Gentlemen in Storm and Gentlemen in Crown(1934)

if you seek amy(xx)

Images from 2000s music videos are transferred onto the film strip, torn and abstracted until the visuals convulse and shift—a tactile, poetic exploration of materiality, memory, and medium.

Ocharcoaga(es)

Filmed to praise the work of the Spanish Ministry of Housing in solving the problem of shanty towns in Bilbao, it was made to be viewed by General Franco and not for public screening or distribution through the NO-DO newsreel. Although the short film was commissioned by the Ministry of Housing, director Jorge Grau produced a subtly critical work.

Daybreak Express(en)

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

Making Of Castelo(pt)

A two parts making of documentary, following José Augusto Silva and his film crew during the shooting of a university short film called Castelo.

Fallas 37: el arte en guerra(es)

In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.

Giger's Alien(en)

Documentary about Giger's work for the movie Alien (1979).

A Fire(fa)

The National Iranian Oil Company (NIOC), formed upon nationalization of the British Anglo-Iranian Oil Company, employed film systematically, producing many films on oil and petrochemical subjects. It also made films depicting Iran's progress and modernization, highlighting the role of the Shah and NIOC in that direction. Under its auspices, Ebrahim Golestan directed A FIRE (1961), a highly visual treatment of a seventy-day oil well fire in the Khuzestan region of southwestern Iran. This film was edited by the Iranian poet Forough Farrokhzad and won two awards at the Venice Film Festival in 1961.

A Trip to Paramountown(en)

Documentary short film depicting the filmmaking activity at the Paramount Studios in Hollywood, featuring dozens of stars captured candidly and at work.

Pravá tvár Ľudovíta Štúra(sk)

Akademik Emil Belluš(sk)

Formát A5(sk)

Mein Wunschland(de)

Where do they all go?(sv)

94-year old Esther, a pensioner with bad sight, is in search of her artist daugther’s public decoration. Endless phone conversations takes her through municipal bureaucracy and lost culture secretaries. Will she ever get an answer to the eternal question: Where does the art really go?

Mysteries of the Unseen World(en)

Mysteries of the Unseen World transports audiences to places on this planet that they have never been before, to see things that are beyond their normal vision, yet literally right in front of their eyes. Mysteries of the Unseen World reveals phenomena that can't be seen with the naked eye, taking audiences into earthly worlds secreted away in different dimensions of time and scale. Viewers experience events that unfold too slowly for human perception

Wingsuit Warrior(en)

Base jumper Jeb Corliss sustained grave injuries on a crash in South Africa. Through rehab, Jeb relearns the sport to tackle mountains in Europe.

Night and Fog(fr)

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

The Making of The Documentary II(en)

Step into the life and mind of critically acclaimed Hip Hop artist The Game as he travels to Record Room Studios in Miami, FL to record the follow up to his album "The Documentary".

Behind the Tunes: A Conversation with Tex Avery(en)

An interview with 'Tex Avery'.

Homo Paradoksum I(ru)

An experimental film about life on earth as a cosmic experiment and the curiosity and naivete of reaching out to alien life.

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.