gunhild, living on the ground floor. He occasionally receives visits from his friend Wilhelm Foldal, who supports Borkman's delusion that the bank will reinstate him. In his youth, Borkman betrayed his love for Ella by marrying her twin sister Gunhild to advance his career. After his conviction, Ella took care of their son Erhart and now wants him to live with her and take her name. Borkman agrees, but Gunhild refuses to let her sister take their son.
On October 24, 1940, Philippe Pétain met Adolf Hitler in Montoire and led the French into collaboration with the Nazis. A black page in the history of France, written by a man whom many then considered a hero: the winner of Verdun.