Exílio(2024)

vvvamor(pt)

A formally free poetic documentary filmed through a summer depression in northern Portugal.

The Scars(eu)

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

Berlin: Symphony of a Great City(de)

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

273 KELVIN(pt)

Sagrada Travesti do Evangelho(pt)

Entre a Lei e a Luta(pt)

Funeral Bororo(pt)

Olympia: Part One – Festival of the Nations(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

América, do Sul(pt)

Sans Soleil(fr)

A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

Sociedade do Caos(pt)

KM 100(pt)

Young African-Brazilian Miguel drives across the country in search of a long-lost relative to find out about his ancestry. However, a deeper understanding emerges through his encounters along the way.

Almas Silenciosas(pt)

Koyaanisqatsi(en)

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

Bastidores do Penta - Pentacampeão Cearense(pt)

A Body Exploded into a Thousand Pieces(es)

A life marked by wandering. A character that leaves no traces or maps to trace. The file does not give an account of him. His works had no scripts and only existed in the fugacity of the moment. Jorge Bonino was an unclassifiable artist. He triumphed in all of Europe without a translator, he only used an invented language that everyone understood. An imaginary friend mapped the traces his body left in space through stories about a possible life.

He's Always There(en)

A short documentary that discusses gender and reconciling with the past.

Adagio(en)

«I often have dreams. Careless dreams. When the sun was shining. It was calm and quiet. And a peaceful sky overhead.» An experimental musical film on the theme of love. Memories of the past excite the imagination and make you evaluate what is happening in the present in a new way.

Walking(en)

Tommy sets out to document walking. He meets a colorful cast of characters, attaches microphones to his feet, and contends with what it means to capture movement on film.